李香君的“情”与“节”
纵观《桃花扇》全剧，侯方域与李香君的爱情表现出轻“情”重“节”、抑“情”扬“节”的特点。可以说，《桃花扇》一剧是以“情”为主线，以“节”为旨归。之所以出现这一现象，有着深厚的历史渊源，其中既有时代原因，也受当时社会思潮、作家因素的影响。...
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| Veröffentlicht in: | 泰山学院学报 2008-08, Vol.30 (4), p.52-54 |
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| description | 纵观《桃花扇》全剧，侯方域与李香君的爱情表现出轻“情”重“节”、抑“情”扬“节”的特点。可以说，《桃花扇》一剧是以“情”为主线，以“节”为旨归。之所以出现这一现象，有着深厚的历史渊源，其中既有时代原因，也受当时社会思潮、作家因素的影响。 |
| doi_str_mv | 10.3969/j.issn.1672-2590.2008.04.013 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1672-2590 |
| ispartof | 泰山学院学报, 2008-08, Vol.30 (4), p.52-54 |
| issn | 1672-2590 |
| language | chi |
| recordid | cdi_wanfang_journals_tsxyxb200804013 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| subjects | 名节 李香君 气节 爱情 贞节 |
| title | 李香君的“情”与“节” |
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