“Uncontrollable Misinterpretations”: An Interview with Adán De La Garza
Adán and I first met in Toronto in 2014 when Nothing to See Here (a collaborative art project with Christina Battle) presented two curated programs, namely, Loud!!!, a program of moving image works in which the sound component of the work is prioritized, and Denver ≥ Denver, a screening of Denver-ba...
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| description | Adán and I first met in Toronto in 2014 when Nothing to See Here (a collaborative art project with Christina Battle) presented two curated programs, namely, Loud!!!, a program of moving image works in which the sound component of the work is prioritized, and Denver ≥ Denver, a screening of Denver-based artists. Was Come Steal My Art (2009), an exhibition where you invited people to come and attempt to steal your artwork, your first “real” performance? If you include labour (or my student loans), I didn’t break even; however, that exhibition showed me the potential of performance. In your performance video Arbitrary Self Improvement (2014), you attempt to develop a set of skills that have no practical purpose in everyday life. |
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| source | Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals |
| subjects | Art exhibits Artists Bukowski, Charles Collaboration Employment interviews Performance art Photography Skateboarding Sound |
| title | “Uncontrollable Misinterpretations”: An Interview with Adán De La Garza |
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