Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
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| Format: | Buch |
| Sprache: | English |
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1985
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| Schriftenreihe: | Modern Humanities Research Association: Texts and dissertations
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Page
Preface ix
Chapterl: Frank Wedekind. A radical critique of the middle class.
Instincts and bourgeois morality. A double profile
of the outsider, as an enlarged reflection of
bourgeois vice and as the means of unmasking it. 1
Frühlingserwachen: Innocence in conflict with sexual
taboo through a poetical representation of the
adolescent s sensual awakening and a caricature of
the Wilhelmine middle class adult. 2
Erdgeist and Die Büchse der Pandora: Lulu, symbol of
natural libido. The sub criminal world as a bizarre
model of bourgeois society. Lulu s irrevocable
downfall. 8
Der Marquis von Keith: Bourgeois behaviour and tactics
defined through social resistance to the outsider
(Keith and Scholz). Keith and Scholz together as the
formula for the perfect bourgeois. 22
Der Kammersänger: a caricature of the bourgeois artist. 26
Chapter II: Carl Sternheim. A nostalgic view of the late bourgeois.
A comedy of masks. The bourgeois type revitalized
and vindicated in his social drives with consequent
softening of caricature. The bourgeois as a foil to
other social types. Sternheim s ambivalence and the
historical limitations of his Standpoint. 29
Die Hose: The petit bourgeois triumphs in his domestic
environment through conformism. 34
Der Snob: The bourgeois outdoes the aristocrat through
wealth and style. 37
vi
1913: Sternheim s mistrust of the monopolist power of
the bourgeoisie in the years before the war. Carica
ture of the revolutionary. 42
Bürger Schippel: Schippel, the caricature of the worker
with the ambition to become middle class. Escape
into nineteenth century provincial Bürgertum. 45
Tabula Rasa: The worker fulfils his bourgeois aspirations
by being simultaneously sentimental and brutal.
The materialistic justification of the mask. 49
Chapter III: Georg Kaiser and Ernst Toller. War, mass society and
the impossibility of a radical change. The ideal of
the New Man . 55
/// (A): Georg Kaiser. From the failure of the individual to fulfil
himself, and the dehumanization of the masses, to
the Utopia of the New Man . The prophetic quality
of Kaiser s vision and his despair. 56
Von morgens bis mitternachts: The dramatic break
through to freedom of the petit bourgeois. His
disappointing search to discover the value of
money. The failure of religion to sustain him. Death
astheultimatesolution. 59
The Gas Trilogy: 65
Die Koralle: The conflict of generations projected on a
sociological level and with stylized representative
characters: the advent of socialism (the son) and the
downfall of capitalism (the father).
Gas I: A stylized model of a socialist system of produc
tion. The reification of man. The growing risk of
industrial disaster. The abstract ideals of the natu
ral Community and of the New Man . The workers
refusal to resist the Stimulus of money.
Gas II: A concise model of a country at war. Its consequ
ences: further dehumanization of the masses;
increase in the production of war industry (poiso
nous gas); the desfre for further destruction through
defeat. Kaiser s nihilism, represented in formal sim
plifications J
|
%
i
vii
III (B): Ernst Toller. Abstraction and symbolism as means to
portray the struggle for a humanist socialism. The
problem of means and ends in a revolution. The
Opposition between Masse and Mensch. The symbo
lic figure of the leader. His death. 76
Die Wandlung: From ontological despair to social com
mitment. The birth of the New Man , as an abstract
conception, from the ashes of the war. 79
Masse Mensch: The leader in moral conflict after having
led the masses to violent rebellion. His adoption of
pacifism. 87
Die Maschinenstürmer: Historical parable. The quick
response of the masses to the pseudo leader who
advocates violence. The sacrificial death of the New
Man . 92
Hinkemann: Hinkemann, the symbol of working class
failure in war torn Germany. Toller s loss of faith in
the possibility of a radical transformation of
society. 96
Chapter IV: Bertolt Brecht. A new formula for a humanist political
theatre. A theatre of parables that illustrate a new
phase of a dialectical relationship between man and
society, and restore faith in the individual through
the Marxist conception of history. Characters as
images of social contradictions presented both as
individualized and as representative parable
figures. 104
Mutter Courage und ihre Kinder: Anna Fierling, para
doxical image of the little people who join the war
for profit and instead lose everything. Brecht s plea
for pacifism. 111
Der Gute Mensch von Sezuan: A parable illustrating the
impossibility of being moral and well off in a society
divided into classes. Shen Te s personal dilemma
representative of the conflict between Christian
morality and capitalist economy. 117
viii
Leben des Galilei: The scientist s responsibility to act
politically in the interest of the masses. Brecht s
dialectical presentation of individual and social ele
ments (Galileo s political naivety and the power of
the Catholic Church and the interests of the rising
middleclass). 123
Conclusion 129
Notes and References 133
Bibliograph)/ 138
|
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| id | DE-604.BV000469254 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-23T09:58:29Z |
| institution | BVB |
| isbn | 0947623000 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-000289198 |
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| physical | XI, 145 S. |
| publishDate | 1985 |
| publishDateSearch | 1985 |
| publishDateSort | 1985 |
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| series | Modern Humanities Research Association: Texts and dissertations |
| series2 | Modern Humanities Research Association: Texts and dissertations |
| spellingShingle | Silva, M. Helena Gonçalves da Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht Modern Humanities Research Association: Texts and dissertations Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd Wedekind, Frank 1864-1918 (DE-588)118629867 gnd Sternheim, Carl 1878-1942 (DE-588)118617958 gnd Toller, Ernst 1893-1939 (DE-588)118623230 gnd Kaiser, Georg 1878-1945 (DE-588)118559427 gnd Characters and characteristics in literature German drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Deutsch (DE-588)4113292-0 gnd |
| subject_GND | (DE-588)118514768 (DE-588)118629867 (DE-588)118617958 (DE-588)118623230 (DE-588)118559427 (DE-588)4012899-4 (DE-588)4113292-0 |
| title | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| title_auth | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| title_exact_search | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| title_full | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht M. Helena Gonçalves da Silva |
| title_fullStr | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht M. Helena Gonçalves da Silva |
| title_full_unstemmed | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht M. Helena Gonçalves da Silva |
| title_short | Character, ideology and symbolism in the plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| title_sort | character ideology and symbolism in the plays of wedekind sternheim kaiser toller and brecht |
| topic | Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd Wedekind, Frank 1864-1918 (DE-588)118629867 gnd Sternheim, Carl 1878-1942 (DE-588)118617958 gnd Toller, Ernst 1893-1939 (DE-588)118623230 gnd Kaiser, Georg 1878-1945 (DE-588)118559427 gnd Characters and characteristics in literature German drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | Brecht, Bertolt 1898-1956 Wedekind, Frank 1864-1918 Sternheim, Carl 1878-1942 Toller, Ernst 1893-1939 Kaiser, Georg 1878-1945 Characters and characteristics in literature German drama 20th century History and criticism Drama Deutsch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000289198&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000001184 |
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