Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music

An empirical investigation of how local harmonic structures (e.g., chord progressions) contribute to the experience and enjoyment of uplifting trance (UT) music is presented. The connection between rhythmic and percussive elements and resulting trance-like states has been highlighted by musicologist...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Frontiers in psychology 2017-01, Vol.7, p.1999-1999
Hauptverfasser: Agres, Kat, Herremans, Dorien, Bigo, Louis, Conklin, Darrell
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 1999
container_issue
container_start_page 1999
container_title Frontiers in psychology
container_volume 7
creator Agres, Kat
Herremans, Dorien
Bigo, Louis
Conklin, Darrell
description An empirical investigation of how local harmonic structures (e.g., chord progressions) contribute to the experience and enjoyment of uplifting trance (UT) music is presented. The connection between rhythmic and percussive elements and resulting trance-like states has been highlighted by musicologists, but no research, to our knowledge, has explored whether repeated harmonic elements influence affective responses in listeners of trance music. Two alternative hypotheses are discussed, the first highlighting the direct relationship between repetition/complexity and enjoyment, and the second based on the theoretical inverted-U relationship described by the Wundt curve. We investigate the connection between harmonic structure and subjective enjoyment through interdisciplinary behavioral and computational methods: First we discuss an experiment in which listeners provided enjoyment ratings for computer-generated UT anthems with varying levels of harmonic repetition and complexity. The anthems were generated using a statistical model trained on a corpus of 100 uplifting trance anthems created for this purpose, and harmonic structure was constrained by imposing particular repetition structures (semiotic patterns defining the order of chords in the sequence) on a professional UT music production template. Second, the relationship between harmonic structure and enjoyment is further explored using two computational approaches, one based on average Information Content, and another that measures average tonal tension between chords. The results of the listening experiment indicate that harmonic repetition does in fact contribute to the enjoyment of uplifting trance music. More compelling evidence was found for the second hypothesis discussed above, however some maximally repetitive structures were also preferred. Both computational models provide evidence for a Wundt-type relationship between complexity and enjoyment. By systematically manipulating the structure of chord progressions, we have discovered specific harmonic contexts in which repetitive or complex structure contribute to the enjoyment of uplifting trance music.
doi_str_mv 10.3389/fpsyg.2016.01999
format Article
fullrecord <record><control><sourceid>proquest_pubme</sourceid><recordid>TN_cdi_pubmedcentral_primary_oai_pubmedcentral_nih_gov_5222838</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>1861852046</sourcerecordid><originalsourceid>FETCH-LOGICAL-c430t-9fcd64e77ccd18b008d6f5319a0a2b20e4b0f5c01b272e9c12f5981c3df46a003</originalsourceid><addsrcrecordid>eNpdkc1LAzEQxYMoWtS7J9mjHlpnsrvZ5CKUolaoKGjPIZtN2sh-1GS30P_era2iziXD5L03CT9CLhBGcczFjV2FzWJEAdkIUAhxQAbIWDJEyPjhr_6EnIfwDn0lQAHoMTmhHFGwBAdkMlW-amqno9fWd7rtvIlevCmcbkPULk10V783m8rUbdTYaL4qnW1dvYjevKq1iZ664PQZObKqDOZ8f56S-f3d22Q6nD0_PE7Gs6FOYmiHwuqCJSbLtC6Q5wC8YDaNUShQNKdgkhxsqgFzmlEjNFKbCo46LmzCFEB8Sm53uasur0yh-0d5VcqVd5XyG9koJ__e1G4pF81appRSHvM-4HoXsPxnm45ncjsDzARnjK-x117tl_nmozOhlZUL2pSlqk3TBYmcIU8pJKyXwk6qfROCN_YnG0FuUckvVHKLSn6h6i2Xv7_yY_gGE38C7oCQSw</addsrcrecordid><sourcetype>Open Access Repository</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1861852046</pqid></control><display><type>article</type><title>Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music</title><source>PubMed (Medline)</source><source>DOAJ Directory of Open Access Journals</source><source>EZB-FREE-00999 freely available EZB journals</source><source>PubMed Central Open Access</source><creator>Agres, Kat ; Herremans, Dorien ; Bigo, Louis ; Conklin, Darrell</creator><creatorcontrib>Agres, Kat ; Herremans, Dorien ; Bigo, Louis ; Conklin, Darrell</creatorcontrib><description>An empirical investigation of how local harmonic structures (e.g., chord progressions) contribute to the experience and enjoyment of uplifting trance (UT) music is presented. The connection between rhythmic and percussive elements and resulting trance-like states has been highlighted by musicologists, but no research, to our knowledge, has explored whether repeated harmonic elements influence affective responses in listeners of trance music. Two alternative hypotheses are discussed, the first highlighting the direct relationship between repetition/complexity and enjoyment, and the second based on the theoretical inverted-U relationship described by the Wundt curve. We investigate the connection between harmonic structure and subjective enjoyment through interdisciplinary behavioral and computational methods: First we discuss an experiment in which listeners provided enjoyment ratings for computer-generated UT anthems with varying levels of harmonic repetition and complexity. The anthems were generated using a statistical model trained on a corpus of 100 uplifting trance anthems created for this purpose, and harmonic structure was constrained by imposing particular repetition structures (semiotic patterns defining the order of chords in the sequence) on a professional UT music production template. Second, the relationship between harmonic structure and enjoyment is further explored using two computational approaches, one based on average Information Content, and another that measures average tonal tension between chords. The results of the listening experiment indicate that harmonic repetition does in fact contribute to the enjoyment of uplifting trance music. More compelling evidence was found for the second hypothesis discussed above, however some maximally repetitive structures were also preferred. Both computational models provide evidence for a Wundt-type relationship between complexity and enjoyment. By systematically manipulating the structure of chord progressions, we have discovered specific harmonic contexts in which repetitive or complex structure contribute to the enjoyment of uplifting trance music.</description><identifier>ISSN: 1664-1078</identifier><identifier>EISSN: 1664-1078</identifier><identifier>DOI: 10.3389/fpsyg.2016.01999</identifier><identifier>PMID: 28119641</identifier><language>eng</language><publisher>Switzerland: Frontiers Media</publisher><subject>Cognitive science ; Humanities and Social Sciences ; Musicology and performing arts ; Psychology</subject><ispartof>Frontiers in psychology, 2017-01, Vol.7, p.1999-1999</ispartof><rights>Distributed under a Creative Commons Attribution 4.0 International License</rights><rights>Copyright © 2017 Agres, Herremans, Bigo and Conklin. 2017 Agres, Herremans, Bigo and Conklin</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c430t-9fcd64e77ccd18b008d6f5319a0a2b20e4b0f5c01b272e9c12f5981c3df46a003</citedby><cites>FETCH-LOGICAL-c430t-9fcd64e77ccd18b008d6f5319a0a2b20e4b0f5c01b272e9c12f5981c3df46a003</cites><orcidid>0000-0002-9865-2861</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC5222838/pdf/$$EPDF$$P50$$Gpubmedcentral$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC5222838/$$EHTML$$P50$$Gpubmedcentral$$Hfree_for_read</linktohtml><link.rule.ids>230,314,727,780,784,864,885,27924,27925,53791,53793</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/28119641$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink><backlink>$$Uhttps://hal.science/hal-01798668$$DView record in HAL$$Hfree_for_read</backlink></links><search><creatorcontrib>Agres, Kat</creatorcontrib><creatorcontrib>Herremans, Dorien</creatorcontrib><creatorcontrib>Bigo, Louis</creatorcontrib><creatorcontrib>Conklin, Darrell</creatorcontrib><title>Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music</title><title>Frontiers in psychology</title><addtitle>Front Psychol</addtitle><description>An empirical investigation of how local harmonic structures (e.g., chord progressions) contribute to the experience and enjoyment of uplifting trance (UT) music is presented. The connection between rhythmic and percussive elements and resulting trance-like states has been highlighted by musicologists, but no research, to our knowledge, has explored whether repeated harmonic elements influence affective responses in listeners of trance music. Two alternative hypotheses are discussed, the first highlighting the direct relationship between repetition/complexity and enjoyment, and the second based on the theoretical inverted-U relationship described by the Wundt curve. We investigate the connection between harmonic structure and subjective enjoyment through interdisciplinary behavioral and computational methods: First we discuss an experiment in which listeners provided enjoyment ratings for computer-generated UT anthems with varying levels of harmonic repetition and complexity. The anthems were generated using a statistical model trained on a corpus of 100 uplifting trance anthems created for this purpose, and harmonic structure was constrained by imposing particular repetition structures (semiotic patterns defining the order of chords in the sequence) on a professional UT music production template. Second, the relationship between harmonic structure and enjoyment is further explored using two computational approaches, one based on average Information Content, and another that measures average tonal tension between chords. The results of the listening experiment indicate that harmonic repetition does in fact contribute to the enjoyment of uplifting trance music. More compelling evidence was found for the second hypothesis discussed above, however some maximally repetitive structures were also preferred. Both computational models provide evidence for a Wundt-type relationship between complexity and enjoyment. By systematically manipulating the structure of chord progressions, we have discovered specific harmonic contexts in which repetitive or complex structure contribute to the enjoyment of uplifting trance music.</description><subject>Cognitive science</subject><subject>Humanities and Social Sciences</subject><subject>Musicology and performing arts</subject><subject>Psychology</subject><issn>1664-1078</issn><issn>1664-1078</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2017</creationdate><recordtype>article</recordtype><recordid>eNpdkc1LAzEQxYMoWtS7J9mjHlpnsrvZ5CKUolaoKGjPIZtN2sh-1GS30P_era2iziXD5L03CT9CLhBGcczFjV2FzWJEAdkIUAhxQAbIWDJEyPjhr_6EnIfwDn0lQAHoMTmhHFGwBAdkMlW-amqno9fWd7rtvIlevCmcbkPULk10V783m8rUbdTYaL4qnW1dvYjevKq1iZ664PQZObKqDOZ8f56S-f3d22Q6nD0_PE7Gs6FOYmiHwuqCJSbLtC6Q5wC8YDaNUShQNKdgkhxsqgFzmlEjNFKbCo46LmzCFEB8Sm53uasur0yh-0d5VcqVd5XyG9koJ__e1G4pF81appRSHvM-4HoXsPxnm45ncjsDzARnjK-x117tl_nmozOhlZUL2pSlqk3TBYmcIU8pJKyXwk6qfROCN_YnG0FuUckvVHKLSn6h6i2Xv7_yY_gGE38C7oCQSw</recordid><startdate>20170110</startdate><enddate>20170110</enddate><creator>Agres, Kat</creator><creator>Herremans, Dorien</creator><creator>Bigo, Louis</creator><creator>Conklin, Darrell</creator><general>Frontiers Media</general><general>Frontiers Media S.A</general><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7X8</scope><scope>1XC</scope><scope>BXJBU</scope><scope>IHQJB</scope><scope>VOOES</scope><scope>5PM</scope><orcidid>https://orcid.org/0000-0002-9865-2861</orcidid></search><sort><creationdate>20170110</creationdate><title>Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music</title><author>Agres, Kat ; Herremans, Dorien ; Bigo, Louis ; Conklin, Darrell</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c430t-9fcd64e77ccd18b008d6f5319a0a2b20e4b0f5c01b272e9c12f5981c3df46a003</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2017</creationdate><topic>Cognitive science</topic><topic>Humanities and Social Sciences</topic><topic>Musicology and performing arts</topic><topic>Psychology</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Agres, Kat</creatorcontrib><creatorcontrib>Herremans, Dorien</creatorcontrib><creatorcontrib>Bigo, Louis</creatorcontrib><creatorcontrib>Conklin, Darrell</creatorcontrib><collection>PubMed</collection><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><collection>Hyper Article en Ligne (HAL)</collection><collection>HAL-SHS: Archive ouverte en Sciences de l'Homme et de la Société</collection><collection>HAL-SHS: Archive ouverte en Sciences de l'Homme et de la Société (Open Access)</collection><collection>Hyper Article en Ligne (HAL) (Open Access)</collection><collection>PubMed Central (Full Participant titles)</collection><jtitle>Frontiers in psychology</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Agres, Kat</au><au>Herremans, Dorien</au><au>Bigo, Louis</au><au>Conklin, Darrell</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music</atitle><jtitle>Frontiers in psychology</jtitle><addtitle>Front Psychol</addtitle><date>2017-01-10</date><risdate>2017</risdate><volume>7</volume><spage>1999</spage><epage>1999</epage><pages>1999-1999</pages><issn>1664-1078</issn><eissn>1664-1078</eissn><abstract>An empirical investigation of how local harmonic structures (e.g., chord progressions) contribute to the experience and enjoyment of uplifting trance (UT) music is presented. The connection between rhythmic and percussive elements and resulting trance-like states has been highlighted by musicologists, but no research, to our knowledge, has explored whether repeated harmonic elements influence affective responses in listeners of trance music. Two alternative hypotheses are discussed, the first highlighting the direct relationship between repetition/complexity and enjoyment, and the second based on the theoretical inverted-U relationship described by the Wundt curve. We investigate the connection between harmonic structure and subjective enjoyment through interdisciplinary behavioral and computational methods: First we discuss an experiment in which listeners provided enjoyment ratings for computer-generated UT anthems with varying levels of harmonic repetition and complexity. The anthems were generated using a statistical model trained on a corpus of 100 uplifting trance anthems created for this purpose, and harmonic structure was constrained by imposing particular repetition structures (semiotic patterns defining the order of chords in the sequence) on a professional UT music production template. Second, the relationship between harmonic structure and enjoyment is further explored using two computational approaches, one based on average Information Content, and another that measures average tonal tension between chords. The results of the listening experiment indicate that harmonic repetition does in fact contribute to the enjoyment of uplifting trance music. More compelling evidence was found for the second hypothesis discussed above, however some maximally repetitive structures were also preferred. Both computational models provide evidence for a Wundt-type relationship between complexity and enjoyment. By systematically manipulating the structure of chord progressions, we have discovered specific harmonic contexts in which repetitive or complex structure contribute to the enjoyment of uplifting trance music.</abstract><cop>Switzerland</cop><pub>Frontiers Media</pub><pmid>28119641</pmid><doi>10.3389/fpsyg.2016.01999</doi><tpages>1</tpages><orcidid>https://orcid.org/0000-0002-9865-2861</orcidid><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 1664-1078
ispartof Frontiers in psychology, 2017-01, Vol.7, p.1999-1999
issn 1664-1078
1664-1078
language eng
recordid cdi_pubmedcentral_primary_oai_pubmedcentral_nih_gov_5222838
source PubMed (Medline); DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals; PubMed Central Open Access
subjects Cognitive science
Humanities and Social Sciences
Musicology and performing arts
Psychology
title Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-25T11%3A50%3A34IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_pubme&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Harmonic%20Structure%20Predicts%20the%20Enjoyment%20of%20Uplifting%20Trance%20Music&rft.jtitle=Frontiers%20in%20psychology&rft.au=Agres,%20Kat&rft.date=2017-01-10&rft.volume=7&rft.spage=1999&rft.epage=1999&rft.pages=1999-1999&rft.issn=1664-1078&rft.eissn=1664-1078&rft_id=info:doi/10.3389/fpsyg.2016.01999&rft_dat=%3Cproquest_pubme%3E1861852046%3C/proquest_pubme%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1861852046&rft_id=info:pmid/28119641&rfr_iscdi=true