Ownership of rights in audiovisual productions a comparative study
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| Format: | Buch |
| Sprache: | English |
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Kluwer Law Internat.
1997
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| 245 | 1 | 0 | |a Ownership of rights in audiovisual productions |b a comparative study |c by Marjut Salokannel |
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Datensatz im Suchindex
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| adam_text | OWNERSHIP OF RIGHTS IN AUDIOVISUAL PRODUCTIONS A COMPARATIVE STUDY BY
MARJUT SALOKANNEL RESEARCHER, DEPARTMENT OF PRIVATE LAW, UNIVERSITY OF
HELSINKI, FINLAND V KLUWER LAW INTERNATIONAL THE HAGUE / LONDON / BOSTON
TABLE OF CONTENTS PREFACE ILL CONTENTS V ABBREVIATIONS XIII INTRODUCTION
1 I AUDIOVISUAL AUTHORS AND THE CHANGING AUDIOVISUAL ENVIRONMENT: AN
OVERVIEW OF THE HISTORICAL CONSTRUCTION OF AUTHORSHIP IN CINEMATOGRAPHIC
AND AUDIOVISUAL WORKS 7 1 GENERAL 7 2 FILM MAKING AS THE INTERPLAY OF
TECHNOLOGICAL, ECONOMIC AND ARTISTIC FACTORS 10 2.1 PHOTOGRAPHY 10 2.2
THE CINEMA 10 THE EARLY DAYS OF THE CINEMA 10 THE LEGITIMATION OF THE
CINEMA AS AN INDEPENDENT ART FORM ... 15 2.3 TELEVISION 17 2.4 DIGITAL
MEDIA 20 2.4.1 GENERAL 20 2.4.2 THE DEROMANTIZATION OF THE AUTHOR AND
THE DESACRALIZATION OF THE NOTION OF THE PROTECTED WORK 23 II THE WORK
OF ART IN THE AGE OF NUMERICAL REPRODUCTION 31 1 GENERAL 31 2
AUDIOVISUAL WORKS AND AUTHOR S RIGHTS 37 2.1 A PROTECTED WORK 37 2.1.1
GENERAL OBSERVATIONS 38 2.1.2 ORIGINALITY IN THE AUTHOR S RIGHTS
TRADITION 43 GERMANY 43 FRANCE 46 SWITZERLAND 51 V MARJUT SALOKANNEL THE
NORDIC COUNTRIES 52 2.1.3 ORIGINALITY IN THE COMMON LAW-BASED COPYRIGHT
TRADITION 54 UNITED KINGDOM 55 UNITED STATES 56 2.1.4 REQUIREMENTS OF
ORIGINALITY AT THE TRANSNATIONAL LEVEL ... 61 2.1.5 SOME CONCLUDING
REMARKS ON DEFINING ORIGINALITY 63 2.2 DEFINING AUDIOVISUAL WORKS IN
TERMS OF AUTHOR S RIGHTS 65 2.2.1 AUDIOVISUAL WORKS IN THE INTERNATIONAL
LEGAL FRAMEWORK . 65 2.2.2 DEFINING AUDIOVISUAL WORKS IN THE EUROPEAN
UNION .... 68 2.2.3 DEFINING CINEMATOGRAPHIC AND AUDIOVISUAL WORKS AS
PROTECTED WORKS ON THE NATIONAL LEVEL 69 2.2.3.1 THE NORDIC COUNTRIES
AND CERTAIN OTHER CIVIL LAW COUNTRIES 69 TRADITIONAL AUDIOVISUAL WORKS
71 NEW AUDIOVISUAL WORK GENRES 75 2.2.3.2 DEFINING AUDIOVISUAL WORKS IN
THE UNITED STATES 82 2.2.4 THE IMPACT OF NEW TECHNOLOGIES ON THE
DEFINITION OF AUDIOVISUAL WORKS: MULTIMEDIA PRODUCTIONS 86 SOME GENERAL
REMARKS WITH RESPECT TO MULTIMEDIA TECHNOLOGIES 86 DEFINING VARIOUS
FORMS OF PROTECTED MULTIMEDIA APPLICATIONS IN TERMS OF AUTHOR S RIGHTS
87 2.2.5 SOME CONCLUDING REMARKS WITH REGARD TO DEFINING AUDIOVISUAL
WORKS 90 III OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS IN TRADITIONAL
FORMS OF AUDIOVISUAL COMMUNICATION . . 93 1 INTRODUCTORY REMARKS 93 2
REGULATING OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS IN THE BERNE
CONVENTION 94 2.1 THE BERNE CONVENTION AND OWNERSHIP OF RIGHTS IN
CINEMATOGRAPHIC WORKS 95 2.2 REGULATION OF AUDIOVISUAL RIGHTS IN THE
BERNE CONVENTION .... 98 2.2.1 REGULATION OF RIGHTS OF AUTHORS OF
PRE-EXISTING WORKS ... 99 2.2.2 REGULATION OF OWNERSHIP OF RIGHTS IN
AUDIOVISUAL WORKS 100 2.3 REGULATION OF MORAL RIGHTS IN THE BERNE
CONVENTION 108 3 THE ROME CONVENTION AND THE PROTECTION OF RIGHTS IN
AUDIOVISUAL WORKS 113 VI TABLE OF CONTENTS 4 AGREEMENT ON TRADE-RELATED
ASPECTS OF INTELLECTUAL PROPERTY RIGHTS AND OWNERSHIP OF RIGHTS IN
AUDIOVISUAL WORKS 114 5 REGULATING OWNERSHIP OF RIGHTS IN AUDIOVISUAL
WORKS IN THE EUROPEAN UNION 116 5.1 HARMONIZATION OF AUTHORSHIP IN
AUDIOVISUAL WORKS 116 5.2 PROTECTING RELATED RIGHTS IN THE EUROPEAN
UNION 120 5.2.1 PROTECTING THE RIGHTS OF PERFORMERS IN AUDIOVISUAL
PRODUCTIONS 120 5.2.2 PHONOGRAM PRODUCERS 122 5.2.3 PROTECTING THE
RIGHTS OF PRODUCERS OF AUDIOVISUAL WORKS 123 5.3 SOME CONCLUDING REMARKS
126 5.3.1 THE HARMONIZATION OF AUTHORSHIP IN AUDIOVISUAL WORKS . 126
5.3.2 HARMONIZATION OF THE RIGHTS OF PERFORMERS IN AUDIOVISUAL
PRODUCTIONS 127 5.3.3 THE LEGAL STATUS OF AUDIOVISUAL PRODUCERS 127 6
AUTHORSHIP IN AUDIOVISUAL WORKS 129 6.1 AUTHORSHIP IN AUDIOVISUAL WORKS
IN CERTAIN EUROPEAN COUNTRIES 130 6.1.1 DETERMINATION OF AUTHORSHIP IN
AUDIOVISUAL WORKS IN GERMANY 131 RIGHTS OF AUTHORS OF PRE-EXISTING WORKS
132 RIGHTS OF FILM AUTHORS 133 6.1.2 DETERMINATION OF AUTHORSHIP IN
AUDIOVISUAL WORKS IN FRANCE 135 6.1.3 DETERMINATION OF AUTHORSHIP IN
AUDIOVISUAL WORKS IN BELGIUM 138 6.2 AUTHORSHIP IN AUDIOVISUAL WORKS IN
THE NORDIC COUNTRIES .... 140 6.2.1 GENERAL 140 6.2.2 AUTHORS OF
PRE-EXISTING WORKS 142 6.2.3 AUTHORS OF CINEMATOGRAPHIC AND AUDIOVISUAL
WORKS . . . 143 THE AUTHOR OF A CINEMATOGRAPHIC WORK: DRAWING THE LINE
BETWEEN CREATIVE ARTISTIC WORK AND TECHNICAL SKILL 143 PROFESSIONALS
HAVING AUTHOR S RIGHTS IN CINEMATOGRAPHIC WORKS IN THE NORDIC COUNTRIES
145 6.2.4 THE IMPACT OF COLLECTIVE ADMINISTRATION OF AUDIOVISUAL RIGHTS
ON THE DETERMINATION OF OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS IN THE
NORDIC COUNTRIES 154 GENERAL BACKGROUND 155 PROFESSIONAL CATEGORIES
ENTITLED TO REMUNERATIONS FOR CERTAIN SECONDARY USES OF AUDIOVISUAL
WORKS VII MARJUT SALOKANNEL AND PROGRAMS IN THE PRACTICE OF COLLECTIVE
ADMINISTRATION OF RIGHTS 158 6.3 SOME CONCLUDING REMARKS WITH RESPECT TO
DETERMINING AUTHORSHIP IN AUDIOVISUAL WORKS 163 PROTECTION OF RIGHTS
RELATED TO AUTHOR S RIGHTS IN AUDIOVISUAL PRODUCTION 166 7.1 RIGHTS OF
PERFORMING ARTISTS 166 7.1.1 PROTECTION OF THE RIGHTS OF PERFORMERS AND
INTERPRETING ARTISTS IN CERTAIN CIVIL LAW-BASED EUROPEAN COUNTRIES . .
166 7.1.1.1 GERMANY 166 7.1.1.2 FRANCE 168 7.1.1.3 BELGIUM 170 7.1.2
RIGHTS OF PERFORMING AND INTERPRETING ARTISTS IN THE NORDIC COUNTRIES
171 7.1.2.1 SWEDEN 171 7.1.2.2 DENMARK 175 7.1.2.3 FINLAND AND NORWAY
177 7.1.2.4 ICELAND 179 7.2 RELATED RIGHTS PROTECTION OF PRODUCERS OF
AUDIOVISUAL WORKS AND OTHER AUDIOVISUAL FIXATIONS 180 7.2.1 PROTECTION
OF THE RELATED RIGHTS OF AUDIOVISUAL PRODUCERS IN CERTAIN EUROPEAN CIVIL
LAW-BASED COUNTRIES 181 7.2.1.1 GERMANY 181 7.2.1.2 FRANCE 183 7.2.1.3
BELGIUM 185 7.2.2 PROTECTION OF THE RIGHTS OF AUDIOVISUAL PRODUCERS IN
THE NORDIC COUNTRIES 187 7.2.2.1 SWEDEN 187 7.2.2.2 DENMARK 189 7.2.2.3
FINLAND 191 7.2.2.4 NORWAY 194 7.2.2.5 ICELAND 195 7.2.3 SOME CONCLUDING
REMARKS WITH RESPECT TO RELATED RIGHTS PROTECTION OF PRODUCERS OF
AUDIOVISUAL FIXATIONS 196 7.3 RIGHTS OF PHONOGRAM PRODUCERS IN THE
NORDIC COUNTRIES .... 197 OWNERSHIP OF ECONOMIC RIGHTS IN AUDIOVISUAL
WORKS 200 8.1 REGULATING THE ASSIGNMENT OF AUDIOVISUAL RIGHTS IN CERTAIN
CIVIL LAW-BASED COUNTRIES 201 8.1.1 GERMANY 201 8.1.1.1 OWNERSHIP OF
AUTHOR S EXCLUSIVE RIGHTS 201 VIII TABLE OF CONTENTS ASSIGNMENT OF
AUDIOVISUAL ADAPTATION RIGHTS IN PRE-EXISTING WORKS 201 ASSIGNMENT OF
AUDIOVISUAL RIGHTS TO THE PRODUCER 203 OTHER LIMITATIONS OF RIGHTS OF
AUTHORS IN FAVOR OF THE PRODUCER 206 8.1.1.2 OWNERSHIP OF PERFORMERS
RELATED RIGHTS 208 8.1.2 FRANCE 209 8.1.2.1 OWNERSHIP OF AUTHOR S
EXCLUSIVE RIGHTS 209 ASSIGNMENT OF AUDIOVISUAL ADAPTATION RIGHTS IN
PRE-EXISTING WORKS 209 ASSIGNMENT OF AUDIOVISUAL RIGHTS TO THE PRODUCER
210 8.1.2.2 OWNERSHIP OF PERFORMERS RELATED RIGHTS 216 8.1.3 BELGIUM
218 8.1.3.1 OWNERSHIP OF AUTHOR S EXCLUSIVE RIGHTS 218 ASSIGNMENT OF
AUDIOVISUAL ADAPTATION RIGHTS IN PRE-EXISTING WORKS 218 ASSIGNMENT OF
AUDIOVISUAL RIGHTS TO THE PRODUCER 219 8.1.3.2 OWNERSHIP OF PERFORMERS
RELATED RIGHTS ..... 221 8.1.4 REGULATING ASSIGNMENT OF AUDIOVISUAL
RIGHTS IN SOME OTHER COUNTRIES 221 8.2 REGULATING THE ASSIGNMENT OF
AUDIOVISUAL RIGHTS IN THE NORDIC COUNTRIES 222 8.2.1 SWEDEN 223 8.2.1.1
OWNERSHIP OF AUTHOR S EXCLUSIVE RIGHTS 223 ASSIGNMENT OF AUDIOVISUAL
RIGHTS TO THE PRODUCER 223 REVERSION OF RIGHTS IN LITERARY AND MUSICAL
WORKS IN CASE OF NON-EXERCISE 226 8.2.1.2 OWNERSHIP OF PERFORMERS
RELATED RIGHTS 227 8.2.2 FINLAND 229 8.2.2.1 OWNERSHIP OF AUTHOR S
EXCLUSIVE RIGHTS 229 ASSIGNMENT OF AUDIOVISUAL RIGHTS TO THE PRODUCER
229 REVERSION OF RIGHTS IN CASE OF NON-EXERCISE . . 235 8.2.2.2
OWNERSHIP OF PERFORMERS RELATED RIGHTS 235 8.2.3 DENMARK 236 8.2.3.1
OWNERSHIP OF AUTHORS EXCLUSIVE RIGHTS 236 IX MARJUT SALOKANNEL
ASSIGNMENT OF AUDIOVISUAL RIGHTS TO THE PRODUCER 236 REVERSION OF RIGHTS
IN CASE OF NON-EXERCISE . . 241 8.2.3.2 OWNERSHIP OF PERFORMERS RELATED
RIGHTS 243 8.2.4 NORWAY 244 8.2.4.1 OWNERSHIP OF AUTHOR S EXCLUSIVE
RIGHTS 244 ASSIGNMENT OF AUDIOVISUAL RIGHTS TO THE PRODUCER 244
REVERSION OF RIGHTS IN CASE OF NON-EXERCISE . . 246 8.2.4.2 OWNERSHIP OF
PERFORMERS RELATED RIGHTS 247 8.2.5 ICELAND 248 8.2.5.1 OWNERSHIP OF
AUTHORS EXCLUSIVE RIGHTS 248 8.2.5.2 OWNERSHIP OF PERFORMERS RELATED
RIGHTS 248 8.2.6 SOME CONCLUDING REMARKS WITH RESPECT TO REGULATING THE
ASSIGNMENT OF AUDIOVISUAL EXPLOITATION RIGHTS IN THE CIVIL LAW TRADITION
OF AUTHOR S RIGHTS 249 8.2.6.1 CONTINENTAL EUROPE 249 8.2.6.2 SWEDEN 250
8.2.6.3 DENMARK 251 8.2.6.4 FINLAND 253 8.2.6.5 NORWAY 253 MORAL RIGHTS
AND OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS IN THE CIVIL LAW COUNTRIES
254 9.1 GENERAL 254 9.1.1 PROTECTING THE PERSONAL PREROGATIVES OF
AUTHORS THROUGH MORAL RIGHTS 255 RIGHT OF DISCLOSURE 256 RIGHT OF
ATTRIBUTION 261 RIGHT TO PRESERVE THE INTEGRITY OF THE WORK 262 9.1.2
SOME OBSERVATIONS WITH REGARD TO PERFORMERS MORAL RIGHTS PROTECTION
WITH RESPECT TO THEIR CONTRIBUTIONS IN AUDIOVISUAL WORKS 265 9.1.3 THE
INALIENABILITY OF MORAL RIGHTS 266 9.2 SPECIFIC REGULATION RELATING TO
THE EXERCISE OF MORAL RIGHTS IN AUDIOVISUAL WORKS 271 9.2.1 FRANCE 271
9.2.2 GERMANY 275 9.3 RIGHT TO PRESERVE THE INTEGRITY OF THE WORK AND
AUTHORSHIP IN AN AUDIOVISUAL WORK: THE HUSTON CASE 276 9.4 SOME
CONCLUDING REMARKS WITH REGARD TO OWNERSHIP OF MORAL RIGHTS IN
AUDIOVISUAL WORKS 282 TABLE OF CONTENTS 10 OWNERSHIP OF RIGHTS IN
AUDIOVISUAL WORKS IN THE COMMON LAW TRADITION 286 10.1 OWNERSHIP OF
RIGHTS IN AUDIOVISUAL WORKS IN THE UNITED KINGDOM 287 10.1.1 REGULATING
AUTHORSHIP IN AUDIOVISUAL WORKS 287 10.1.2 MORAL RIGHTS PROTECTION OF
AUTHORS OF AUDIOVISUAL WORKS UNDER THE C.D.P.A 290 RIGHT OF ATTRIBUTION
291 RIGHT TO OBJECT TO DEROGATORY TREATMENT 292 OTHER PROVISIONS
RELATING TO THE MORAL RIGHTS PROTECTION UNDER THE C.D.P.A 294 10.1.3
RIGHTS IN PERFORMANCES IN CONNECTION WITH FILMS .... 295 RIGHTS OF
PERFORMERS 296 RIGHTS OF PERSONS HAVING RECORDING RIGHTS 296 10.1.4 SOME
CONCLUDING REMARKS 298 10.2 OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS IN
THE UNITED STATES 299 10.2.1 AUTHORSHIP IN AUDIOVISUAL WORKS 299 10.2.2
PROTECTING MORAL RIGHTS UNDER THE U.S. LAW AND IN CONTRACTUAL PRACTICE .
. 306 10.2.3 SOME CONCLUDING REMARKS 310 IV THE IMPACT OF DIGITIZATION
ON OWNERSHIP OF RIGHTS IN AUDIOVISUAL WORKS 313 1 OWNERSHIP OF RIGHTS IN
WORKS CREATED IN MULTIMEDIA ENVIRONMENT . 313 1.1 MULTIMEDIA
APPLICATIONS AS AUDIOVISUAL WORKS 314 1.2 MULTIMEDIA APPLICATIONS AS
LITERARY OR ARTISTIC WORKS 319 1.2.1 MULTIMEDIA APPLICATIONS AS LITERARY
WORKS 319 1.2.2 MULTIMEDIA APPLICATIONS AS ARTISTIC WORKS 320 1.3
MULTIMEDIA APPLICATIONS AS COLLECTIONS OF WORKS OR AS COMPOSITE WORKS
321 1.4 MULTIMEDIA APPLICATIONS AS COLLECTIVE WORKS 325 1.5 MULTIMEDIA
APPLICATIONS AS DATABASES 327 1.6 THE IMPACT OF DIRECTIVE 96/9/EC ON THE
LEGAL PROTECTION OF DATABASES ON THE DEFINITION OF RIGHTOWNERS IN
AUDIOVISUAL WORKS 328 1.6.1 GENERAL 328 1.6.2 DIRECTIVE 96/9/EC ON THE
LEGAL PROTECTION OF DATABASES AND RIGHTOWNERSHIP IN AUDIOVISUAL WORKS
329 1.6.2.1 DATABASES PROTECTED BY COPYRIGHT 329 XI MARJUT SALOKANNEL
1.6.2.2 THE SUI GENERIS PROTECTION FOR THE MAKERS OF THE DATABASE 334 2
SOME CONCLUDING REMARKS ON THE IMPACT OF DIGITIZATION ON OWNERSHIP OF
RIGHTS IN AUDIOVISUAL WORKS 335 V CONCLUDING REMARKS: OWNERSHIP OF
RIGHTS IN AUDIOVISUAL WORKS 337 1 ORIGINAL OWNERSHIP OF RIGHTS IN
AUDIOVISUAL WORKS 338 1.1 GENERAL 338 1.2 OWNERSHIP OF RIGHTS IN
AUDIOVISUAL WORKS AND REGULATING THE EXERCISE OF AUDIOVISUAL RIGHTS WITH
REGARD TO THE COMPLETED AUDIOVISUAL WORK 339 1.2.1 OWNERSHIP OF ECONOMIC
RIGHTS IN THE CIVIL LAW COUNTRIES 339 1.2.2 REGULATING THE EXERCISE OF
AUTHORS MORAL RIGHTS 342 1.2.3 SOME COMPARATIVE REMARKS WITH REGARD TO
THE COMMON LAW TRADITION OF COPYRIGHT 344 2 OWNERSHIP OF RELATED RIGHTS
IN AUDIOVISUAL PRODUCTIONS 345 2.1 PERFORMERS 345 2.1.1 ECONOMIC RIGHTS
OF PERFORMERS 345 2.1.2 REGULATING THE EXERCISE OF PERFORMERS MORAL
RIGHTS . . 347 2.2 PRODUCERS OF AUDIOVISUAL WORKS AND OTHER AUDIOVISUAL
FIXATIONS 348 2.2.1 GENERAL FRAMEWORK OF PRODUCERS RELATED RIGHTS
PROTECTION IN THE NORDIC COUNTRIES 348 2.2.2 SOME CONCLUDING
OBSERVATIONS WITH REGARD TO PRODUCERS RELATED RIGHTS PROTECTION 349 3
FINALLY 350 BIBLIOGRAPHY 355 LEGISLATIVE DOCUMENTS 365 TABLE OF CASES
371 INDEX 375 XII
|
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| id | DE-604.BV011800338 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:15:58Z |
| institution | BVB |
| isbn | 9041104151 |
| language | English |
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| publisher | Kluwer Law Internat. |
| record_format | marc |
| spelling | Salokannel, Marjut Verfasser aut Ownership of rights in audiovisual productions a comparative study by Marjut Salokannel The Hague [u.a.] Kluwer Law Internat. 1997 XIV, 383 S. txt rdacontent n rdamedia nc rdacarrier audiovisuaalinen aineisto ysa digitaalinen tallennus ysa elektroniset julkaisut ysa elokuva ysa tekijänoikeus ysa valokuvat ysa Urheberrecht (DE-588)4062127-3 gnd rswk-swf Rechtsvergleich (DE-588)4115712-6 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 s Urheberrecht (DE-588)4062127-3 s Rechtsvergleich (DE-588)4115712-6 s DE-604 GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007967100&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Salokannel, Marjut Ownership of rights in audiovisual productions a comparative study audiovisuaalinen aineisto ysa digitaalinen tallennus ysa elektroniset julkaisut ysa elokuva ysa tekijänoikeus ysa valokuvat ysa Urheberrecht (DE-588)4062127-3 gnd Rechtsvergleich (DE-588)4115712-6 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd |
| subject_GND | (DE-588)4062127-3 (DE-588)4115712-6 (DE-588)4068939-6 |
| title | Ownership of rights in audiovisual productions a comparative study |
| title_auth | Ownership of rights in audiovisual productions a comparative study |
| title_exact_search | Ownership of rights in audiovisual productions a comparative study |
| title_full | Ownership of rights in audiovisual productions a comparative study by Marjut Salokannel |
| title_fullStr | Ownership of rights in audiovisual productions a comparative study by Marjut Salokannel |
| title_full_unstemmed | Ownership of rights in audiovisual productions a comparative study by Marjut Salokannel |
| title_short | Ownership of rights in audiovisual productions |
| title_sort | ownership of rights in audiovisual productions a comparative study |
| title_sub | a comparative study |
| topic | audiovisuaalinen aineisto ysa digitaalinen tallennus ysa elektroniset julkaisut ysa elokuva ysa tekijänoikeus ysa valokuvat ysa Urheberrecht (DE-588)4062127-3 gnd Rechtsvergleich (DE-588)4115712-6 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd |
| topic_facet | audiovisuaalinen aineisto digitaalinen tallennus elektroniset julkaisut elokuva tekijänoikeus valokuvat Urheberrecht Rechtsvergleich Audiovisuelle Medien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007967100&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT salokannelmarjut ownershipofrightsinaudiovisualproductionsacomparativestudy |