文学史观的“长河意识”和“博物馆意识”
科学的文学史观是文学史教材和著作的灵魂。由此，该文提出并论证了“长河意识”和“博物馆意识”的科学的文学史观念，前者主要从整体观、源流观、分期观契入，后者着重从历史性、主体性、稳定性契入。科学的文学史观的主体性，是决定一部文学史有无创新和学术价值高低的关键。...
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| Veröffentlicht in: | Zhongshan da xue xue bao. Zhe xue she hui ke xue ban 2005, Vol.45 (3), p.36-41 |
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| container_title | Zhongshan da xue xue bao. Zhe xue she hui ke xue ban |
| container_volume | 45 |
| creator | 唐金海 |
| description | 科学的文学史观是文学史教材和著作的灵魂。由此，该文提出并论证了“长河意识”和“博物馆意识”的科学的文学史观念，前者主要从整体观、源流观、分期观契入，后者着重从历史性、主体性、稳定性契入。科学的文学史观的主体性，是决定一部文学史有无创新和学术价值高低的关键。 |
| doi_str_mv | 10.3969/j.issn.1000-9639.2005.03.010 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1000-9639 |
| ispartof | Zhongshan da xue xue bao. Zhe xue she hui ke xue ban, 2005, Vol.45 (3), p.36-41 |
| issn | 1000-9639 |
| language | chi |
| recordid | cdi_wanfang_journals_zsdxxb_shkxb200503010 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| subjects | 主体性 博物馆意识 科学的文学史观 长河意识 |
| title | 文学史观的“长河意识”和“博物馆意识” |
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