POSTCLASSIC ARCHITECTURAL TRADITIONS AND THE PETÉN ITZAS
Itza architecture is part of larger Mesoamerican and Maya Postclassic architectural traditions and cannot be considered outside that milieu. Thus, instead of simply describing Itza constructions, this chapter considers Itza practices in the context of larger Petén lakes traditions, which in turn are...
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description | Itza architecture is part of larger Mesoamerican and Maya Postclassic architectural traditions and cannot be considered outside that milieu. Thus, instead of simply describing Itza constructions, this chapter considers Itza practices in the context of larger Petén lakes traditions, which in turn are embedded in the general lowland Maya Postclassic.
Itza architecture is primarily known from the sites of Ixlú, Tayasal, Nixtun-Ch'ich', and Quexil Island. Our comparative sample of Kowoj architecture, derived from Topoxté, Canté, and Paxté Islands, Zacpetén, and Muralla de León, is better known than Itza architecture for varied reasons. First, most large Kowoj sites are not covered |
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Itza architecture is primarily known from the sites of Ixlú, Tayasal, Nixtun-Ch'ich', and Quexil Island. Our comparative sample of Kowoj architecture, derived from Topoxté, Canté, and Paxté Islands, Zacpetén, and Muralla de León, is better known than Itza architecture for varied reasons. First, most large Kowoj sites are not covered</description><identifier>ISBN: 9781607326670</identifier><identifier>ISBN: 1607326671</identifier><identifier>EISBN: 9781607326687</identifier><identifier>EISBN: 160732668X</identifier><identifier>DOI: 10.5876/9781607326687-017</identifier><language>eng</language><publisher>University Press of Colorado</publisher><subject>Altars ; Anthropology ; Applied anthropology ; Applied arts ; Applied sciences ; Architectural elements ; Architecture ; Arts ; Behavioral sciences ; Building construction ; Buildings ; Ceremonial objects ; Ceremonies ; Cities ; City districts ; City squares ; Civil engineering ; Construction engineering ; Cultural anthropology ; Cultural customs ; Engineering ; Halls ; Human geography ; Institutional buildings ; Interior spaces ; Masonry ; Masonry buildings ; Metropolitan areas ; Music ; Oratorios ; Performing arts ; Political geography ; Religious buildings ; Residential buildings ; Rituals ; Rooms ; Social sciences ; Temples ; Vocal music ; Wood buildings</subject><ispartof>Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala, 2018, p.227-251</ispartof><rights>2018 University Press of Colorado</rights><rights>2018 by University Press of Colorado</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>779,780,784,793,24781,27925</link.rule.ids></links><search><contributor>PRUDENCE M. RICE</contributor><contributor>DON S. RICE</contributor><contributor>Rice, Don S</contributor><contributor>Rice, Prudence M</contributor><creatorcontrib>Pugh, Timothy W</creatorcontrib><creatorcontrib>Shiratori, Yuko</creatorcontrib><title>POSTCLASSIC ARCHITECTURAL TRADITIONS AND THE PETÉN ITZAS</title><title>Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala</title><description>Itza architecture is part of larger Mesoamerican and Maya Postclassic architectural traditions and cannot be considered outside that milieu. Thus, instead of simply describing Itza constructions, this chapter considers Itza practices in the context of larger Petén lakes traditions, which in turn are embedded in the general lowland Maya Postclassic.
Itza architecture is primarily known from the sites of Ixlú, Tayasal, Nixtun-Ch'ich', and Quexil Island. Our comparative sample of Kowoj architecture, derived from Topoxté, Canté, and Paxté Islands, Zacpetén, and Muralla de León, is better known than Itza architecture for varied reasons. 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RICE</au><au>DON S. RICE</au><au>Rice, Don S</au><au>Rice, Prudence M</au><format>book</format><genre>bookitem</genre><ristype>CHAP</ristype><atitle>POSTCLASSIC ARCHITECTURAL TRADITIONS AND THE PETÉN ITZAS</atitle><btitle>Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala</btitle><date>2018-03-01</date><risdate>2018</risdate><spage>227</spage><epage>251</epage><pages>227-251</pages><isbn>9781607326670</isbn><isbn>1607326671</isbn><eisbn>9781607326687</eisbn><eisbn>160732668X</eisbn><abstract>Itza architecture is part of larger Mesoamerican and Maya Postclassic architectural traditions and cannot be considered outside that milieu. Thus, instead of simply describing Itza constructions, this chapter considers Itza practices in the context of larger Petén lakes traditions, which in turn are embedded in the general lowland Maya Postclassic.
Itza architecture is primarily known from the sites of Ixlú, Tayasal, Nixtun-Ch'ich', and Quexil Island. Our comparative sample of Kowoj architecture, derived from Topoxté, Canté, and Paxté Islands, Zacpetén, and Muralla de León, is better known than Itza architecture for varied reasons. First, most large Kowoj sites are not covered</abstract><pub>University Press of Colorado</pub><doi>10.5876/9781607326687-017</doi><tpages>25</tpages></addata></record> |
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ispartof | Historical and Archaeological Perspectives on the Itzas of Petén, Guatemala, 2018, p.227-251 |
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source | eBook Academic Collection - Worldwide; Ebook Central - Academic Complete |
subjects | Altars Anthropology Applied anthropology Applied arts Applied sciences Architectural elements Architecture Arts Behavioral sciences Building construction Buildings Ceremonial objects Ceremonies Cities City districts City squares Civil engineering Construction engineering Cultural anthropology Cultural customs Engineering Halls Human geography Institutional buildings Interior spaces Masonry Masonry buildings Metropolitan areas Music Oratorios Performing arts Political geography Religious buildings Residential buildings Rituals Rooms Social sciences Temples Vocal music Wood buildings |
title | POSTCLASSIC ARCHITECTURAL TRADITIONS AND THE PETÉN ITZAS |
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