Infants' Perception of Melodies: The Role of Melodic Contour

Infants 8-11 months of age were exposed to repetitions of a 6-tone sequence or melody, then tested for their discrimination of transpositions of that sequence as well as other melodic transformations previously used by Massaro, Kallman, and Kelly with adults. In Experiment 1, infants showed evidence...

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Veröffentlicht in:Child development 1984-06, Vol.55 (3), p.821-830
Hauptverfasser: Trehub, Sandra E., Bull, Dale, Thorpe, Leigh A.
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Bull, Dale
Thorpe, Leigh A.
description Infants 8-11 months of age were exposed to repetitions of a 6-tone sequence or melody, then tested for their discrimination of transpositions of that sequence as well as other melodic transformations previously used by Massaro, Kallman, and Kelly with adults. In Experiment 1, infants showed evidence of discriminating all transformations from the original melody. In Experiment 2, the task was made more difficult, and infants failed to discriminate transpositions of the original melody as well as transformations that preserved the melodic contour and approximate frequency range of the original melody. By contrast, infants showed evidence of discriminating transformations that violated the contour of the original melody or that included changes in the octaves from which component tones were drawn. This global processing strategy parallels that used by adults with atonal or unfamiliar tonal melodies.
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source Jstor Complete Legacy; MEDLINE; Education Source; Periodicals Index Online
subjects Attention
Auditory perception
Biological and medical sciences
Child development
Developmental psychology
Experimentation
Female
Fundamental and applied biological sciences. Psychology
Humans
Infant
Infants
Male
Melodic contours
Melody
Music
Musical intervals
Musical perception
Octaves
Pitch Discrimination
Pitch Perception
Psychology, Child
Psychology. Psychoanalysis. Psychiatry
Psychology. Psychophysiology
Row transformations
Tonal sequences
title Infants' Perception of Melodies: The Role of Melodic Contour
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