A handbook of copyright in British publishing practice
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Cassell
1984
|
Ausgabe: | 2. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
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MARC
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245 | 1 | 0 | |a A handbook of copyright in British publishing practice |c J. M. Cavendish |
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264 | 1 | |a London |b Cassell |c 1984 | |
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Datensatz im Suchindex
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adam_text | Contents
Preface: A Word of Caution xi
Acknowledgments xiii
1 Where Are We Now? 1
2 What Is Copyright? 2
3 An Outline of the Copyright Act of 1956 5
4 Geography and the Act 7
5 The Subjects Protected by Copyright 9
General • Literary Works • Dramatic Works • Musical
Works
6 Who is the Author? 15
7 How Does a Work Qualify for Copyright Protection? 16
International Protection • UK Protection ¦ Denial of
Protection to Illegal Works • Originality ¦ Making and
Material Form ¦ Acceptable Territory • Qualified Persons
¦ Works of United States Origin • Recognised
International Organisations ¦ Governments in the British
Sphere
8 What is Publication? 24
9 Who Owns the Copyright? 27
General • The First Owner: (1) The Author • (2) The
Employer of the Author • (3) A Government in the British
Sphere • (4) The Assignee of a Prospective Copyright •
Later Owners of the Copyright ¦ Reversion of Rights by
Agreement • Reversion of Rights under the 25 year
Proviso • Loss of Copyright Ownership
10 How long does Copyright Protection Last? 33
General • (1) Perpetual Copyrights and Printing
Rights • (2) Copyrights First Owned by Governments in
the British Sphere ¦ (3) Copyrights First Owned by
Recognised International Organisations • (4) Copyrights
not in Categories 1, 2 or 3 ¦ General Rule ¦
Pseudonymous and Anonymous Works and Works of
Untraceable Authorship • Joint Works ¦ Additional Notes
11 The Extent and Limitations of a Copyright 40
The Limited Prerogatives of the Copyright Owner • How
Much Can Be Copied Without Permission? (Substantial
Part and Fair Dealing) ¦ The Rights Controlled by the
Copyright Owner • Infringement • Untraceable Authors
12 Reproduction in Newly Printed Form 47
General • What is a Copy? ¦ When is Copying Privileged?
¦ Copying and Breach of Confidence ¦ Droit Moral •
Copying Across National Frontiers
13 Copying by Libraries 53
General • What Libraries are Privileged? • How much can
be Copied?
14 Copying in and for Schools 55
What Schools are Privileged? ¦ Quotation in Collections
Published for Schools ¦ Reproduction and Adaptation in
Examination Papers • Reproduction and Adaptation in the
Course of Instruction
15 Reprography: Facsimile Copying 58
16 Using Old Unpublished Manuscripts Without
Permission 60
17 Using Entire Published Works Without Permission 62
General • Compulsory Licence Provisions for Developing
Countries
18 Using Government Publications and Public Records 63
General • Published Material and Material Intended for
Publication ¦ Unpublished Records
19 TheBible 67
20 Works in Perpetual Copyright 68
21 Reprinting Extracts: Permission to Quote, Select or
Anthologise 69
General • When to Ask Permission to Quote • Applying
for Permission to Quote • Acknowledgments • Giving
Permission and Charging Fees
22 Original Manuscripts 79
23 Copying Titles, Ideas, Plots, Slogans, Information
and Characters 81
24 The Author s Name 83
General • Passing Off ¦ False Attribution of Authorship ¦
Malicious Falsehood • Choosing a Pseudonym
25 The Publisher s Copyright in his Typography 86
26 Blanket Licensing 88
27 Performance 90
General ¦ Obtaining permission for a Performance • The
Performing Right Tribunal • Performers
28 Dramatising a Literary Work 93
29 Translation 95
30 Adapting a Work to a Strip Cartoon 97
31 Reproducing a Work as a Sound Recording 98
32 The Sound Recording as a Separate Subject of
Copyright 99
33 Broadcasting a Work by Television or Radio 102
General • Cable Television and Satellite Broadcasting
34 Television and Radio Programmes as Separate
Subjects of Copyright 106
35 Filming a Work for Cinema and Video 108
36 The Film as a Separate Subject of Copyright 110
General • Video Recordings
37 Copyright and Computers 112
General • The Protection of Computer Programs • The
Creation of Copyright Works by Computers ¦ The Use of
Copyright Works in Computers
38 The Public Lending Right 118
39 Submitting and Reading a Work for Publication 120
40 Revising a Text 123
41 Reissuing a Previously Published Text 125
42 Publications with a Supervisory Editor 127
43 Republishing Out of copyright Works 129
44 Deposit Regulations for Publications and Scripts 130
45 Composing the Copyright Notice 134
General ¦ The General Copyright Notice • The Copyright
Line • Where Should the Line be Printed? • Requirements
for the Copyright Line • When to Print a new Copyright
Line • Mistakes • The Symbol • The Name • The Date •
Translations • UK Reprints and Reproductions • Material
for Säle in the United States
46 A Checklist for the Copyright Page 145
General • ISBNs • Cataloguing in Publication ¦ Library of
Congress Catalog Card Numbers
47 Copyright in Artistic Works 148
48 Commissioning and Copying Artistic Works 156
General ¦ Newly Commissioned Works • Permission to
Reproduce Existing Artistic Works ¦ The Object
Reproduced • The Copyright Line and Acknowledgments
¦ Giving Permission and Charging Fees
49 If a Copyright Owner Dies 162
50 Composing a Contra« 164
General • The Basic Contra« • Licences and Assignments
51 The Rights Covered by a Publishing Contract 175
Volume (or Book) Rights • Subsidiary Rights
52 Copyright and the United States 179
53 Copyright and the USSR 185
54 International Copyright Conventions 189
Bibliograph)/ 195
Appendix: The Net Book Agreement 197
Index 199
|
any_adam_object | 1 |
author | Cavendish, Jean M. |
author_facet | Cavendish, Jean M. |
author_role | aut |
author_sort | Cavendish, Jean M. |
author_variant | j m c jm jmc |
building | Verbundindex |
bvnumber | BV005110253 |
callnumber-first | K - Law |
callnumber-label | KD1289 |
callnumber-raw | KD1289 |
callnumber-search | KD1289 |
callnumber-sort | KD 41289 |
callnumber-subject | KD - United Kingdom and Ireland |
classification_rvk | AN 49200 |
ctrlnum | (OCoLC)13331170 (DE-599)BVBBV005110253 |
dewey-full | 346.4104/82 344.1064/82 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 346 - Private law 344 - Labor, social, education & cultural law |
dewey-raw | 346.4104/82 344.1064/82 |
dewey-search | 346.4104/82 344.1064/82 |
dewey-sort | 3346.4104 282 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft Allgemeines |
edition | 2. ed. |
format | Book |
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geographic_facet | Großbritannien |
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illustrated | Not Illustrated |
indexdate | 2024-12-23T11:29:43Z |
institution | BVB |
isbn | 0304310670 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-003138796 |
oclc_num | 13331170 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG |
owner_facet | DE-473 DE-BY-UBG |
physical | XII, 210 S. |
publishDate | 1984 |
publishDateSearch | 1984 |
publishDateSort | 1984 |
publisher | Cassell |
record_format | marc |
spellingShingle | Cavendish, Jean M. A handbook of copyright in British publishing practice Droit d'auteur - Grande-Bretagne Copyright Great Britain Urheberrecht (DE-588)4062127-3 gnd |
subject_GND | (DE-588)4062127-3 (DE-588)4022153-2 |
title | A handbook of copyright in British publishing practice |
title_auth | A handbook of copyright in British publishing practice |
title_exact_search | A handbook of copyright in British publishing practice |
title_full | A handbook of copyright in British publishing practice J. M. Cavendish |
title_fullStr | A handbook of copyright in British publishing practice J. M. Cavendish |
title_full_unstemmed | A handbook of copyright in British publishing practice J. M. Cavendish |
title_short | A handbook of copyright in British publishing practice |
title_sort | a handbook of copyright in british publishing practice |
topic | Droit d'auteur - Grande-Bretagne Copyright Great Britain Urheberrecht (DE-588)4062127-3 gnd |
topic_facet | Droit d'auteur - Grande-Bretagne Copyright Great Britain Urheberrecht Großbritannien |
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work_keys_str_mv | AT cavendishjeanm ahandbookofcopyrightinbritishpublishingpractice |