NIGHTBLACK: Formatting Love

In recent years, Friedrich Kittler’s work has repeatedly been associated with the project of HeideggerianSeinsgeschichte. Most prominently, in a text published in 2012, Hans Ulrich Gumbrecht argues that in light of Kittler’s posthumous texts and his two volumes on Greece,Musik und Mathematik(publish...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Weber, Elisabeth
Format: Buchkapitel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 66
container_issue
container_start_page 46
container_title
container_volume
creator Weber, Elisabeth
description In recent years, Friedrich Kittler’s work has repeatedly been associated with the project of HeideggerianSeinsgeschichte. Most prominently, in a text published in 2012, Hans Ulrich Gumbrecht argues that in light of Kittler’s posthumous texts and his two volumes on Greece,Musik und Mathematik(published in 2006 and 2009), the project of “Seinsgeschichte constitutes the continuity of Friedrich Kittler’s entire oeuvre,” thereby lending “an explicitly philosophical ground to the early texts” as well.¹ The termSeinsgeschichteis both easy and hard to translate: literally, it is “the history of being.” What is meant is, to quote a rough definition by
doi_str_mv 10.1515/9780823278220-005
format Book Chapter
fullrecord <record><control><sourceid>jstor_walte</sourceid><recordid>TN_cdi_walterdegruyter_books_10_1515_9780823278220_005</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>j.ctt1xzh0xs.7</jstor_id><sourcerecordid>j.ctt1xzh0xs.7</sourcerecordid><originalsourceid>FETCH-LOGICAL-j271t-ab1b56b0b4d8329cbbebd28ca63724347253e43f62582c074c88e258a28fa74b3</originalsourceid><addsrcrecordid>eNp9kM9KAzEQhyMiaOs-gEcfYHUy-X-si7bFRS_1HJJsVlkLK03E6tMbaT0UwdP8Zphv4BtCLihcUUHFtVEaNDJUGhFqAHFEqoPZMZnsG2rglFQpDQBADRqB8oxMHpbzxeqmnTX35-Skd-sUq32dkqe721WzqNvH-bKZtfWAiubaeeqF9OB5pxma4H30HergJFPIGVcoWOSslyg0BlA8aB1Ldqh7p7hnUyJ3dz_cOsdNF583758lWD-Or8lSsD9m9sDCFrMC4n_gn1fYt64v0OUOGlIef1cHG3Km268X2Car2Ddy8lks</addsrcrecordid><sourcetype>Enrichment Source</sourcetype><iscdi>true</iscdi><recordtype>book_chapter</recordtype></control><display><type>book_chapter</type><title>NIGHTBLACK: Formatting Love</title><source>eBook Academic Collection - Worldwide</source><creator>Weber, Elisabeth</creator><contributor>ANTJE PFANNKUCHEN ; JEFFREY CHAMPLIN ; Pfannkuchen, Antje ; Champlin, Jeffrey</contributor><creatorcontrib>Weber, Elisabeth ; ANTJE PFANNKUCHEN ; JEFFREY CHAMPLIN ; Pfannkuchen, Antje ; Champlin, Jeffrey</creatorcontrib><description>In recent years, Friedrich Kittler’s work has repeatedly been associated with the project of HeideggerianSeinsgeschichte. Most prominently, in a text published in 2012, Hans Ulrich Gumbrecht argues that in light of Kittler’s posthumous texts and his two volumes on Greece,Musik und Mathematik(published in 2006 and 2009), the project of “Seinsgeschichte constitutes the continuity of Friedrich Kittler’s entire oeuvre,” thereby lending “an explicitly philosophical ground to the early texts” as well.¹ The termSeinsgeschichteis both easy and hard to translate: literally, it is “the history of being.” What is meant is, to quote a rough definition by</description><identifier>ISBN: 0823278190</identifier><identifier>ISBN: 9780823278190</identifier><identifier>EISBN: 9780823278220</identifier><identifier>EISBN: 0823278220</identifier><identifier>DOI: 10.1515/9780823278220-005</identifier><language>eng</language><publisher>New York, USA: Fordham University Press</publisher><subject>Alphabetic letters ; Alphabets ; Applied sciences ; Armed conflict ; Arts ; Audio recorders ; Business ; Concept of mind ; Consciousness theory ; Electronic equipment ; Electronics ; Engineering ; Industrial sectors ; Industry ; Language ; Linguistics ; Literary genres ; Literature ; Love poetry ; Manufacturing industries ; Metaphysics ; Military engineering ; Military science ; Military technology ; Monopsychism ; Orthographies ; Philosophy ; Philosophy of mind ; Phonographs ; Poetry ; Political communication ; Political discourse ; Political science ; Political sociology ; Printing equipment ; Printing industry ; Recording equipment ; Soul ; Typewriters ; Vowels ; War</subject><ispartof>The Technological Introject, 2018, p.46-66</ispartof><rights>2018 Fordham University Press</rights><rights>2020 Fordham University Press, New York, USA</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>775,776,780,789,24760,27902</link.rule.ids></links><search><contributor>ANTJE PFANNKUCHEN</contributor><contributor>JEFFREY CHAMPLIN</contributor><contributor>Pfannkuchen, Antje</contributor><contributor>Champlin, Jeffrey</contributor><creatorcontrib>Weber, Elisabeth</creatorcontrib><title>NIGHTBLACK: Formatting Love</title><title>The Technological Introject</title><description>In recent years, Friedrich Kittler’s work has repeatedly been associated with the project of HeideggerianSeinsgeschichte. Most prominently, in a text published in 2012, Hans Ulrich Gumbrecht argues that in light of Kittler’s posthumous texts and his two volumes on Greece,Musik und Mathematik(published in 2006 and 2009), the project of “Seinsgeschichte constitutes the continuity of Friedrich Kittler’s entire oeuvre,” thereby lending “an explicitly philosophical ground to the early texts” as well.¹ The termSeinsgeschichteis both easy and hard to translate: literally, it is “the history of being.” What is meant is, to quote a rough definition by</description><subject>Alphabetic letters</subject><subject>Alphabets</subject><subject>Applied sciences</subject><subject>Armed conflict</subject><subject>Arts</subject><subject>Audio recorders</subject><subject>Business</subject><subject>Concept of mind</subject><subject>Consciousness theory</subject><subject>Electronic equipment</subject><subject>Electronics</subject><subject>Engineering</subject><subject>Industrial sectors</subject><subject>Industry</subject><subject>Language</subject><subject>Linguistics</subject><subject>Literary genres</subject><subject>Literature</subject><subject>Love poetry</subject><subject>Manufacturing industries</subject><subject>Metaphysics</subject><subject>Military engineering</subject><subject>Military science</subject><subject>Military technology</subject><subject>Monopsychism</subject><subject>Orthographies</subject><subject>Philosophy</subject><subject>Philosophy of mind</subject><subject>Phonographs</subject><subject>Poetry</subject><subject>Political communication</subject><subject>Political discourse</subject><subject>Political science</subject><subject>Political sociology</subject><subject>Printing equipment</subject><subject>Printing industry</subject><subject>Recording equipment</subject><subject>Soul</subject><subject>Typewriters</subject><subject>Vowels</subject><subject>War</subject><isbn>0823278190</isbn><isbn>9780823278190</isbn><isbn>9780823278220</isbn><isbn>0823278220</isbn><fulltext>true</fulltext><rsrctype>book_chapter</rsrctype><creationdate>2018</creationdate><recordtype>book_chapter</recordtype><sourceid/><recordid>eNp9kM9KAzEQhyMiaOs-gEcfYHUy-X-si7bFRS_1HJJsVlkLK03E6tMbaT0UwdP8Zphv4BtCLihcUUHFtVEaNDJUGhFqAHFEqoPZMZnsG2rglFQpDQBADRqB8oxMHpbzxeqmnTX35-Skd-sUq32dkqe721WzqNvH-bKZtfWAiubaeeqF9OB5pxma4H30HergJFPIGVcoWOSslyg0BlA8aB1Ldqh7p7hnUyJ3dz_cOsdNF583758lWD-Or8lSsD9m9sDCFrMC4n_gn1fYt64v0OUOGlIef1cHG3Km268X2Car2Ddy8lks</recordid><startdate>20180102</startdate><enddate>20180102</enddate><creator>Weber, Elisabeth</creator><general>Fordham University Press</general><scope/></search><sort><creationdate>20180102</creationdate><title>NIGHTBLACK</title><author>Weber, Elisabeth</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j271t-ab1b56b0b4d8329cbbebd28ca63724347253e43f62582c074c88e258a28fa74b3</frbrgroupid><rsrctype>book_chapters</rsrctype><prefilter>book_chapters</prefilter><language>eng</language><creationdate>2018</creationdate><topic>Alphabetic letters</topic><topic>Alphabets</topic><topic>Applied sciences</topic><topic>Armed conflict</topic><topic>Arts</topic><topic>Audio recorders</topic><topic>Business</topic><topic>Concept of mind</topic><topic>Consciousness theory</topic><topic>Electronic equipment</topic><topic>Electronics</topic><topic>Engineering</topic><topic>Industrial sectors</topic><topic>Industry</topic><topic>Language</topic><topic>Linguistics</topic><topic>Literary genres</topic><topic>Literature</topic><topic>Love poetry</topic><topic>Manufacturing industries</topic><topic>Metaphysics</topic><topic>Military engineering</topic><topic>Military science</topic><topic>Military technology</topic><topic>Monopsychism</topic><topic>Orthographies</topic><topic>Philosophy</topic><topic>Philosophy of mind</topic><topic>Phonographs</topic><topic>Poetry</topic><topic>Political communication</topic><topic>Political discourse</topic><topic>Political science</topic><topic>Political sociology</topic><topic>Printing equipment</topic><topic>Printing industry</topic><topic>Recording equipment</topic><topic>Soul</topic><topic>Typewriters</topic><topic>Vowels</topic><topic>War</topic><toplevel>online_resources</toplevel><creatorcontrib>Weber, Elisabeth</creatorcontrib></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Weber, Elisabeth</au><au>ANTJE PFANNKUCHEN</au><au>JEFFREY CHAMPLIN</au><au>Pfannkuchen, Antje</au><au>Champlin, Jeffrey</au><format>book</format><genre>bookitem</genre><ristype>CHAP</ristype><atitle>NIGHTBLACK: Formatting Love</atitle><btitle>The Technological Introject</btitle><date>2018-01-02</date><risdate>2018</risdate><spage>46</spage><epage>66</epage><pages>46-66</pages><isbn>0823278190</isbn><isbn>9780823278190</isbn><eisbn>9780823278220</eisbn><eisbn>0823278220</eisbn><abstract>In recent years, Friedrich Kittler’s work has repeatedly been associated with the project of HeideggerianSeinsgeschichte. Most prominently, in a text published in 2012, Hans Ulrich Gumbrecht argues that in light of Kittler’s posthumous texts and his two volumes on Greece,Musik und Mathematik(published in 2006 and 2009), the project of “Seinsgeschichte constitutes the continuity of Friedrich Kittler’s entire oeuvre,” thereby lending “an explicitly philosophical ground to the early texts” as well.¹ The termSeinsgeschichteis both easy and hard to translate: literally, it is “the history of being.” What is meant is, to quote a rough definition by</abstract><cop>New York, USA</cop><pub>Fordham University Press</pub><doi>10.1515/9780823278220-005</doi><tpages>21</tpages></addata></record>
fulltext fulltext
identifier ISBN: 0823278190
ispartof The Technological Introject, 2018, p.46-66
issn
language eng
recordid cdi_walterdegruyter_books_10_1515_9780823278220_005
source eBook Academic Collection - Worldwide
subjects Alphabetic letters
Alphabets
Applied sciences
Armed conflict
Arts
Audio recorders
Business
Concept of mind
Consciousness theory
Electronic equipment
Electronics
Engineering
Industrial sectors
Industry
Language
Linguistics
Literary genres
Literature
Love poetry
Manufacturing industries
Metaphysics
Military engineering
Military science
Military technology
Monopsychism
Orthographies
Philosophy
Philosophy of mind
Phonographs
Poetry
Political communication
Political discourse
Political science
Political sociology
Printing equipment
Printing industry
Recording equipment
Soul
Typewriters
Vowels
War
title NIGHTBLACK: Formatting Love
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-05T02%3A38%3A25IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_walte&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=bookitem&rft.atitle=NIGHTBLACK:%20Formatting%20Love&rft.btitle=The%20Technological%20Introject&rft.au=Weber,%20Elisabeth&rft.date=2018-01-02&rft.spage=46&rft.epage=66&rft.pages=46-66&rft.isbn=0823278190&rft.isbn_list=9780823278190&rft_id=info:doi/10.1515/9780823278220-005&rft_dat=%3Cjstor_walte%3Ej.ctt1xzh0xs.7%3C/jstor_walte%3E%3Curl%3E%3C/url%3E&rft.eisbn=9780823278220&rft.eisbn_list=0823278220&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_jstor_id=j.ctt1xzh0xs.7&rfr_iscdi=true