浅谈声乐发声训练中的“吸”“托”“掀”
本文主要探讨声音训练的若干方法,并从原理上加以论证.作者提出“吸”“托”“掀”三个字,运用引证、例证等多种手法分别阐述,但三者间又相互联系和作用.最终作者归纳出“整体性歌唱”的观点.文章体现了作者在声乐教学中的个人见解,是对作者多年实践和探索的经验性小结....
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| container_title | 当代音乐 |
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| creator | 冯轶强 |
| description | 本文主要探讨声音训练的若干方法,并从原理上加以论证.作者提出“吸”“托”“掀”三个字,运用引证、例证等多种手法分别阐述,但三者间又相互联系和作用.最终作者归纳出“整体性歌唱”的观点.文章体现了作者在声乐教学中的个人见解,是对作者多年实践和探索的经验性小结. |
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| fulltext | fulltext |
| identifier | ISSN: 1007-2233 |
| ispartof | 当代音乐, 2017-06 (13), p.56-57 |
| issn | 1007-2233 |
| language | chi |
| recordid | cdi_wanfang_journals_ddyy201713025 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| subjects | 共鸣 吸 咽壁 托 掀 横膈膜 深气息 高位置 鼻咽腔 |
| title | 浅谈声乐发声训练中的“吸”“托”“掀” |
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