Transformational Imagemaking: Handmade Photography Since 1960
This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled...
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creator | Hirsch, Robert |
description | This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium's evolution by visualizing their subject matter as it originates from their mind's eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible.
Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch |
doi_str_mv | 10.4324/9781315818931 |
format | Book |
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Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch</description><subject>alternative process</subject><subject>analog photography</subject><subject>bea nettles</subject><subject>betty hahn</subject><subject>binh danh</subject><subject>brian taylor</subject><subject>catherine jansen</subject><subject>chris mccaw</subject><subject>clarissa t. sligh</subject><subject>curtin mann</subject><subject>dan burkholder</subject><subject>dan estabrook</subject><subject>darryl curran</subject><subject>david lebe</subject><subject>dinh q. le</subject><subject>doug starn</subject><subject>douglas d. prince</subject><subject>duane michals</subject><subject>harold jones</subject><subject>historic processes</subject><subject>holly roberts</subject><subject>jerry n. uelsmann</subject><subject>jerry spagnoli</subject><subject>joel-peter witkin</subject><subject>john metoyer</subject><subject>john wood</subject><subject>joyce neimanas</subject><subject>judith golden</subject><subject>keith a. smith</subject><subject>laurie snyder</subject><subject>les krims</subject><subject>luke batten</subject><subject>maggie taylor</subject><subject>mark osterman</subject><subject>martha madigan</subject><subject>matthew brandt</subject><subject>melanie walker</subject><subject>mike starn</subject><subject>peter bunnell</subject><subject>Photography</subject><subject>photography history</subject><subject>photography interviews</subject><subject>rick dingus</subject><subject>robert flynt</subject><subject>robert heinecken</subject><subject>robert w. fichter</subject><subject>scott mccarney</subject><subject>stephen berkman</subject><subject>stephen marc</subject><subject>tatana kellner</subject><subject>Technique</subject><subject>ted orland</subject><subject>Theory</subject><subject>thomas barrow</subject><subject>todd walker</subject><subject>tom persinger</subject><subject>vik muniz</subject><subject>wayne martin belger</subject><subject>william larson</subject><isbn>9781317818366</isbn><isbn>1317818369</isbn><isbn>0415810264</isbn><isbn>9780415810265</isbn><isbn>9781138458048</isbn><isbn>113845804X</isbn><isbn>9781317818359</isbn><isbn>1317818369</isbn><isbn>1317818350</isbn><isbn>9781317818366</isbn><isbn>1315818930</isbn><isbn>9781315818931</isbn><isbn>0415810264</isbn><isbn>9780415810265</isbn><fulltext>true</fulltext><rsrctype>book</rsrctype><creationdate>2014</creationdate><recordtype>book</recordtype><sourceid>I4C</sourceid><sourceid>OODEK</sourceid><recordid>eNqNUE1LxDAUjIigrD168yDitdp8NB9HWdZ1YcHL4jW8NkkN2zaSLCv-e7PWS29e3mNgZpgZhG5w9cgoYU9KSExxLbFUFJ-hYsL5SFqr8xnm_BIVKfmmYoIIqSp8hW53EcbkQhzg4MMI_d1mgM4OsPdjd40uHPTJFn9_gd5fVrvla7l9W2-Wz9sSKKGElwQah61TjbJGKFkbQ51TlleEt9DauiUCuHLGWgpGMCuopcYZwxohWucYXaCHyTiBg-h1E8I-6SPROX3FTu2yVZ1pbKL58TfxV4i90Qf47kN0uUfr06ScjZJlq__JcKVPm87l-mhjytOQ7HM_-bSQoPej10MYQxfh8yNpJnnNCaY_yjR3Ew</recordid><startdate>2014</startdate><enddate>2014</enddate><creator>Hirsch, Robert</creator><general>Routledge</general><general>Taylor and Francis</general><scope>I4C</scope><scope>OHILO</scope><scope>OODEK</scope></search><sort><creationdate>2014</creationdate><title>Transformational Imagemaking</title><author>Hirsch, Robert</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a32326-2abf1ef9b9ed7985dd3ff9e6026cace5c27a69fdee3ad74e73e3dfdd4b77cff43</frbrgroupid><rsrctype>books</rsrctype><prefilter>books</prefilter><language>eng</language><creationdate>2014</creationdate><topic>alternative process</topic><topic>analog photography</topic><topic>bea nettles</topic><topic>betty hahn</topic><topic>binh danh</topic><topic>brian taylor</topic><topic>catherine jansen</topic><topic>chris mccaw</topic><topic>clarissa t. sligh</topic><topic>curtin mann</topic><topic>dan burkholder</topic><topic>dan estabrook</topic><topic>darryl curran</topic><topic>david lebe</topic><topic>dinh q. le</topic><topic>doug starn</topic><topic>douglas d. prince</topic><topic>duane michals</topic><topic>harold jones</topic><topic>historic processes</topic><topic>holly roberts</topic><topic>jerry n. uelsmann</topic><topic>jerry spagnoli</topic><topic>joel-peter witkin</topic><topic>john metoyer</topic><topic>john wood</topic><topic>joyce neimanas</topic><topic>judith golden</topic><topic>keith a. smith</topic><topic>laurie snyder</topic><topic>les krims</topic><topic>luke batten</topic><topic>maggie taylor</topic><topic>mark osterman</topic><topic>martha madigan</topic><topic>matthew brandt</topic><topic>melanie walker</topic><topic>mike starn</topic><topic>peter bunnell</topic><topic>Photography</topic><topic>photography history</topic><topic>photography interviews</topic><topic>rick dingus</topic><topic>robert flynt</topic><topic>robert heinecken</topic><topic>robert w. fichter</topic><topic>scott mccarney</topic><topic>stephen berkman</topic><topic>stephen marc</topic><topic>tatana kellner</topic><topic>Technique</topic><topic>ted orland</topic><topic>Theory</topic><topic>thomas barrow</topic><topic>todd walker</topic><topic>tom persinger</topic><topic>vik muniz</topic><topic>wayne martin belger</topic><topic>william larson</topic><toplevel>online_resources</toplevel><creatorcontrib>Hirsch, Robert</creatorcontrib><collection>Casalini Torrossa eBook Single Purchase</collection><collection>O'Reilly Online Learning: Corporate Edition</collection><collection>O'Reilly Online Learning: Academic/Public Library Edition</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Hirsch, Robert</au><format>book</format><genre>book</genre><ristype>BOOK</ristype><btitle>Transformational Imagemaking: Handmade Photography Since 1960</btitle><date>2014</date><risdate>2014</risdate><isbn>9781317818366</isbn><isbn>1317818369</isbn><isbn>0415810264</isbn><isbn>9780415810265</isbn><isbn>9781138458048</isbn><isbn>113845804X</isbn><eisbn>9781317818359</eisbn><eisbn>1317818369</eisbn><eisbn>1317818350</eisbn><eisbn>9781317818366</eisbn><eisbn>1315818930</eisbn><eisbn>9781315818931</eisbn><eisbn>0415810264</eisbn><eisbn>9780415810265</eisbn><abstract>This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium's evolution by visualizing their subject matter as it originates from their mind's eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible.
Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch</abstract><cop>United Kingdom</cop><pub>Routledge</pub><doi>10.4324/9781315818931</doi><tpages>256</tpages><edition>1</edition></addata></record> |
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subjects | alternative process analog photography bea nettles betty hahn binh danh brian taylor catherine jansen chris mccaw clarissa t. sligh curtin mann dan burkholder dan estabrook darryl curran david lebe dinh q. le doug starn douglas d. prince duane michals harold jones historic processes holly roberts jerry n. uelsmann jerry spagnoli joel-peter witkin john metoyer john wood joyce neimanas judith golden keith a. smith laurie snyder les krims luke batten maggie taylor mark osterman martha madigan matthew brandt melanie walker mike starn peter bunnell Photography photography history photography interviews rick dingus robert flynt robert heinecken robert w. fichter scott mccarney stephen berkman stephen marc tatana kellner Technique ted orland Theory thomas barrow todd walker tom persinger vik muniz wayne martin belger william larson |
title | Transformational Imagemaking: Handmade Photography Since 1960 |
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