Differential Background Music as Attentional Resources Interacting with Cognitive Control
We examined the effects of background music on cognitive task performances using different musical arrangements from an excerpt of Mozart's Piano Sonata K.448. The participants were 126 university students: 70 music majors and 56 nonmusic majors. Three types of musical arrangements were used as...
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Veröffentlicht in: | International journal of environmental research and public health 2022-11, Vol.19 (22), p.15094 |
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creator | Yoo, Ga Eul Lee, Sujin Kim, Aimee Jeehae Choi, Seung Hong Chong, Hyun Ju Park, Sunghyouk |
description | We examined the effects of background music on cognitive task performances using different musical arrangements from an excerpt of Mozart's Piano Sonata K.448. The participants were 126 university students: 70 music majors and 56 nonmusic majors. Three types of musical arrangements were used as background conditions: rhythm-only, melody, and original music conditions. Participants were asked to perform cognitive tasks in the presence of each music condition. The participants' percentage of completed items and accuracy on these tasks were compared for music and nonmusic majors, controlling for the effect of perceived level of arousal and their performance during no background music. Whether a participant's perceptions of background music predicted their cognitive performance was also analyzed. We found that music majors demonstrated decreased task performance for the original background condition, while nonmusic majors demonstrated no significant differences in performance across the arrangements. When pitch or rhythm information was modified, emotional valence and arousal were perceived differently. Perception of the complexity of the background music depending on the arrangement type differed between music majors and nonmusic majors. While the perceived complexity significantly predicted nonmusic majors' cognitive performance, its predictive effect was not found in music majors. The findings imply that perceptions of musical arrangements in terms of expectancy and complexity can be critical factors in determining how arrangements affect concurrent cognitive activity, while suggesting that music itself is not a facilitating or detrimental factor for cognitive performance. |
doi_str_mv | 10.3390/ijerph192215094 |
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The participants were 126 university students: 70 music majors and 56 nonmusic majors. Three types of musical arrangements were used as background conditions: rhythm-only, melody, and original music conditions. Participants were asked to perform cognitive tasks in the presence of each music condition. The participants' percentage of completed items and accuracy on these tasks were compared for music and nonmusic majors, controlling for the effect of perceived level of arousal and their performance during no background music. Whether a participant's perceptions of background music predicted their cognitive performance was also analyzed. We found that music majors demonstrated decreased task performance for the original background condition, while nonmusic majors demonstrated no significant differences in performance across the arrangements. When pitch or rhythm information was modified, emotional valence and arousal were perceived differently. Perception of the complexity of the background music depending on the arrangement type differed between music majors and nonmusic majors. While the perceived complexity significantly predicted nonmusic majors' cognitive performance, its predictive effect was not found in music majors. The findings imply that perceptions of musical arrangements in terms of expectancy and complexity can be critical factors in determining how arrangements affect concurrent cognitive activity, while suggesting that music itself is not a facilitating or detrimental factor for cognitive performance.</description><identifier>ISSN: 1660-4601</identifier><identifier>ISSN: 1661-7827</identifier><identifier>EISSN: 1660-4601</identifier><identifier>DOI: 10.3390/ijerph192215094</identifier><identifier>PMID: 36429818</identifier><language>eng</language><publisher>Switzerland: MDPI AG</publisher><subject>Arousal ; Arrangements (Musical works) ; Attention ; Cognition ; Cognitive ability ; Cognitive tasks ; Control theory ; Expectancy ; Frequency ; Humans ; Listening ; Melody ; Music ; Music - psychology ; Musical performances ; Musicians & conductors ; Perceptions ; Personality ; Task Performance and Analysis</subject><ispartof>International journal of environmental research and public health, 2022-11, Vol.19 (22), p.15094</ispartof><rights>2022 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><rights>2022 by the authors. 2022</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c375t-8ecca8f81d2911381298e4cddef58c3502b8ec351c75a9bf4ae4cad71f5a0f73</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC9691215/pdf/$$EPDF$$P50$$Gpubmedcentral$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC9691215/$$EHTML$$P50$$Gpubmedcentral$$Hfree_for_read</linktohtml><link.rule.ids>230,314,724,777,781,882,27905,27906,53772,53774</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/36429818$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Yoo, Ga Eul</creatorcontrib><creatorcontrib>Lee, Sujin</creatorcontrib><creatorcontrib>Kim, Aimee Jeehae</creatorcontrib><creatorcontrib>Choi, Seung Hong</creatorcontrib><creatorcontrib>Chong, Hyun Ju</creatorcontrib><creatorcontrib>Park, Sunghyouk</creatorcontrib><title>Differential Background Music as Attentional Resources Interacting with Cognitive Control</title><title>International journal of environmental research and public health</title><addtitle>Int J Environ Res Public Health</addtitle><description>We examined the effects of background music on cognitive task performances using different musical arrangements from an excerpt of Mozart's Piano Sonata K.448. The participants were 126 university students: 70 music majors and 56 nonmusic majors. Three types of musical arrangements were used as background conditions: rhythm-only, melody, and original music conditions. Participants were asked to perform cognitive tasks in the presence of each music condition. The participants' percentage of completed items and accuracy on these tasks were compared for music and nonmusic majors, controlling for the effect of perceived level of arousal and their performance during no background music. Whether a participant's perceptions of background music predicted their cognitive performance was also analyzed. We found that music majors demonstrated decreased task performance for the original background condition, while nonmusic majors demonstrated no significant differences in performance across the arrangements. When pitch or rhythm information was modified, emotional valence and arousal were perceived differently. Perception of the complexity of the background music depending on the arrangement type differed between music majors and nonmusic majors. While the perceived complexity significantly predicted nonmusic majors' cognitive performance, its predictive effect was not found in music majors. The findings imply that perceptions of musical arrangements in terms of expectancy and complexity can be critical factors in determining how arrangements affect concurrent cognitive activity, while suggesting that music itself is not a facilitating or detrimental factor for cognitive performance.</description><subject>Arousal</subject><subject>Arrangements (Musical works)</subject><subject>Attention</subject><subject>Cognition</subject><subject>Cognitive ability</subject><subject>Cognitive tasks</subject><subject>Control theory</subject><subject>Expectancy</subject><subject>Frequency</subject><subject>Humans</subject><subject>Listening</subject><subject>Melody</subject><subject>Music</subject><subject>Music - psychology</subject><subject>Musical performances</subject><subject>Musicians & conductors</subject><subject>Perceptions</subject><subject>Personality</subject><subject>Task Performance and Analysis</subject><issn>1660-4601</issn><issn>1661-7827</issn><issn>1660-4601</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNpdkc1LAzEUxIMotlbP3mTBi5dqssnuJheh1k-oCNKLp5BmkzZ1m9Qkq_jfm9Jaqqc8mF-G92YAOEXwEmMGr8xc-eUMsTxHBWRkD3RRWcI-KSHa35k74CiEOYSYkpIdgg4uSc4ool3wdmu0Vl7ZaEST3Qj5PvWutXX23AYjMxGyQYwr1dmkv6rgWi9VyJ5sVF7IaOw0-zJxlg3d1JpoPlWabPSuOQYHWjRBnWzeHhjf342Hj_3Ry8PTcDDqS1wVsU-VlIJqiuqcIYQpSospIuta6YJKXMB8khBcIFkVgk00EUkVdYV0IaCucA9cr22X7WShapl29aLhS28Wwn9zJwz_q1gz41P3yVnJUEotGVxsDLz7aFWIfGGCVE0jrHJt4HlFYIEIzXFCz_-h8xRHCmZFYZYyhWRleLWmpHcheKW3yyDIV63xf62lH2e7N2z535rwDy8Vloo</recordid><startdate>20221116</startdate><enddate>20221116</enddate><creator>Yoo, Ga Eul</creator><creator>Lee, Sujin</creator><creator>Kim, Aimee Jeehae</creator><creator>Choi, Seung Hong</creator><creator>Chong, Hyun Ju</creator><creator>Park, Sunghyouk</creator><general>MDPI AG</general><general>MDPI</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>3V.</scope><scope>7X7</scope><scope>7XB</scope><scope>88E</scope><scope>8C1</scope><scope>8FI</scope><scope>8FJ</scope><scope>8FK</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>FYUFA</scope><scope>GHDGH</scope><scope>K9.</scope><scope>M0S</scope><scope>M1P</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>7X8</scope><scope>5PM</scope></search><sort><creationdate>20221116</creationdate><title>Differential Background Music as Attentional Resources Interacting with Cognitive Control</title><author>Yoo, Ga Eul ; Lee, Sujin ; Kim, Aimee Jeehae ; Choi, Seung Hong ; Chong, Hyun Ju ; Park, Sunghyouk</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c375t-8ecca8f81d2911381298e4cddef58c3502b8ec351c75a9bf4ae4cad71f5a0f73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2022</creationdate><topic>Arousal</topic><topic>Arrangements (Musical works)</topic><topic>Attention</topic><topic>Cognition</topic><topic>Cognitive ability</topic><topic>Cognitive tasks</topic><topic>Control theory</topic><topic>Expectancy</topic><topic>Frequency</topic><topic>Humans</topic><topic>Listening</topic><topic>Melody</topic><topic>Music</topic><topic>Music - psychology</topic><topic>Musical performances</topic><topic>Musicians & conductors</topic><topic>Perceptions</topic><topic>Personality</topic><topic>Task Performance and Analysis</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Yoo, Ga Eul</creatorcontrib><creatorcontrib>Lee, Sujin</creatorcontrib><creatorcontrib>Kim, Aimee Jeehae</creatorcontrib><creatorcontrib>Choi, Seung Hong</creatorcontrib><creatorcontrib>Chong, Hyun Ju</creatorcontrib><creatorcontrib>Park, Sunghyouk</creatorcontrib><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>ProQuest Central (Corporate)</collection><collection>Health & Medical Collection</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Medical Database (Alumni Edition)</collection><collection>Public Health Database</collection><collection>Hospital Premium Collection</collection><collection>Hospital Premium Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Health Research Premium Collection</collection><collection>Health Research Premium Collection (Alumni)</collection><collection>ProQuest Health & Medical Complete (Alumni)</collection><collection>Health & Medical Collection (Alumni Edition)</collection><collection>Medical Database</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>MEDLINE - Academic</collection><collection>PubMed Central (Full Participant titles)</collection><jtitle>International journal of environmental research and public health</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Yoo, Ga Eul</au><au>Lee, Sujin</au><au>Kim, Aimee Jeehae</au><au>Choi, Seung Hong</au><au>Chong, Hyun Ju</au><au>Park, Sunghyouk</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Differential Background Music as Attentional Resources Interacting with Cognitive Control</atitle><jtitle>International journal of environmental research and public health</jtitle><addtitle>Int J Environ Res Public Health</addtitle><date>2022-11-16</date><risdate>2022</risdate><volume>19</volume><issue>22</issue><spage>15094</spage><pages>15094-</pages><issn>1660-4601</issn><issn>1661-7827</issn><eissn>1660-4601</eissn><abstract>We examined the effects of background music on cognitive task performances using different musical arrangements from an excerpt of Mozart's Piano Sonata K.448. The participants were 126 university students: 70 music majors and 56 nonmusic majors. Three types of musical arrangements were used as background conditions: rhythm-only, melody, and original music conditions. Participants were asked to perform cognitive tasks in the presence of each music condition. The participants' percentage of completed items and accuracy on these tasks were compared for music and nonmusic majors, controlling for the effect of perceived level of arousal and their performance during no background music. Whether a participant's perceptions of background music predicted their cognitive performance was also analyzed. We found that music majors demonstrated decreased task performance for the original background condition, while nonmusic majors demonstrated no significant differences in performance across the arrangements. When pitch or rhythm information was modified, emotional valence and arousal were perceived differently. 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subjects | Arousal Arrangements (Musical works) Attention Cognition Cognitive ability Cognitive tasks Control theory Expectancy Frequency Humans Listening Melody Music Music - psychology Musical performances Musicians & conductors Perceptions Personality Task Performance and Analysis |
title | Differential Background Music as Attentional Resources Interacting with Cognitive Control |
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