Artifacts, art works and agency

This is the first philosophical study of artifacts that is book length. In it Randall Dipert develops a theory of what artifacts are and applies it extensively to one of the most complex and intriguing kind of artifacts, art works. He presents his own account of what agents, intentions, and actions...

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1. Verfasser: Dipert, Randall R. (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Philadelphia Temple Univ. Press 1993
Schriftenreihe:The arts and their philosophies
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adam_text Titel: Artifacts, art works and agency Autor: Dipert, Randall R. Jahr: 1993 Contents Preface xi Chapter 1 Introduction 1 The Breadth of the Topic Artificial and Natural 1 The Utility of a Theory of Artifacts 4 The (Non-)history of Theories of Artifacts 7 The Definition of Artifact : First Attempt 11 Philosophical Presuppositions 18 Chapter 2 Instruments, Tools, and Artifacts 23 Instruments: Things Intentionally Used 23 Tools: Intentionally Modified Instruments 27 Artifacts Proper: Objects Intended to Be Recognized as Tools 29 Artificial Things of All Sorts 33 Chapter 3 Agents, Intentions, and Action 38 Main Questions in Action Theory for the Theory of Artifacts 40 ?The Historical Nature of Action-Theoretic Concepts 41 Structural and Historical Criteria for Action 43 Contemplating States, Activities, and Agents 46 Fully Intentional Actions, Half-Intentional Ones: Habits 49 Other Unconscious Influences on Actions 51 Plans; Low-, Middle-, and High-Level Intentions 54 Chapter 4 Recognizing Actions and Artifacts The Conceptualization and Attribution of Action-Theoretic Notions 57 The Undero^ermination and Lack of Justification for Many Attributions of Agency 57 VU Contents The Conceptualization and Attribution of Action: A Single Case 61 Attributing Plans and Purposes to Agents 65 Recognizing Intentional Features in Events 69 Recognizing Intentional Properties in Instruments and Tools 72 Chapter 5 Recognizing and Interpreting Artifacts 77 Underdetermination for Artifacts 77 Indicative Actions and Artifacrual Properties 83 Goals and Methodologies in the Interpretation of Artifacts 87 The Rationality of Historical Inquiry for Finding Best the Present Function 91 Hesitations About the Efficacy of Historical Inquiry 95 Another, Political, Reason for the Disutility of Historical Inquiry 97 General Rules of Cognition and Their Rationality 99 Chapter 6 Communicative, Expressive, Artistic, and Other Artifacts 102 Communicative and Expressive Artifacts 102 Classifying Artifacts: General Issues 105 Ordinary Useful Artifacts 107 Art Works 108 Conceiving of Objects as Art Works 112 Being an Art Work 114 An Alternative Definition of Art Work 116 Chapter 7 Toward a Metaphysics of Artifacts Individuation, Identity Through Time, and Group Agency 119 Deterioration and Restoration of Artifacts 121 Indirect Creation and Group Agency 126 The Individuation of Artifacts and Physical Objects 129 Peculiar Properties: Historical and External Properties of Things 131 External Properties and Relations 134 Chapter 8 Evaluating Artifacts 136 Five Dimensions of Artifactual Value 138 The Details of Functional Failure: Deficiencies in the Means-Ends Hierarchy 146 viii Contents Types of Failure in a Deliberative History 148 High-, Middle-, and Lowlevel Intentions Behind Artifacts 150 A Mundane Example: A Good Chair 153 Evaluation of Agent and Interpreter 156 Chapter 9 Art Works as Artifacts Special Considerations 158 Artifactual and Action-Theoretic Reflections on Art Works 159 The Sensuous Versus the Abstract in Art 160 Are Art Works Platonic Complexes of Intentions? 164 The Identity and Individuation of An Works 166 Purposes of Art Works: Their Essential Obscurity 171 Specifying the Purposes of Art: As Much as We Can Say 173 Chapter 10 The Purposes of Art Works 176 Emotional Expression and Communication as Artistic Purposes 176 The Complex and Subtle Content of Artistic Articulation 179 Obscurity, Success, and Artistic Evaluation 186 Purposes of Art Other Than Expression 188 Art Works as Historical and Cultural Objects 190 Chapter ll Performance Art Works 197 Performances as Artifacts 197 Artistic Performances 199 Three Puzzles About Artistic Performance 202 Performance as an Action-Theoretic Concept The Normative Aspects of Performance Applying the Philosophical Theory to Performances A Final Example of the Authenticity Problem: J. S. Bach Expanding the Issue of Authenticity 204 211 216 221 223 Chapter 12 Natural and Artificial The Fateful and Obscure Contrast 224 Theories of Nature 224 The Crudity of the Contemporary Conception of Nature An Ecological-Philosophical Paradox The Complementarity of Nature and the Artificial World 228 231 IX Contents Saving the Experience of the Natural 232 Purposes of Agents, Purposes in Artifacts, Purposes in Nature 236 The Uses of Nature. Interpretation-Free Zone and Nature as Artifact 242 A Second Purpose of Nature: Otherworldly Agents 247 Bibliography 249 Index 263
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series2 The arts and their philosophies
spellingShingle Dipert, Randall R.
Artifacts, art works and agency
Actietheorie gtt
Fenomenologie gtt
Kunsttheorie gtt
Kunstvoorwerpen gtt
Ästhetik
Act (Philosophy)
Aesthetics
Ästhetik (DE-588)4000626-8 gnd
subject_GND (DE-588)4000626-8
title Artifacts, art works and agency
title_auth Artifacts, art works and agency
title_exact_search Artifacts, art works and agency
title_full Artifacts, art works and agency Randall R. Dipert
title_fullStr Artifacts, art works and agency Randall R. Dipert
title_full_unstemmed Artifacts, art works and agency Randall R. Dipert
title_short Artifacts, art works and agency
title_sort artifacts art works and agency
topic Actietheorie gtt
Fenomenologie gtt
Kunsttheorie gtt
Kunstvoorwerpen gtt
Ästhetik
Act (Philosophy)
Aesthetics
Ästhetik (DE-588)4000626-8 gnd
topic_facet Actietheorie
Fenomenologie
Kunsttheorie
Kunstvoorwerpen
Ästhetik
Act (Philosophy)
Aesthetics
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