Writer-Director Todd Field on Finding the Right Key for 'Tar'
Cate Blanchett stars as Lydia Tar,a world-renowned classical composer and conductor at the height of her career-until allegations of misconduct cause her world to unravel. "Cate and I would come up with things that would invert a scene, turn it on its head, push it 180 degrees," he recalls...
Gespeichert in:
Veröffentlicht in: | Back Stage 2023-03, Vol.64 (7), p.10-11 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 11 |
---|---|
container_issue | 7 |
container_start_page | 10 |
container_title | Back Stage |
container_volume | 64 |
creator | Lovelace, Kai |
description | Cate Blanchett stars as Lydia Tar,a world-renowned classical composer and conductor at the height of her career-until allegations of misconduct cause her world to unravel. "Cate and I would come up with things that would invert a scene, turn it on its head, push it 180 degrees," he recalls. To create the film's visual language, Field and his team did extensive lighting and camera tests before rehearsals began to correspond with different points of view: one "omnipotent," another in which the audience knows what Lydia knows, and another in which we're following the "baton toss" from one character to the next. |
format | Article |
fullrecord | <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_reports_2786054932</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2786054932</sourcerecordid><originalsourceid>FETCH-proquest_reports_27860549323</originalsourceid><addsrcrecordid>eNpjYeA0tDQx0zU1MTHgYOAqLs4yMDAzNjIw52SwDS_KLEkt0nXJLEpNLskvUgjJT0lRcMtMzUlRyM8DMvJSMvPSFUoyUhWCMtMzShS8UysV0oDq1EMSi9R5GFjTEnOKU3mhNDeDkptriLOHbkFRfmFpanFJfFFqQX5RSXG8kbmFmYGpiaWxkTFRigDusjT-</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2786054932</pqid></control><display><type>article</type><title>Writer-Director Todd Field on Finding the Right Key for 'Tar'</title><source>EBSCOhost Business Source Complete</source><creator>Lovelace, Kai</creator><creatorcontrib>Lovelace, Kai</creatorcontrib><description>Cate Blanchett stars as Lydia Tar,a world-renowned classical composer and conductor at the height of her career-until allegations of misconduct cause her world to unravel. "Cate and I would come up with things that would invert a scene, turn it on its head, push it 180 degrees," he recalls. To create the film's visual language, Field and his team did extensive lighting and camera tests before rehearsals began to correspond with different points of view: one "omnipotent," another in which the audience knows what Lydia knows, and another in which we're following the "baton toss" from one character to the next.</description><edition>National edition</edition><identifier>ISSN: 1946-5440</identifier><language>eng</language><publisher>New York: Back Stage LLC</publisher><subject>Actors ; Field, Todd ; Motion picture directors & producers ; Musicians & conductors ; Screenplays ; Scripts</subject><ispartof>Back Stage, 2023-03, Vol.64 (7), p.10-11</ispartof><rights>Copyright Back Stage LLC Mar 2, 2023</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>312,780,784,791</link.rule.ids></links><search><creatorcontrib>Lovelace, Kai</creatorcontrib><title>Writer-Director Todd Field on Finding the Right Key for 'Tar'</title><title>Back Stage</title><description>Cate Blanchett stars as Lydia Tar,a world-renowned classical composer and conductor at the height of her career-until allegations of misconduct cause her world to unravel. "Cate and I would come up with things that would invert a scene, turn it on its head, push it 180 degrees," he recalls. To create the film's visual language, Field and his team did extensive lighting and camera tests before rehearsals began to correspond with different points of view: one "omnipotent," another in which the audience knows what Lydia knows, and another in which we're following the "baton toss" from one character to the next.</description><subject>Actors</subject><subject>Field, Todd</subject><subject>Motion picture directors & producers</subject><subject>Musicians & conductors</subject><subject>Screenplays</subject><subject>Scripts</subject><issn>1946-5440</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><recordid>eNpjYeA0tDQx0zU1MTHgYOAqLs4yMDAzNjIw52SwDS_KLEkt0nXJLEpNLskvUgjJT0lRcMtMzUlRyM8DMvJSMvPSFUoyUhWCMtMzShS8UysV0oDq1EMSi9R5GFjTEnOKU3mhNDeDkptriLOHbkFRfmFpanFJfFFqQX5RSXG8kbmFmYGpiaWxkTFRigDusjT-</recordid><startdate>20230302</startdate><enddate>20230302</enddate><creator>Lovelace, Kai</creator><general>Back Stage LLC</general><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>A3F</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20230302</creationdate><title>Writer-Director Todd Field on Finding the Right Key for 'Tar'</title><author>Lovelace, Kai</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_reports_27860549323</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>Actors</topic><topic>Field, Todd</topic><topic>Motion picture directors & producers</topic><topic>Musicians & conductors</topic><topic>Screenplays</topic><topic>Scripts</topic><toplevel>online_resources</toplevel><creatorcontrib>Lovelace, Kai</creatorcontrib><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>Performing Arts Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><jtitle>Back Stage</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Lovelace, Kai</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Writer-Director Todd Field on Finding the Right Key for 'Tar'</atitle><jtitle>Back Stage</jtitle><date>2023-03-02</date><risdate>2023</risdate><volume>64</volume><issue>7</issue><spage>10</spage><epage>11</epage><pages>10-11</pages><issn>1946-5440</issn><abstract>Cate Blanchett stars as Lydia Tar,a world-renowned classical composer and conductor at the height of her career-until allegations of misconduct cause her world to unravel. "Cate and I would come up with things that would invert a scene, turn it on its head, push it 180 degrees," he recalls. To create the film's visual language, Field and his team did extensive lighting and camera tests before rehearsals began to correspond with different points of view: one "omnipotent," another in which the audience knows what Lydia knows, and another in which we're following the "baton toss" from one character to the next.</abstract><cop>New York</cop><pub>Back Stage LLC</pub><edition>National edition</edition></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1946-5440 |
ispartof | Back Stage, 2023-03, Vol.64 (7), p.10-11 |
issn | 1946-5440 |
language | eng |
recordid | cdi_proquest_reports_2786054932 |
source | EBSCOhost Business Source Complete |
subjects | Actors Field, Todd Motion picture directors & producers Musicians & conductors Screenplays Scripts |
title | Writer-Director Todd Field on Finding the Right Key for 'Tar' |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-25T01%3A07%3A51IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Writer-Director%20Todd%20Field%20on%20Finding%20the%20Right%20Key%20for%20'Tar'&rft.jtitle=Back%20Stage&rft.au=Lovelace,%20Kai&rft.date=2023-03-02&rft.volume=64&rft.issue=7&rft.spage=10&rft.epage=11&rft.pages=10-11&rft.issn=1946-5440&rft_id=info:doi/&rft_dat=%3Cproquest%3E2786054932%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2786054932&rft_id=info:pmid/&rfr_iscdi=true |