Automatic woman the representation of woman in surrealism

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1. Verfasser: Conley, Katharine 1956- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Lincoln [u.a.] Univ. of Nebraska Press 1996
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Datensatz im Suchindex

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adam_text Contents List of Illustrations ix Preface xi Introduction 1 1 Writing the Virgin s Body: L immaculée Conception 2.7 2 Beyond the Border: Leonora Carrington s Terrible Journey 49 3 Through the Surrealist Looking Glass: Unica Zürn s Vision of Madness 79 4 From the Swinging Door to the Spiral: Rereading André Breton and Women 113 Conclusion 137 Notes 147 Selected Bibliography 159 Index 169 Contemporary feminist critics have often described surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male surrealists as André Breton, Francis Picabia, and Paul Eluard. She labels that image Automatic Woman — a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object generally devoid of individuality and volition. This anaysis largely confirms feminist critiques of surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zürn, two women in the surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton s own views on women evolved over the course of his long career, arriving at last at a position far more congenial to contemporary feminists. Automatic Woman is distinguished by Conley s judicious understanding of how women — and the image of Woman — figured in surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us. Katharine Conley is an assistant professor of French at Dartmouth College.
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physical XVI, 179 S. Ill.
publishDate 1996
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spellingShingle Conley, Katharine 1956-
Automatic woman the representation of woman in surrealism
Kvinnor i litteraturen sao
Surrealism (litteratur) sao
Feminism in literature
Surrealism (Literature)
Women in literature
Literatur (DE-588)4035964-5 gnd
Frau Motiv (DE-588)4113617-2 gnd
Kunst (DE-588)4114333-4 gnd
Surrealismus (DE-588)4058665-0 gnd
subject_GND (DE-588)4035964-5
(DE-588)4113617-2
(DE-588)4114333-4
(DE-588)4058665-0
title Automatic woman the representation of woman in surrealism
title_auth Automatic woman the representation of woman in surrealism
title_exact_search Automatic woman the representation of woman in surrealism
title_full Automatic woman the representation of woman in surrealism Katharine Conley
title_fullStr Automatic woman the representation of woman in surrealism Katharine Conley
title_full_unstemmed Automatic woman the representation of woman in surrealism Katharine Conley
title_short Automatic woman
title_sort automatic woman the representation of woman in surrealism
title_sub the representation of woman in surrealism
topic Kvinnor i litteraturen sao
Surrealism (litteratur) sao
Feminism in literature
Surrealism (Literature)
Women in literature
Literatur (DE-588)4035964-5 gnd
Frau Motiv (DE-588)4113617-2 gnd
Kunst (DE-588)4114333-4 gnd
Surrealismus (DE-588)4058665-0 gnd
topic_facet Kvinnor i litteraturen
Surrealism (litteratur)
Feminism in literature
Surrealism (Literature)
Women in literature
Literatur
Frau Motiv
Kunst
Surrealismus
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