Do we enjoy what we sense and perceive? A dissociation between aesthetic appreciation and basic perception of environmental objects or events
This integrative review rearticulates the notion of human aesthetics by critically appraising the conventional definitions, offerring a new, more comprehensive definition, and identifying the fundamental components associated with it. It intends to advance holistic understanding of the notion by dif...
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Veröffentlicht in: | Cognitive, affective, & behavioral neuroscience affective, & behavioral neuroscience, 2022-10, Vol.22 (5), p.904-951 |
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creator | Karim, A. K. M. Rezaul Proulx, Michael J. de Sousa, Alexandra A. Likova, Lora T. |
description | This integrative review rearticulates the notion of human aesthetics by critically appraising the conventional definitions, offerring a new, more comprehensive definition, and identifying the fundamental components associated with it. It intends to advance holistic understanding of the notion by differentiating aesthetic perception from basic perceptual recognition, and by characterizing these concepts from the perspective of information processing in both visual and nonvisual modalities. To this end, we analyze the dissociative nature of information processing in the brain, introducing a novel local-global integrative model that differentiates aesthetic processing from basic perceptual processing. This model builds on the current state of the art in visual aesthetics as well as newer propositions about nonvisual aesthetics. This model comprises two analytic channels: a
esthetics-only
channel and
perception-to-aesthetics
channel. The
aesthetics-only
channel primarily involves
restricted local processing
for quality or richness (e.g., attractiveness, beauty/prettiness, elegance, sublimeness, catchiness, hedonic value) analysis, whereas the
perception-to-aesthetics
channel involves
global/extended local processing
for basic feature analysis, followed by
restricted local processing
for quality or richness analysis. We contend that aesthetic processing operates independently of basic perceptual processing, but not independently of cognitive processing. We further conjecture that there might be a common faculty, labeled as
aesthetic cognition faculty,
in the human brain for all sensory aesthetics albeit other parts of the brain can also be activated because of basic sensory processing prior to aesthetic processing, particularly during the operation of the second channel. This generalized model can account not only for simple and pure aesthetic experiences but for partial and complex aesthetic experiences as well. |
doi_str_mv | 10.3758/s13415-022-01004-0 |
format | Article |
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esthetics-only
channel and
perception-to-aesthetics
channel. The
aesthetics-only
channel primarily involves
restricted local processing
for quality or richness (e.g., attractiveness, beauty/prettiness, elegance, sublimeness, catchiness, hedonic value) analysis, whereas the
perception-to-aesthetics
channel involves
global/extended local processing
for basic feature analysis, followed by
restricted local processing
for quality or richness analysis. We contend that aesthetic processing operates independently of basic perceptual processing, but not independently of cognitive processing. We further conjecture that there might be a common faculty, labeled as
aesthetic cognition faculty,
in the human brain for all sensory aesthetics albeit other parts of the brain can also be activated because of basic sensory processing prior to aesthetic processing, particularly during the operation of the second channel. This generalized model can account not only for simple and pure aesthetic experiences but for partial and complex aesthetic experiences as well.</description><identifier>ISSN: 1530-7026</identifier><identifier>EISSN: 1531-135X</identifier><identifier>DOI: 10.3758/s13415-022-01004-0</identifier><identifier>PMID: 35589909</identifier><language>eng</language><publisher>New York: Springer US</publisher><subject>Acoustics ; Aesthetics ; Art galleries & museums ; Beauty ; Behavioral Science and Psychology ; Brain ; Brain research ; Cognition ; Cognition & reasoning ; Cognitive Psychology ; Consumer behavior ; Consumers ; Decision making ; Esthetics ; Humans ; Information processing ; Marketing ; Neurosciences ; Perception ; Product design ; Psychology ; Purchasing ; Shopping ; Theoretical Review</subject><ispartof>Cognitive, affective, & behavioral neuroscience, 2022-10, Vol.22 (5), p.904-951</ispartof><rights>The Psychonomic Society, Inc. 2022</rights><rights>2022. The Psychonomic Society, Inc.</rights><rights>Copyright Springer Nature B.V. Oct 2022</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c475t-ce07262d88d504b0a1629a26c7c210379af074e84ef5ac2d9d3e699c9434b4443</citedby><cites>FETCH-LOGICAL-c475t-ce07262d88d504b0a1629a26c7c210379af074e84ef5ac2d9d3e699c9434b4443</cites><orcidid>0000-0002-8762-7126</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://link.springer.com/content/pdf/10.3758/s13415-022-01004-0$$EPDF$$P50$$Gspringer$$H</linktopdf><linktohtml>$$Uhttps://link.springer.com/10.3758/s13415-022-01004-0$$EHTML$$P50$$Gspringer$$H</linktohtml><link.rule.ids>230,314,780,784,885,27924,27925,41488,42557,51319</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/35589909$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Karim, A. K. M. Rezaul</creatorcontrib><creatorcontrib>Proulx, Michael J.</creatorcontrib><creatorcontrib>de Sousa, Alexandra A.</creatorcontrib><creatorcontrib>Likova, Lora T.</creatorcontrib><title>Do we enjoy what we sense and perceive? A dissociation between aesthetic appreciation and basic perception of environmental objects or events</title><title>Cognitive, affective, & behavioral neuroscience</title><addtitle>Cogn Affect Behav Neurosci</addtitle><addtitle>Cogn Affect Behav Neurosci</addtitle><description>This integrative review rearticulates the notion of human aesthetics by critically appraising the conventional definitions, offerring a new, more comprehensive definition, and identifying the fundamental components associated with it. It intends to advance holistic understanding of the notion by differentiating aesthetic perception from basic perceptual recognition, and by characterizing these concepts from the perspective of information processing in both visual and nonvisual modalities. To this end, we analyze the dissociative nature of information processing in the brain, introducing a novel local-global integrative model that differentiates aesthetic processing from basic perceptual processing. This model builds on the current state of the art in visual aesthetics as well as newer propositions about nonvisual aesthetics. This model comprises two analytic channels: a
esthetics-only
channel and
perception-to-aesthetics
channel. The
aesthetics-only
channel primarily involves
restricted local processing
for quality or richness (e.g., attractiveness, beauty/prettiness, elegance, sublimeness, catchiness, hedonic value) analysis, whereas the
perception-to-aesthetics
channel involves
global/extended local processing
for basic feature analysis, followed by
restricted local processing
for quality or richness analysis. We contend that aesthetic processing operates independently of basic perceptual processing, but not independently of cognitive processing. We further conjecture that there might be a common faculty, labeled as
aesthetic cognition faculty,
in the human brain for all sensory aesthetics albeit other parts of the brain can also be activated because of basic sensory processing prior to aesthetic processing, particularly during the operation of the second channel. This generalized model can account not only for simple and pure aesthetic experiences but for partial and complex aesthetic experiences as well.</description><subject>Acoustics</subject><subject>Aesthetics</subject><subject>Art galleries & museums</subject><subject>Beauty</subject><subject>Behavioral Science and Psychology</subject><subject>Brain</subject><subject>Brain research</subject><subject>Cognition</subject><subject>Cognition & reasoning</subject><subject>Cognitive Psychology</subject><subject>Consumer behavior</subject><subject>Consumers</subject><subject>Decision making</subject><subject>Esthetics</subject><subject>Humans</subject><subject>Information processing</subject><subject>Marketing</subject><subject>Neurosciences</subject><subject>Perception</subject><subject>Product design</subject><subject>Psychology</subject><subject>Purchasing</subject><subject>Shopping</subject><subject>Theoretical Review</subject><issn>1530-7026</issn><issn>1531-135X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><recordid>eNp9UU1PGzEUtCqqQmn_QA-VJc4Lz1-76xNCfBUJqZdW6s3yet8SR4m9tTeJ-BH8Z5wEaHvpyfbMvJknDyFfGJyKRrVnmQnJVAWcV8AAZAXvyBFTglVMqF8HuztUDfD6kHzMeQ5FwyX_QA6FUq3WoI_I01WkG6QY5vGRbmZ22r4yhozUhp6OmBz6NZ7TC9r7nKPzdvIx0A6nDWKgFvM0w8k7ascx4Su9ne1sLvDOYdyBcSg5a59iWGKY7ILGbo5uyjQmiusC5U_k_WAXGT-_nMfk5831j8tv1f3327vLi_vKyUZNlUNoeM37tu0VyA4sq7m2vHaN4wxEo-0AjcRW4qCs473uBdZaOy2F7KSU4pic733HVbfE3pXsZBdmTH5p06OJ1pt_meBn5iGuDQOmdM22DicvDin-XpVPMPO4SqEsbXjDeNvqVtZFxfcql2LOCYe3CAZm26HZd2hKh2bXoYEy9PXv5d5GXksrArEX5EKFB0x_sv9j-wwLaKqA</recordid><startdate>20221001</startdate><enddate>20221001</enddate><creator>Karim, A. 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A dissociation between aesthetic appreciation and basic perception of environmental objects or events</title><author>Karim, A. K. M. 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K. M. 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K. M. Rezaul</au><au>Proulx, Michael J.</au><au>de Sousa, Alexandra A.</au><au>Likova, Lora T.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Do we enjoy what we sense and perceive? A dissociation between aesthetic appreciation and basic perception of environmental objects or events</atitle><jtitle>Cognitive, affective, & behavioral neuroscience</jtitle><stitle>Cogn Affect Behav Neurosci</stitle><addtitle>Cogn Affect Behav Neurosci</addtitle><date>2022-10-01</date><risdate>2022</risdate><volume>22</volume><issue>5</issue><spage>904</spage><epage>951</epage><pages>904-951</pages><issn>1530-7026</issn><eissn>1531-135X</eissn><abstract>This integrative review rearticulates the notion of human aesthetics by critically appraising the conventional definitions, offerring a new, more comprehensive definition, and identifying the fundamental components associated with it. It intends to advance holistic understanding of the notion by differentiating aesthetic perception from basic perceptual recognition, and by characterizing these concepts from the perspective of information processing in both visual and nonvisual modalities. To this end, we analyze the dissociative nature of information processing in the brain, introducing a novel local-global integrative model that differentiates aesthetic processing from basic perceptual processing. This model builds on the current state of the art in visual aesthetics as well as newer propositions about nonvisual aesthetics. This model comprises two analytic channels: a
esthetics-only
channel and
perception-to-aesthetics
channel. The
aesthetics-only
channel primarily involves
restricted local processing
for quality or richness (e.g., attractiveness, beauty/prettiness, elegance, sublimeness, catchiness, hedonic value) analysis, whereas the
perception-to-aesthetics
channel involves
global/extended local processing
for basic feature analysis, followed by
restricted local processing
for quality or richness analysis. We contend that aesthetic processing operates independently of basic perceptual processing, but not independently of cognitive processing. We further conjecture that there might be a common faculty, labeled as
aesthetic cognition faculty,
in the human brain for all sensory aesthetics albeit other parts of the brain can also be activated because of basic sensory processing prior to aesthetic processing, particularly during the operation of the second channel. This generalized model can account not only for simple and pure aesthetic experiences but for partial and complex aesthetic experiences as well.</abstract><cop>New York</cop><pub>Springer US</pub><pmid>35589909</pmid><doi>10.3758/s13415-022-01004-0</doi><tpages>48</tpages><orcidid>https://orcid.org/0000-0002-8762-7126</orcidid><oa>free_for_read</oa></addata></record> |
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subjects | Acoustics Aesthetics Art galleries & museums Beauty Behavioral Science and Psychology Brain Brain research Cognition Cognition & reasoning Cognitive Psychology Consumer behavior Consumers Decision making Esthetics Humans Information processing Marketing Neurosciences Perception Product design Psychology Purchasing Shopping Theoretical Review |
title | Do we enjoy what we sense and perceive? A dissociation between aesthetic appreciation and basic perception of environmental objects or events |
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