Towards a neural basis of processing musical semantics
Processing of meaning is critical for language perception, and therefore the majority of research on meaning processing has focused on the semantic, lexical, conceptual, and propositional processing of language. However, music is another a means of communication, and meaning also emerges from the in...
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Veröffentlicht in: | Physics of life reviews 2011-06, Vol.8 (2), p.89-105 |
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description | Processing of meaning is critical for language perception, and therefore the majority of research on meaning processing has focused on the semantic, lexical, conceptual, and propositional processing of language. However, music is another a means of communication, and meaning also emerges from the interpretation of musical information. This article provides a framework for the investigation of the processing of musical meaning, and reviews neuroscience studies investigating this issue. These studies reveal two neural correlates of meaning processing, the N400 and the N5 (which are both components of the event-related electric brain potential). Here I argue that the N400 can be elicited by musical stimuli due to the processing of extra-musical meaning, whereas the N5 can be elicited due to the processing of intra-musical meaning. Notably, whereas the N400 can be elicited by both linguistic and musical stimuli, the N5 has so far only been observed for the processing of meaning in music. Thus, knowledge about both the N400 and the N5 can advance our understanding of how the human brain processes meaning information.
► I propose three classes of musical meaning: extra-musical, intra-musical, and musicogenic. ► Extra-musical meaning emerges from the interpretation of information with reference to the extra-musical world. ► Intra-musical meaning emerges from one musical element referencing to another musical element. ► Processing of extra-musical meaning is reflected electrically in the N400 component of the event-related brain potential. ► Processing of intra-musical meaning is reflected in the N5 component of the event-related brain potential. |
doi_str_mv | 10.1016/j.plrev.2011.04.004 |
format | Article |
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► I propose three classes of musical meaning: extra-musical, intra-musical, and musicogenic. ► Extra-musical meaning emerges from the interpretation of information with reference to the extra-musical world. ► Intra-musical meaning emerges from one musical element referencing to another musical element. ► Processing of extra-musical meaning is reflected electrically in the N400 component of the event-related brain potential. ► Processing of intra-musical meaning is reflected in the N5 component of the event-related brain potential.</description><identifier>ISSN: 1571-0645</identifier><identifier>EISSN: 1873-1457</identifier><identifier>DOI: 10.1016/j.plrev.2011.04.004</identifier><identifier>PMID: 21601541</identifier><language>eng</language><publisher>Netherlands: Elsevier B.V</publisher><subject>Acoustic Stimulation - methods ; Auditory Perception - physiology ; Evoked Potentials, Auditory - physiology ; Humans ; Music ; Neurosciences - methods ; Semantics</subject><ispartof>Physics of life reviews, 2011-06, Vol.8 (2), p.89-105</ispartof><rights>2011 Elsevier B.V.</rights><rights>Copyright © 2011 Elsevier B.V. All rights reserved.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c424t-52d09b4dd6ad136ec5b778a245c7a3daac6c011b3f64eda38b3ff8d31fe69a273</citedby><cites>FETCH-LOGICAL-c424t-52d09b4dd6ad136ec5b778a245c7a3daac6c011b3f64eda38b3ff8d31fe69a273</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://dx.doi.org/10.1016/j.plrev.2011.04.004$$EHTML$$P50$$Gelsevier$$H</linktohtml><link.rule.ids>314,780,784,3550,27924,27925,45995</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/21601541$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Koelsch, Stefan</creatorcontrib><title>Towards a neural basis of processing musical semantics</title><title>Physics of life reviews</title><addtitle>Phys Life Rev</addtitle><description>Processing of meaning is critical for language perception, and therefore the majority of research on meaning processing has focused on the semantic, lexical, conceptual, and propositional processing of language. However, music is another a means of communication, and meaning also emerges from the interpretation of musical information. This article provides a framework for the investigation of the processing of musical meaning, and reviews neuroscience studies investigating this issue. These studies reveal two neural correlates of meaning processing, the N400 and the N5 (which are both components of the event-related electric brain potential). Here I argue that the N400 can be elicited by musical stimuli due to the processing of extra-musical meaning, whereas the N5 can be elicited due to the processing of intra-musical meaning. Notably, whereas the N400 can be elicited by both linguistic and musical stimuli, the N5 has so far only been observed for the processing of meaning in music. Thus, knowledge about both the N400 and the N5 can advance our understanding of how the human brain processes meaning information.
► I propose three classes of musical meaning: extra-musical, intra-musical, and musicogenic. ► Extra-musical meaning emerges from the interpretation of information with reference to the extra-musical world. ► Intra-musical meaning emerges from one musical element referencing to another musical element. ► Processing of extra-musical meaning is reflected electrically in the N400 component of the event-related brain potential. ► Processing of intra-musical meaning is reflected in the N5 component of the event-related brain potential.</description><subject>Acoustic Stimulation - methods</subject><subject>Auditory Perception - physiology</subject><subject>Evoked Potentials, Auditory - physiology</subject><subject>Humans</subject><subject>Music</subject><subject>Neurosciences - methods</subject><subject>Semantics</subject><issn>1571-0645</issn><issn>1873-1457</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2011</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><recordid>eNp9kMtOwzAQRS0EoqXwBUgoO1YJduzYyYIFqnhJldiUteXYE-Qqj-JJivh7XAosWc1Ic-fOnUPIJaMZo0zebLJtG2CX5ZSxjIqMUnFE5qxUPGWiUMexLxRLqRTFjJwhbijluSjpKZnlTFJWCDYncj18mOAwMUkPUzBtUhv0mAxNsg2DBUTfvyXdhN7GGUJn-tFbPCcnjWkRLn7qgrw-3K-XT-nq5fF5ebdKrcjFmBa5o1UtnJPGMS7BFrVSpclFYZXhzhgrbUxf80YKcIaXsWtKx1kDsjK54gtyffCNYd4nwFF3Hi20relhmFCXSpRVJWQVlfygtGFADNDobfCdCZ-aUb3npTf6m5fe89JU6Mgrbl39-E91B-5v5xdQFNweBBC_3HkIGq2H3oLzAeyo3eD_PfAFidB9Mw</recordid><startdate>20110601</startdate><enddate>20110601</enddate><creator>Koelsch, Stefan</creator><general>Elsevier B.V</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7X8</scope></search><sort><creationdate>20110601</creationdate><title>Towards a neural basis of processing musical semantics</title><author>Koelsch, Stefan</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c424t-52d09b4dd6ad136ec5b778a245c7a3daac6c011b3f64eda38b3ff8d31fe69a273</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2011</creationdate><topic>Acoustic Stimulation - methods</topic><topic>Auditory Perception - physiology</topic><topic>Evoked Potentials, Auditory - physiology</topic><topic>Humans</topic><topic>Music</topic><topic>Neurosciences - methods</topic><topic>Semantics</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Koelsch, Stefan</creatorcontrib><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><jtitle>Physics of life reviews</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Koelsch, Stefan</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Towards a neural basis of processing musical semantics</atitle><jtitle>Physics of life reviews</jtitle><addtitle>Phys Life Rev</addtitle><date>2011-06-01</date><risdate>2011</risdate><volume>8</volume><issue>2</issue><spage>89</spage><epage>105</epage><pages>89-105</pages><issn>1571-0645</issn><eissn>1873-1457</eissn><abstract>Processing of meaning is critical for language perception, and therefore the majority of research on meaning processing has focused on the semantic, lexical, conceptual, and propositional processing of language. However, music is another a means of communication, and meaning also emerges from the interpretation of musical information. This article provides a framework for the investigation of the processing of musical meaning, and reviews neuroscience studies investigating this issue. These studies reveal two neural correlates of meaning processing, the N400 and the N5 (which are both components of the event-related electric brain potential). Here I argue that the N400 can be elicited by musical stimuli due to the processing of extra-musical meaning, whereas the N5 can be elicited due to the processing of intra-musical meaning. Notably, whereas the N400 can be elicited by both linguistic and musical stimuli, the N5 has so far only been observed for the processing of meaning in music. Thus, knowledge about both the N400 and the N5 can advance our understanding of how the human brain processes meaning information.
► I propose three classes of musical meaning: extra-musical, intra-musical, and musicogenic. ► Extra-musical meaning emerges from the interpretation of information with reference to the extra-musical world. ► Intra-musical meaning emerges from one musical element referencing to another musical element. ► Processing of extra-musical meaning is reflected electrically in the N400 component of the event-related brain potential. ► Processing of intra-musical meaning is reflected in the N5 component of the event-related brain potential.</abstract><cop>Netherlands</cop><pub>Elsevier B.V</pub><pmid>21601541</pmid><doi>10.1016/j.plrev.2011.04.004</doi><tpages>17</tpages></addata></record> |
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subjects | Acoustic Stimulation - methods Auditory Perception - physiology Evoked Potentials, Auditory - physiology Humans Music Neurosciences - methods Semantics |
title | Towards a neural basis of processing musical semantics |
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