The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait
Commonly known as the "Arnolfi Wedding" or "Giovanni Arnolfi and His Bride," Jan van Eyck's double portrait in the National Gallery, London, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of earl...
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Berkeley [u.a.]
Univ. of California Press
1994
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Schriftenreihe: | [California studies in the history of art / Discovery series]
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245 | 1 | 0 | |a The Arnolfini betrothal |b medieval marriage and the enigma of Van Eyck's double portrait |c Edwin Hall |
264 | 1 | |a Berkeley [u.a.] |b Univ. of California Press |c 1994 | |
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490 | 1 | |a [California studies in the history of art / Discovery series] |v 3 | |
520 | 3 | |a Commonly known as the "Arnolfi Wedding" or "Giovanni Arnolfi and His Bride," Jan van Eyck's double portrait in the National Gallery, London, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of early Flemish art, this enigmatic picture has also aroused intense speculation as to its precise meaning | |
520 | |a Erwin Panofsky's view that the painting represents a clandestine marriage was almost universally accepted until recently, when scholars began to abandon his principle of "disguised symbolism" in favor of more theoretical approaches to the panel's interpretation. Edwin Hall's study - firmly grounded in Roman and canon law, theology, literature, and the social history of the period - reveals new meaning for this wonderful painting: instead of depicting the sacrament of marriage, Hall argues, Van Eyck's double portrait commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time | ||
520 | |a Hall's illuminating book not only unlocks the mystery surrounding the content of this work of art; it also makes a unique contribution to the fascinating history of betrothal and marriage custom, ritual, and ceremony, tracing their evolution from the late Roman Empire thorough the fifteenth century and providing persuasive visual evidence for their development | ||
600 | 1 | 4 | |a Eyck, Jan van <1390-1440> |
600 | 1 | 4 | |a Eyck, Jan van <1390-1440> |t Wedding portrait of Giovanni Arnolfini and Jeanne Cenami |
600 | 1 | 7 | |a Eyck, Jan van |d 1390-1441 |t Arnolfini-Doppelbildnis |0 (DE-588)4284069-7 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1400-1500 | |
650 | 7 | |a Het portret van Giovanni Arnolfini en zijn vrouw Giovanna Cenami (Van Eyck) |2 gtt | |
650 | 7 | |a Interpretatie |2 gtt | |
650 | 4 | |a Marriage customs and rites, Medieval | |
650 | 4 | |a Panel painting |y 15th century |x Expertising | |
650 | 0 | 7 | |a Hochzeit |g Motiv |0 (DE-588)4113942-2 |2 gnd |9 rswk-swf |
653 | 1 | |a Arnolfini, .. | |
653 | 0 | |a Bildnis | |
689 | 0 | 0 | |a Eyck, Jan van |d 1390-1441 |t Arnolfini-Doppelbildnis |0 (DE-588)4284069-7 |D u |
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689 | 1 | 0 | |a Hochzeit |g Motiv |0 (DE-588)4113942-2 |D s |
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Datensatz im Suchindex
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any_adam_object | |
author | Hall, Edwin |
author_facet | Hall, Edwin |
author_role | aut |
author_sort | Hall, Edwin |
author_variant | e h eh |
building | Verbundindex |
bvnumber | BV010043391 |
callnumber-first | N - Fine Arts |
callnumber-label | ND673 |
callnumber-raw | ND673.E9 |
callnumber-search | ND673.E9 |
callnumber-sort | ND 3673 E9 |
callnumber-subject | ND - Painting |
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ctrlnum | (OCoLC)28966994 (DE-599)BVBBV010043391 |
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dewey-raw | 759.9493 |
dewey-search | 759.9493 |
dewey-sort | 3759.9493 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1400-1500 |
era_facet | Geschichte 1400-1500 |
format | Book |
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id | DE-604.BV010043391 |
illustrated | Illustrated |
indexdate | 2024-12-23T13:50:24Z |
institution | BVB |
isbn | 0520082516 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006660993 |
oclc_num | 28966994 |
open_access_boolean | |
owner | DE-355 DE-BY-UBR DE-154 DE-739 DE-473 DE-BY-UBG DE-384 DE-12 DE-29 DE-19 DE-BY-UBM DE-Re5 DE-BY-UBR DE-83 DE-11 DE-188 DE-Y3 DE-255 DE-Y2 |
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physical | XXI, 180 S. zahlr. Ill. |
publishDate | 1994 |
publishDateSearch | 1994 |
publishDateSort | 1994 |
publisher | Univ. of California Press |
record_format | marc |
series2 | [California studies in the history of art / Discovery series] |
spelling | Hall, Edwin Verfasser aut The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait Edwin Hall Berkeley [u.a.] Univ. of California Press 1994 XXI, 180 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier [California studies in the history of art / Discovery series] 3 Commonly known as the "Arnolfi Wedding" or "Giovanni Arnolfi and His Bride," Jan van Eyck's double portrait in the National Gallery, London, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of early Flemish art, this enigmatic picture has also aroused intense speculation as to its precise meaning Erwin Panofsky's view that the painting represents a clandestine marriage was almost universally accepted until recently, when scholars began to abandon his principle of "disguised symbolism" in favor of more theoretical approaches to the panel's interpretation. Edwin Hall's study - firmly grounded in Roman and canon law, theology, literature, and the social history of the period - reveals new meaning for this wonderful painting: instead of depicting the sacrament of marriage, Hall argues, Van Eyck's double portrait commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time Hall's illuminating book not only unlocks the mystery surrounding the content of this work of art; it also makes a unique contribution to the fascinating history of betrothal and marriage custom, ritual, and ceremony, tracing their evolution from the late Roman Empire thorough the fifteenth century and providing persuasive visual evidence for their development Eyck, Jan van <1390-1440> Eyck, Jan van <1390-1440> Wedding portrait of Giovanni Arnolfini and Jeanne Cenami Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd rswk-swf Geschichte 1400-1500 Het portret van Giovanni Arnolfini en zijn vrouw Giovanna Cenami (Van Eyck) gtt Interpretatie gtt Marriage customs and rites, Medieval Panel painting 15th century Expertising Hochzeit Motiv (DE-588)4113942-2 gnd rswk-swf Arnolfini, .. Bildnis Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 u DE-604 Hochzeit Motiv (DE-588)4113942-2 s Discovery series] [California studies in the history of art 3 (DE-604)BV037478325 3 |
spellingShingle | Hall, Edwin The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait Eyck, Jan van <1390-1440> Eyck, Jan van <1390-1440> Wedding portrait of Giovanni Arnolfini and Jeanne Cenami Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd Het portret van Giovanni Arnolfini en zijn vrouw Giovanna Cenami (Van Eyck) gtt Interpretatie gtt Marriage customs and rites, Medieval Panel painting 15th century Expertising Hochzeit Motiv (DE-588)4113942-2 gnd |
subject_GND | (DE-588)4284069-7 (DE-588)4113942-2 |
title | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait |
title_auth | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait |
title_exact_search | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait |
title_full | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait Edwin Hall |
title_fullStr | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait Edwin Hall |
title_full_unstemmed | The Arnolfini betrothal medieval marriage and the enigma of Van Eyck's double portrait Edwin Hall |
title_short | The Arnolfini betrothal |
title_sort | the arnolfini betrothal medieval marriage and the enigma of van eyck s double portrait |
title_sub | medieval marriage and the enigma of Van Eyck's double portrait |
topic | Eyck, Jan van <1390-1440> Eyck, Jan van <1390-1440> Wedding portrait of Giovanni Arnolfini and Jeanne Cenami Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd Het portret van Giovanni Arnolfini en zijn vrouw Giovanna Cenami (Van Eyck) gtt Interpretatie gtt Marriage customs and rites, Medieval Panel painting 15th century Expertising Hochzeit Motiv (DE-588)4113942-2 gnd |
topic_facet | Eyck, Jan van <1390-1440> Eyck, Jan van <1390-1440> Wedding portrait of Giovanni Arnolfini and Jeanne Cenami Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis Het portret van Giovanni Arnolfini en zijn vrouw Giovanna Cenami (Van Eyck) Interpretatie Marriage customs and rites, Medieval Panel painting 15th century Expertising Hochzeit Motiv |
volume_link | (DE-604)BV037478325 |
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