The picturesque literary sources & documents 1 The idea of the picturesque and the vogue for scenic tourism
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245 | 1 | 0 | |a The picturesque |b literary sources & documents |n 1 |p The idea of the picturesque and the vogue for scenic tourism |c ed. and with an introd. by Malcolm Andrews |
264 | 1 | |a Mountfield |b Helm Information |c 1994 | |
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490 | 0 | |a The Helm Information literary sources & documents series | |
648 | 4 | |a Geschichte 1700-1800 | |
648 | 4 | |a Geschichte 1800-1900 | |
650 | 4 | |a Aesthetics | |
650 | 4 | |a Art - History | |
650 | 4 | |a English literature - History and criticism | |
650 | 4 | |a Picturesque, The | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Kunst | |
650 | 4 | |a Ästhetik | |
650 | 4 | |a English literature |y 18th century |x History and criticism | |
650 | 4 | |a English literature |y 19th century |x History and criticism | |
650 | 4 | |a Landscape |z England |x History |x Sources | |
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Datensatz im Suchindex
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adam_text | Titel: Bd. 1. The picturesque. The idea of the picturesque and the vogue for scenic tourism
Autor:
Jahr: 1994
Contents VOLUME I: The Idea of the Picturesque and the Vogue for Scenic Tourism General Editor’s Preface ^ Introduction ^ Critical Bibliography ^g Bibliography: Historical Sources Chronology: ^ List of Illustrations ^ A Note on the Selections ^ A Note on the Texts ^ Acknowledgements ^g Picturesque Tastes: the Early Phase 1. SIR JOHN VANBRUGH, Letter to the Duchess of Marlborough (1709), The Works of Sir John Vanbrugh, Nonesuch Press, 1928. 63 2. JOSEPH ADDISON, from The Spectator, No. 414, 25 June 1712. 65 3. JONATHAN RICHARDSON, (father and son), from An Account of the ... Pictures in Italy, France, c, 1722. 67 4. JOHN DYER, from “Grongar Hill”, Miscellaneous Poems by Several Hands, 1726. 68 5. JAMES THOMSON, from Canto I, The Castle of indolence, 1748. 70 6. WILLIAM GILPIN, from A dialogue upon the Gardens of the Right Honourable the Lord Viscount Cob ham at Stow in Buckinghamshire, 1748. 72 7. JOHN BROWN, A Description of the Lake at Keswick, (and the adjacent country) in Cumberland, c. 1753. 74 8. WILLIAM SHENSTONE, “Unconnected Thoughts on Gardening”, The Works in Verse and Prose of William Shenstone, ed. Robert Dodsley, 1764. 77 9. THOMAS WHATELEY, “Of Picturesque Beauty”, Observations on Modem Gardening, 1770. 85 vii
The Sublime 10. JOHN DENNIS, Letter (1688), from The Critical Works of John Dennis, ed. E. N. Hooker, 1943. 91 11. ANTHONY ASHLEY COOPER, 3rd EARL of SHAFTESBURY, from “The Moralists”, Characteristicks of Men, Manners, Opinions, and Times, 1711. 94 12. JOSEPH ADDISON, from The Tatler, no. 93,1709; The Spectator, no. 412, 23 June 1712; and no 413, 24 June 1712. 96 13. JAMES THOMSON, from The Seasons, 1730. 102 14. HORACE WALPOLE, Letters (1739), from The Letters of Horace Walpole, ed. P. Cunningham, 1906 105 15. THOMAS GRAY, Letters (1739) from Poems, Letters and Essays of Thomas Gray, ed. J. Drinkwater . L. Gibbs, 1912. 108 16. WILLIAM WINDHAM, from Letter from and English Gentleman to Mr. Ac land, giving an Account of a Journey to the Glacières or Ice Alps of Savoy, 1744. 112 17. THOMAS GRAY, The Bard, A Pindaric Ode, 1757. 115 18. EDMUND BURKE, A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful, 2nd ed., 1759. 120 19. WILLIAM COXE, from Sketches of the Natural, Political, and Civil State of Swisserland, 1779. 211 20. SAMUEL TAYLOR COLERIDGE, “Hymn before Sunrise, in die Vale of Chamouni”, 1802. 214 21. PERCY BYSSHE SHELLEY, from History of a Six Weeks’ Tour, 1817, and “Mont Blanc: Lines written in the Vale of Chamouni”, 1816. 217 22. ALBERT SMITH, from A Handbook of Mr. Albert Smith’s Ascent of Mont Blanc, 1852. 222 In Search of the Picturesque: the First Tours 23. THOMAS GRAY, letters (1769), from Correspondence of Thomas Gray, ed. Paget Toynbee Si Leonard Whibley, Vol. Ill, 1935, by permission of Oxford University Press. 227 24. ARTHUR YOUNG, from A Six Months Tour through the North of England, 1770. 236 25. WILLIAM GILPIN, from Observations on the River Wye, and Several Parts of South Wales, c relative chiefly to Picturesque Beauty; made in the Summer of the Year 1770, 1782. viii 241
“Hie Rage for die Lakes” 26. THOMAS WEST, from A Guide to the Lakes 8c .... 1780. 281 27. WILLIAM GILPIN, from Observations... Mountains, and Lakes of Cumberland and Westmoreland, 1786. 317 28. STEBBING SHAW, from A Tour, in 1787 ... to the Western Highlands of Scotland. Including Excursions to the Lakes of Westmoreland and Cumberland, 1788. 376 29. JOSEPH BUDWORTH, from A Fortnight’s Ramble to the Lakes, 1792. 378 30. ADAM WALKER, from Remarks made in a Tour ... to the Lakes of Westmoreland and Cumberland, 1792. 380 The Tour of Scotland 31. WILLIAM GILPIN, from Observations... on the High-Lands of Scotland, 1789. 385 32. ROBERT HERON, from Observations made in a Journey through the Western Counties of Scotland in the Autumn of 1 792,1793. 411 33. JOHN LETTICE, from Letters on a Tour through Various Parts of Scotland in the Year 1792, 1794. 417 34. JAMES M’NAYR, from A Guide from Glasgow to some of the most remarkable Scenes in the Highlands of Scotland, 1797. 418 35. JOHN STODDART, from Remarks on Local Scenery and Manners in Scotland during the Years 1799 and 1800, 1801. 420 The Scenery of Southern England 36. WILLIAM GILPIN, from Observations on the Western Parts of England ... [and] the Isle of Wight, 1790. 431 37. JOHN HASSELL, from Tour of the Isle of Wight, 1 790. 448 38. WILLIAM GILPIN, from Remarks on Forest Scenery ... illustrated by the Scenes of New-Forest in Hampshire, 1791. 449 VOLUME II: Debating the Theory and Practice of the Picturesque Debating the Picturesque 39. WILLIAM GILPIN, Three Essays on Picturesque Beauty; on Picturesque Travel; and on Sketching Landscape: to which is added a Poem, on Landscape Painting, 2nd Ed. 1794. 5 IX
40. JOHN AIKIN, from Letters from a Father to his son on Various Topics, relating to Literature and his Conduct of Life, 1793. 61 41. UVEDALE PRICE, “Appendix” to Essays on the Picturesque, 1810. 64 42. UVEDALE PRICE, from Essays on the Picturesque, as compared with the Sublime and the Beautiful-, and on the Use of studying Pictures, for the Purpose of improving real Landscape, Vol. 1,1810. 72 43. RICHARD PAYNE KNIGHT, The Landscape: A Didactic Poem, 1794. 142 44. HUMPHRY REPTON, “A Letter to Uvedale Price, Esq.,” Sketches and Hints, 1795. 199 45. UVEDALE PRINCE, from A Letter to H. Repton, Esq. on the Application of the Practice as well as the Principles of Landscape-Painting to Landscape-Gardening, 1795. 205 46. UVEDALE PRICE, A Dialogue on the Distinct Characters of the Picturesque and the Beautiful, 1801. 231 Practising the Picturesque 47. JOSEPH HOLDEN POTT, An Essay on Landscape Painting. With Remarks General and Critical, on the Different Schools and Masters, Ancient or Modern, 1782. 267 48. WILLIAM GILPIN, Two Essays: on the Principles on which the Author made his Drawings; and the Mode of executing them, 1804. 284 The Picturesque and Association Theory 49. ARCHIBALD ALISON, from Essays on the Nature and Principles of Taste, 1790. 299 50. RICHARD PAYNE KNIGHT, from Analytical Inquiry into the Principles of Taste, 1805. 326 VOLUME III: The Picturesque in the Nineteenth Century Reflections on the Picturesque Theorists 51. WILLIAM MARSHALL, from A Review of The Landscape, A Didactic Poem: also of An Essay on the Picturesque: together with Practical Remarks on Rural Ornament, 1795. 5 52. SIR WALTER SCOTT, from “On Landscape Gardening”, Quarterly Review, March 1828. 60
66 71 72 81 83 101 105 115 118 120 121 123 127 128 135 140 143 145 146 148 152 155 HENRY DAVID THOREAU, from The Journal of Henry David Thoreau, 0anuary 1854), ed. B. Torrey and F. H. Allen. By permission of Dover Publications. Satires ANONYMOUS, from “The Travellers—A Satire”, 1778. JAMES PLUMPTRE, from The Lakers: An Opera, 1798. ROBERT SOUTHEY, from Letters from England: by Don Manuel Alvarez Espriella, 1807. WILLIAM COMBE, from The Tour of Doctor Syntax in Search of the Picturesque, 1809. THOMAS LOVE PEACOCK, from Headlong Hall, 1816. ANONYMOUS, from The Tour of Doctor Prosody, in Search of the Antique and Picturesque, through Scotland, The Hebrides, the Orkney and Shetland Isles, 1821. Poets oa Painters and the Picturesque WILLIAM USLE BOWLES, from “On a Landscape by Rubens” (no date). WILLIAM WORDSWORTH, from An Evening Walk Addressed to a Young Lady, 1793; rev. 1849-50. WILLIAM WORDSWORTH, A Note to Descriptive Sketches Taken During a Pedestrian Tour Among the Alps, 1793. SAMUEL TAYLOR COLERIDGE, from Letters c .... Samuel Taylor Coleridge, ed. Allsop, 1836. JOHN KEATS, “Epistle to John Hamilton Reynolds”, 1818. JOHN CLARE, “ToDe Wint”, c. 1825. JOHN CLARE, “Essay on Landscape”, 1825-37. Novelists and the Picturesque ANN RADCliFFE, from The Mysteries of Udolpho, 1794. JANE AUSTEN, from Sense and Sensibility, 1811; and Northanger Abbey, 1818. SIR WALTER SCOTT, from Waverley, 1814. CHARLES DICKENS, from Pictures from Italy, 1846. ELIZABETH GASKELL, from North and South, 1854-5. GEORGE ELIOT, from “The Natural History of German Life”, Westminster Review 66, July 1856. GEORGE ELIOT, from Adam Bede, 1859. GEORGE ELIOT, from Middlemarch, 1871-2. xi
Cottage and Village Picturesque 75. JOHN SCOTT, from “Amwell. A Descriptive Poem”, 1788. 159 76. J. T. SMITH, from Remarks on Rural Scenery, 1797. 161 77. THOMAS RUGGLES, “Picturesque Farming”, Annals of Agriculture,Volumes 7,1786; and 9,1788. 172 78. JAMES MALTON, from An Essay on Britisk Cottage Architecture: being an Attempt to perpetuate on Principle, that peculiar mode of Building, which was originally the effect of Chance, 1798. 175 79. RICHARD ELSAM, from An Essay on Rural Architecture ... being an Attempt, also, to Refute, by Analogy, the Principles of Mr. James Malton’s Essay on “British Cottage Architecture”, 1803. 177 80. EDMUND BARTELL Jnr, from Hints for Picturesque Improvements in Ornamented Cottages, and their Scenery: including some Observations on the Labourer and his Cottage, 1804. 179 81. RICHARD ELSAM, from Hints for Improving the Condition of the Peasantry in all parts of the United Kingdom, ... interspersed with Plans, Elevations, and Descriptive Views of Characteristic Designs for Cottages, 1816. 223 82. P. F. ROBINSON, from Rural Architecture: or, a Series of Designs for Ornamental Cottages, 3rd ed., 1836. 225 83. JOHN RUSKIN, from “The Lowland Cottage”, The Poetry of Architecture (1837-8) 228 84. WILLIAM YOUNG, from Picturesque Examples: of Old English Churches and Cottages, from Sketches in Sussex and Adjoining Counties, 1869. 232 Ruskin and the Continuing Debate 85. DUGALD STEWART, from Philosophical Essays, 1810. 247 86. J. B. PAPWORTH, from Hints on Ornamental Gardening, 1823. 268 87. J. G. MacVICAR, from On the Beautiful, the Picturesque, the Sublime, 1837. 269 88. JOHN RUSKIN, from “Preface to the Second Edition” of Volume I of Modern Painters, 1844. 290 89. WARREN BURTON, from The Scenery-Shower, with Word- Paintings of the Beautiful, the Picturesque, and the Grand in Nature, 1844. 306 90. THOMAS MILLER, from Turner and Girtin’s Picturesque Views, Sixty Years Since, 1854. 309 xii
91. J. S. BLACKIE, from On Beauty: Three Discourses delivered at the University of Edinburgh, 1858. 319 92. HENRY TWINING, from The Elements of Picturesque Scenery, or Studies of Nature made in Travel with a View to Improvement in Landscape Painting, Vois. II . Ill, 1853. 320 93. E. M. COPE, from “The Taste for the Picturesque among the Greeks”, Cambridge Essays, contributed by Members of the University, 1856. 328 94. W. B. SCOTT, from “Terms in Art”, Half Hour Lectures on the History and Practice of the Fine and Ornamental Arts, 1861. 336 95. JOHN RUSKIN, from “The Lamp of Memory”, Seven Lamps of Architecture, 1849. 341 96. JOHN RUSKIN, from The Stones of Venice, Volume III, 1853. 346 97. JOHN RUSKIN, “Of the Tumerian Picturesque”, Modem Painters, Volume IV, 1856. 348 xiii
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publishDate | 1994 |
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series2 | The Helm Information literary sources & documents series |
spellingShingle | The picturesque literary sources & documents Aesthetics Art - History English literature - History and criticism Picturesque, The Geschichte Kunst Ästhetik English literature 18th century History and criticism English literature 19th century History and criticism Landscape England History Sources |
subject_GND | (DE-588)4135952-5 |
title | The picturesque literary sources & documents |
title_auth | The picturesque literary sources & documents |
title_exact_search | The picturesque literary sources & documents |
title_full | The picturesque literary sources & documents 1 The idea of the picturesque and the vogue for scenic tourism ed. and with an introd. by Malcolm Andrews |
title_fullStr | The picturesque literary sources & documents 1 The idea of the picturesque and the vogue for scenic tourism ed. and with an introd. by Malcolm Andrews |
title_full_unstemmed | The picturesque literary sources & documents 1 The idea of the picturesque and the vogue for scenic tourism ed. and with an introd. by Malcolm Andrews |
title_short | The picturesque |
title_sort | the picturesque literary sources documents the idea of the picturesque and the vogue for scenic tourism |
title_sub | literary sources & documents |
topic | Aesthetics Art - History English literature - History and criticism Picturesque, The Geschichte Kunst Ästhetik English literature 18th century History and criticism English literature 19th century History and criticism Landscape England History Sources |
topic_facet | Aesthetics Art - History English literature - History and criticism Picturesque, The Geschichte Kunst Ästhetik English literature 18th century History and criticism English literature 19th century History and criticism Landscape England History Sources Quelle |
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