Going behind the scenes
The Sharp End is packing the author off to theatre land to sample life as a set builder, assembling the pieces of Broken Loops, a ground-breaking site-specific performance. After years writing about business, he finally get his own taste of equity, but it's the card-carrying type. The venue is...
Gespeichert in:
| Veröffentlicht in: | Management Today 2012-04, p.74 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | |
|---|---|
| container_issue | |
| container_start_page | 74 |
| container_title | Management Today |
| container_volume | |
| creator | Waller, Dave |
| description | The Sharp End is packing the author off to theatre land to sample life as a set builder, assembling the pieces of Broken Loops, a ground-breaking site-specific performance. After years writing about business, he finally get his own taste of equity, but it's the card-carrying type. The venue is the Old Vic Tunnels in south London, a grungy network of 'spaces' under the railway tracks out of Waterloo Station, the entrance hidden on a deserted graffiti-lined street round the back. The whole thing is a labour of love: the show only runs Thursday till Sunday, with two shows a day at the weekend, but the attention to detail pays off. |
| format | Article |
| fullrecord | <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_reports_1011772231</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2655241741</sourcerecordid><originalsourceid>FETCH-proquest_reports_10117722313</originalsourceid><addsrcrecordid>eNpjYeA0MDAy1TW0NDLlYOAqLs4yMDAwNDU35GQQd8_PzEtXSErNyMxLUSjJSFUoTk7NSy3mYWBNS8wpTuWF0twMSm6uIc4eugVF-YWlqcUl8UWpBflFJcXxhgaGhubmRkbGhsZEKQIAXRon7A</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1011772231</pqid></control><display><type>article</type><title>Going behind the scenes</title><source>Business Source Complete</source><creator>Waller, Dave</creator><creatorcontrib>Waller, Dave</creatorcontrib><description>The Sharp End is packing the author off to theatre land to sample life as a set builder, assembling the pieces of Broken Loops, a ground-breaking site-specific performance. After years writing about business, he finally get his own taste of equity, but it's the card-carrying type. The venue is the Old Vic Tunnels in south London, a grungy network of 'spaces' under the railway tracks out of Waterloo Station, the entrance hidden on a deserted graffiti-lined street round the back. The whole thing is a labour of love: the show only runs Thursday till Sunday, with two shows a day at the weekend, but the attention to detail pays off.</description><identifier>ISSN: 0025-1925</identifier><identifier>CODEN: MANTAI</identifier><language>eng</language><publisher>London: Haymarket Business Publications Ltd</publisher><subject>Set design ; Theater</subject><ispartof>Management Today, 2012-04, p.74</ispartof><rights>Copyright Haymarket Business Publications Ltd. Apr 2012</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>313,781,785,792</link.rule.ids></links><search><creatorcontrib>Waller, Dave</creatorcontrib><title>Going behind the scenes</title><title>Management Today</title><description>The Sharp End is packing the author off to theatre land to sample life as a set builder, assembling the pieces of Broken Loops, a ground-breaking site-specific performance. After years writing about business, he finally get his own taste of equity, but it's the card-carrying type. The venue is the Old Vic Tunnels in south London, a grungy network of 'spaces' under the railway tracks out of Waterloo Station, the entrance hidden on a deserted graffiti-lined street round the back. The whole thing is a labour of love: the show only runs Thursday till Sunday, with two shows a day at the weekend, but the attention to detail pays off.</description><subject>Set design</subject><subject>Theater</subject><issn>0025-1925</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2012</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><recordid>eNpjYeA0MDAy1TW0NDLlYOAqLs4yMDAwNDU35GQQd8_PzEtXSErNyMxLUSjJSFUoTk7NSy3mYWBNS8wpTuWF0twMSm6uIc4eugVF-YWlqcUl8UWpBflFJcXxhgaGhubmRkbGhsZEKQIAXRon7A</recordid><startdate>20120401</startdate><enddate>20120401</enddate><creator>Waller, Dave</creator><general>Haymarket Business Publications Ltd</general><scope>0TT</scope><scope>0U~</scope><scope>1-H</scope><scope>3V.</scope><scope>7WY</scope><scope>7WZ</scope><scope>7X7</scope><scope>7XB</scope><scope>87Z</scope><scope>88C</scope><scope>88K</scope><scope>8BF</scope><scope>8FI</scope><scope>8FJ</scope><scope>8FK</scope><scope>8FL</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AXJJW</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>BEZIV</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>FREBS</scope><scope>FRNLG</scope><scope>FYUFA</scope><scope>F~G</scope><scope>GHDGH</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K60</scope><scope>K6~</scope><scope>K9.</scope><scope>KB~</scope><scope>L.-</scope><scope>L.0</scope><scope>M0C</scope><scope>M0Q</scope><scope>M0S</scope><scope>M0T</scope><scope>M2O</scope><scope>M2T</scope><scope>MBDVC</scope><scope>PQBIZ</scope><scope>PQBZA</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>20120401</creationdate><title>Going behind the scenes</title><author>Waller, Dave</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_reports_10117722313</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2012</creationdate><topic>Set design</topic><topic>Theater</topic><toplevel>online_resources</toplevel><creatorcontrib>Waller, Dave</creatorcontrib><collection>News PRO</collection><collection>Global News & ABI/Inform Professional</collection><collection>Trade PRO</collection><collection>ProQuest Central (Corporate)</collection><collection>ABI/INFORM Collection</collection><collection>ABI/INFORM Global (PDF only)</collection><collection>Health & Medical Collection</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ABI/INFORM Global (Alumni Edition)</collection><collection>Healthcare Administration Database (Alumni)</collection><collection>Telecommunications (Alumni Edition)</collection><collection>European Business Database (Alumni Edition)</collection><collection>Hospital Premium Collection</collection><collection>Hospital Premium Collection (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>ABI/INFORM Collection (Alumni Edition)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>Asian & European Business Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>Business Premium Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>Asian & European Business Collection (Alumni)</collection><collection>Business Premium Collection (Alumni)</collection><collection>Health Research Premium Collection</collection><collection>ABI/INFORM Global (Corporate)</collection><collection>Health Research Premium Collection (Alumni)</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest Business Collection (Alumni Edition)</collection><collection>ProQuest Business Collection</collection><collection>ProQuest Health & Medical Complete (Alumni)</collection><collection>ProQuest Newsstand Professional</collection><collection>ABI/INFORM Professional Advanced</collection><collection>ABI/INFORM Professional Standard</collection><collection>ABI/INFORM Global</collection><collection>European Business Database</collection><collection>Health & Medical Collection (Alumni Edition)</collection><collection>Healthcare Administration Database</collection><collection>Research Library</collection><collection>Telecommunications Database</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Business</collection><collection>ProQuest One Business (Alumni)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>Management Today</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Waller, Dave</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Going behind the scenes</atitle><jtitle>Management Today</jtitle><date>2012-04-01</date><risdate>2012</risdate><spage>74</spage><pages>74-</pages><issn>0025-1925</issn><coden>MANTAI</coden><abstract>The Sharp End is packing the author off to theatre land to sample life as a set builder, assembling the pieces of Broken Loops, a ground-breaking site-specific performance. After years writing about business, he finally get his own taste of equity, but it's the card-carrying type. The venue is the Old Vic Tunnels in south London, a grungy network of 'spaces' under the railway tracks out of Waterloo Station, the entrance hidden on a deserted graffiti-lined street round the back. The whole thing is a labour of love: the show only runs Thursday till Sunday, with two shows a day at the weekend, but the attention to detail pays off.</abstract><cop>London</cop><pub>Haymarket Business Publications Ltd</pub></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0025-1925 |
| ispartof | Management Today, 2012-04, p.74 |
| issn | 0025-1925 |
| language | eng |
| recordid | cdi_proquest_reports_1011772231 |
| source | Business Source Complete |
| subjects | Set design Theater |
| title | Going behind the scenes |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-14T08%3A07%3A49IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Going%20behind%20the%20scenes&rft.jtitle=Management%20Today&rft.au=Waller,%20Dave&rft.date=2012-04-01&rft.spage=74&rft.pages=74-&rft.issn=0025-1925&rft.coden=MANTAI&rft_id=info:doi/&rft_dat=%3Cproquest%3E2655241741%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1011772231&rft_id=info:pmid/&rfr_iscdi=true |