The Picasso papers
The author addresses questions concerning Picasso's talents and originality and suggests "that modernism itself is a hall of mirrors in which 'counterfeit' and 'genuine' are two sides of the same condition. ... Picasso's pastiche of other artists is brilliantly bro...
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| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Farrar, Straus and Giroux
1998
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| Ausgabe: | 1. ed. |
| Schlagworte: | |
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| 035 | |a (DE-599)BVBBV011993877 | ||
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| 041 | 0 | |a eng | |
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| 050 | 0 | |a N6853.P5 | |
| 082 | 0 | |a 759.4 |2 21 | |
| 084 | |a LI 67055 |0 (DE-625)96829:13283 |2 rvk | ||
| 100 | 1 | |a Krauss, Rosalind E. |d 1941- |e Verfasser |0 (DE-588)120118599 |4 aut | |
| 245 | 1 | 0 | |a The Picasso papers |c Rosalind E. Krauss |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a New York |b Farrar, Straus and Giroux |c 1998 | |
| 300 | |a XVI, 272 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a The author addresses questions concerning Picasso's talents and originality and suggests "that modernism itself is a hall of mirrors in which 'counterfeit' and 'genuine' are two sides of the same condition. ... Picasso's pastiche of other artists is brilliantly brought into focus as the 'sublimated' underbelly of Cubism itself, refashioned in the bright, clean style of the master's neo-classicism, a defense that is its own form of practicing the forbidden."--Jacket. | |
| 600 | 1 | 4 | |a Picasso, Pablo <1881-1973> |x Criticism and interpretation |
| 600 | 1 | 7 | |a Picasso, Pablo |d 1881-1973 |0 (DE-588)118594206 |2 gnd |9 rswk-swf |
| 650 | 7 | |a Collages |2 gtt | |
| 650 | 7 | |a Kubisme |2 gtt | |
| 650 | 7 | |a Schilderijen |2 gtt | |
| 650 | 4 | |a Malerei | |
| 650 | 4 | |a Modernism (Art) |z France | |
| 651 | 4 | |a Frankreich | |
| 689 | 0 | 0 | |a Picasso, Pablo |d 1881-1973 |0 (DE-588)118594206 |D p |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-008116894 | ||
Datensatz im Suchindex
| _version_ | 1804126589427908608 |
|---|---|
| any_adam_object | |
| author | Krauss, Rosalind E. 1941- |
| author_GND | (DE-588)120118599 |
| author_facet | Krauss, Rosalind E. 1941- |
| author_role | aut |
| author_sort | Krauss, Rosalind E. 1941- |
| author_variant | r e k re rek |
| building | Verbundindex |
| bvnumber | BV011993877 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6853 |
| callnumber-raw | N6853.P5 |
| callnumber-search | N6853.P5 |
| callnumber-sort | N 46853 P5 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 67055 |
| ctrlnum | (OCoLC)36776478 (DE-599)BVBBV011993877 |
| dewey-full | 759.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.4 |
| dewey-search | 759.4 |
| dewey-sort | 3759.4 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| edition | 1. ed. |
| format | Book |
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| geographic | Frankreich |
| geographic_facet | Frankreich |
| id | DE-604.BV011993877 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:19:51Z |
| institution | BVB |
| isbn | 0374232091 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008116894 |
| oclc_num | 36776478 |
| open_access_boolean | |
| owner | DE-12 DE-824 |
| owner_facet | DE-12 DE-824 |
| physical | XVI, 272 S. Ill. |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Farrar, Straus and Giroux |
| record_format | marc |
| spelling | Krauss, Rosalind E. 1941- Verfasser (DE-588)120118599 aut The Picasso papers Rosalind E. Krauss 1. ed. New York Farrar, Straus and Giroux 1998 XVI, 272 S. Ill. txt rdacontent n rdamedia nc rdacarrier The author addresses questions concerning Picasso's talents and originality and suggests "that modernism itself is a hall of mirrors in which 'counterfeit' and 'genuine' are two sides of the same condition. ... Picasso's pastiche of other artists is brilliantly brought into focus as the 'sublimated' underbelly of Cubism itself, refashioned in the bright, clean style of the master's neo-classicism, a defense that is its own form of practicing the forbidden."--Jacket. Picasso, Pablo <1881-1973> Criticism and interpretation Picasso, Pablo 1881-1973 (DE-588)118594206 gnd rswk-swf Collages gtt Kubisme gtt Schilderijen gtt Malerei Modernism (Art) France Frankreich Picasso, Pablo 1881-1973 (DE-588)118594206 p DE-604 |
| spellingShingle | Krauss, Rosalind E. 1941- The Picasso papers Picasso, Pablo <1881-1973> Criticism and interpretation Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Collages gtt Kubisme gtt Schilderijen gtt Malerei Modernism (Art) France |
| subject_GND | (DE-588)118594206 |
| title | The Picasso papers |
| title_auth | The Picasso papers |
| title_exact_search | The Picasso papers |
| title_full | The Picasso papers Rosalind E. Krauss |
| title_fullStr | The Picasso papers Rosalind E. Krauss |
| title_full_unstemmed | The Picasso papers Rosalind E. Krauss |
| title_short | The Picasso papers |
| title_sort | the picasso papers |
| topic | Picasso, Pablo <1881-1973> Criticism and interpretation Picasso, Pablo 1881-1973 (DE-588)118594206 gnd Collages gtt Kubisme gtt Schilderijen gtt Malerei Modernism (Art) France |
| topic_facet | Picasso, Pablo <1881-1973> Criticism and interpretation Picasso, Pablo 1881-1973 Collages Kubisme Schilderijen Malerei Modernism (Art) France Frankreich |
| work_keys_str_mv | AT kraussrosalinde thepicassopapers |