论汉代五色理论与墓葬颜色遗存的吊诡
J01; 两汉五色理论经由时间的演进呈现出复杂多变的意涵,不仅是以五行为序的思想体系和礼仪制度的外在表现,更被赋予了道德价值判断,形成一种反色彩美学的理论.而目前所能见的汉代颜色遗存皆穷尽画工设色之能,可谓"五色杂而炫耀".这说明从先秦到两汉,不断被符号化、道德化的五色理论并没有成为汉代实际的用色标准,相反,汉代实际用色愈益追求惊采绝艳的感性生命之美....
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| Veröffentlicht in: | 齐鲁艺苑 2023 (4), p.46-52 |
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| description | J01; 两汉五色理论经由时间的演进呈现出复杂多变的意涵,不仅是以五行为序的思想体系和礼仪制度的外在表现,更被赋予了道德价值判断,形成一种反色彩美学的理论.而目前所能见的汉代颜色遗存皆穷尽画工设色之能,可谓"五色杂而炫耀".这说明从先秦到两汉,不断被符号化、道德化的五色理论并没有成为汉代实际的用色标准,相反,汉代实际用色愈益追求惊采绝艳的感性生命之美. |
| doi_str_mv | 10.3969/j.issn.1002-2236.2023.04.007 |
| format | Article |
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| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| title | 论汉代五色理论与墓葬颜色遗存的吊诡 |
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