Acoustic Design Of The Rose Theatre Brampton
The Rose Theatre, Brampton is a community theatre of 930 seats intended for most types of performances including drama, musical theatre, road shows and the Brampton Symphony The theatre breaks convention by locating the Mix booth at the centre of the orchestra thus putting the Mixer out where he can...
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description | The Rose Theatre, Brampton is a community theatre of 930 seats intended for most types of performances including drama, musical theatre, road shows and the Brampton Symphony The theatre breaks convention by locating the Mix booth at the centre of the orchestra thus putting the Mixer out where he can hear what the audiences hears. The house is horseshoe-shaped and features one balcony, tiered seating, a full 45ft width (13.7m) Broadway style proscenium opening, an orchestra pit on a lift and a full catwalk level above the balcony. The deep Proscenium was used to direct energy from stage in the apron area as lateral reflections to seating. Variable acoustics were accomplished with curtains which retract into pockets which when extended cover the rear wall of the audience seating and the wall surface above the catwalk level. A MathCAD routine to calculate the strength and location of reflections from convex reflectors was used on the proscenium reflectors and five sets of linear ceiling reflectors. The HVAC system was designed for RC20. A novel test procedure was developed for checking the aiming of the reflectors where a light source was aimed at the acoustic reflectors. The reflected light, simulating a reflected sound wave, could then be seen illuminating a portion of the audience area indicating the aiming of the reflector. The background sound level and reverberation time measurements confirmed the background sound level of RC 20 and reverb time ranging from 1.1 to 1.5 sec. Measurements of uniformity of sound in the house showed a variation of +/- 2 dB throughout the dress circle and balcony seating. The Auditorium is described by both performers and patrons as very intimate.Original Abstract: Le theatre Rose de Brampton est un theater communautaire de 930 places adapte a la plupart des spectacles; pieces de theater, comedies musicales, varietes et l'orchestre symphonique de Brampton. Le theatre a defie les conventions en avancant la cabine de mixage au coeur de l'orchestre la ou le mixeur peut entendre ce que l'auditoire meme entend. Le theatre est ce qu'il y a de mieux en la matiere. La sale est en forme de fer-a-cheval et comporte un balcon, des rangees de sieges en gradin, une ouverture d'avant-scene de style broadwayien de 45 pied (13.7m), une fosse d'orchestre sur ascenceur et une passerelle audessus du niveau du balcon. On a tire parti de la profondeur de l'avant-scene pour diriger l'energie de la scene vers le tablier en reflection laterale vers |
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The house is horseshoe-shaped and features one balcony, tiered seating, a full 45ft width (13.7m) Broadway style proscenium opening, an orchestra pit on a lift and a full catwalk level above the balcony. The deep Proscenium was used to direct energy from stage in the apron area as lateral reflections to seating. Variable acoustics were accomplished with curtains which retract into pockets which when extended cover the rear wall of the audience seating and the wall surface above the catwalk level. A MathCAD routine to calculate the strength and location of reflections from convex reflectors was used on the proscenium reflectors and five sets of linear ceiling reflectors. The HVAC system was designed for RC20. A novel test procedure was developed for checking the aiming of the reflectors where a light source was aimed at the acoustic reflectors. The reflected light, simulating a reflected sound wave, could then be seen illuminating a portion of the audience area indicating the aiming of the reflector. The background sound level and reverberation time measurements confirmed the background sound level of RC 20 and reverb time ranging from 1.1 to 1.5 sec. Measurements of uniformity of sound in the house showed a variation of +/- 2 dB throughout the dress circle and balcony seating. The Auditorium is described by both performers and patrons as very intimate.Original Abstract: Le theatre Rose de Brampton est un theater communautaire de 930 places adapte a la plupart des spectacles; pieces de theater, comedies musicales, varietes et l'orchestre symphonique de Brampton. Le theatre a defie les conventions en avancant la cabine de mixage au coeur de l'orchestre la ou le mixeur peut entendre ce que l'auditoire meme entend. Le theatre est ce qu'il y a de mieux en la matiere. La sale est en forme de fer-a-cheval et comporte un balcon, des rangees de sieges en gradin, une ouverture d'avant-scene de style broadwayien de 45 pied (13.7m), une fosse d'orchestre sur ascenceur et une passerelle audessus du niveau du balcon. On a tire parti de la profondeur de l'avant-scene pour diriger l'energie de la scene vers le tablier en reflection laterale vers les sieges. Grace a les rideaux retractables dans les poches mais aussi capables de masquer le mur arriere de l'auditorium et aussi celui au-dessus de la passerelle on peut varier l'acoustique. On s'est servi d'une application MathCAD pour calculer la puissance et la location des reflections emises par les reflectors convexes applicables aux reflections de l'avant-scene et aux cinq ensembles lineaires de reflecteurs suspendues au plafond. Le systeme HVAC est concu pour RC-20. Un nouveau precede a ete developpe pour tester l'orientation des reflecteurs: Une source de lumiere est dirigee sur les reflecteurs acoustiques, la lumiere reflechie, simulant une onde sonore reflechie, peut etre ainsi observee illuminant une partie de la sale et precisant l'orientation du reflecteur. Les measures du niveau de fond sonore et du temps de reverberation ont confirme un niveau do fond sonore de RC-20 ainsu qu'un temps de reverberation oscillant de 1.1 a 1.5 secondes. Les measures de l'uniformite du son dans la sale ont demonstre une variation de +/- 2 dB tant a la corbeille qu'au balcon. Spectateurs et artistes qualifie la sale de plaisanment intime.</description><identifier>ISSN: 0711-6659</identifier><language>eng</language><subject>Acoustics ; Balconies ; Houses ; Reflection ; Reflectors ; Sound ; Theatres ; Walls</subject><ispartof>Canadian acoustics, 2010-03, Vol.38 (1), p.7-12</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>Swallow, J C</creatorcontrib><creatorcontrib>Toome, M</creatorcontrib><creatorcontrib>Yung, P</creatorcontrib><title>Acoustic Design Of The Rose Theatre Brampton</title><title>Canadian acoustics</title><description>The Rose Theatre, Brampton is a community theatre of 930 seats intended for most types of performances including drama, musical theatre, road shows and the Brampton Symphony The theatre breaks convention by locating the Mix booth at the centre of the orchestra thus putting the Mixer out where he can hear what the audiences hears. The house is horseshoe-shaped and features one balcony, tiered seating, a full 45ft width (13.7m) Broadway style proscenium opening, an orchestra pit on a lift and a full catwalk level above the balcony. The deep Proscenium was used to direct energy from stage in the apron area as lateral reflections to seating. Variable acoustics were accomplished with curtains which retract into pockets which when extended cover the rear wall of the audience seating and the wall surface above the catwalk level. A MathCAD routine to calculate the strength and location of reflections from convex reflectors was used on the proscenium reflectors and five sets of linear ceiling reflectors. The HVAC system was designed for RC20. A novel test procedure was developed for checking the aiming of the reflectors where a light source was aimed at the acoustic reflectors. The reflected light, simulating a reflected sound wave, could then be seen illuminating a portion of the audience area indicating the aiming of the reflector. The background sound level and reverberation time measurements confirmed the background sound level of RC 20 and reverb time ranging from 1.1 to 1.5 sec. Measurements of uniformity of sound in the house showed a variation of +/- 2 dB throughout the dress circle and balcony seating. The Auditorium is described by both performers and patrons as very intimate.Original Abstract: Le theatre Rose de Brampton est un theater communautaire de 930 places adapte a la plupart des spectacles; pieces de theater, comedies musicales, varietes et l'orchestre symphonique de Brampton. Le theatre a defie les conventions en avancant la cabine de mixage au coeur de l'orchestre la ou le mixeur peut entendre ce que l'auditoire meme entend. Le theatre est ce qu'il y a de mieux en la matiere. La sale est en forme de fer-a-cheval et comporte un balcon, des rangees de sieges en gradin, une ouverture d'avant-scene de style broadwayien de 45 pied (13.7m), une fosse d'orchestre sur ascenceur et une passerelle audessus du niveau du balcon. On a tire parti de la profondeur de l'avant-scene pour diriger l'energie de la scene vers le tablier en reflection laterale vers les sieges. Grace a les rideaux retractables dans les poches mais aussi capables de masquer le mur arriere de l'auditorium et aussi celui au-dessus de la passerelle on peut varier l'acoustique. On s'est servi d'une application MathCAD pour calculer la puissance et la location des reflections emises par les reflectors convexes applicables aux reflections de l'avant-scene et aux cinq ensembles lineaires de reflecteurs suspendues au plafond. Le systeme HVAC est concu pour RC-20. Un nouveau precede a ete developpe pour tester l'orientation des reflecteurs: Une source de lumiere est dirigee sur les reflecteurs acoustiques, la lumiere reflechie, simulant une onde sonore reflechie, peut etre ainsi observee illuminant une partie de la sale et precisant l'orientation du reflecteur. Les measures du niveau de fond sonore et du temps de reverberation ont confirme un niveau do fond sonore de RC-20 ainsu qu'un temps de reverberation oscillant de 1.1 a 1.5 secondes. Les measures de l'uniformite du son dans la sale ont demonstre une variation de +/- 2 dB tant a la corbeille qu'au balcon. Spectateurs et artistes qualifie la sale de plaisanment intime.</description><subject>Acoustics</subject><subject>Balconies</subject><subject>Houses</subject><subject>Reflection</subject><subject>Reflectors</subject><subject>Sound</subject><subject>Theatres</subject><subject>Walls</subject><issn>0711-6659</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2010</creationdate><recordtype>article</recordtype><recordid>eNotjstqwzAQAHVooCHJP-jWSw0r67H2Mc2rhUCgpOewlVati2O7lvL_SWhPM6dhHsQUUKnCOVs_ikVKPwCgrAJX41Q8L31_Sbnxcs2p-erkIcrjN8v3PvFdKI8sX0Y6D7nv5mISqU28-OdMfGw3x9VrsT_s3lbLfTEoKHPBEMhjcIxkKgDECI6YbqYCuYpjiZGZwQVj4metNZRMJmggDxa41DPx9Ncdxv73wimfzk3y3LbU8e32hFajBaiMvgJFDz8o</recordid><startdate>20100301</startdate><enddate>20100301</enddate><creator>Swallow, J C</creator><creator>Toome, M</creator><creator>Yung, P</creator><scope>7SP</scope><scope>7U5</scope><scope>8FD</scope><scope>H8D</scope><scope>L7M</scope></search><sort><creationdate>20100301</creationdate><title>Acoustic Design Of The Rose Theatre Brampton</title><author>Swallow, J C ; Toome, M ; Yung, P</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-p102t-e0dac7d6e7a480077f06aea0071da68ef27feee06d44fb93302ea4d30ac050e23</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2010</creationdate><topic>Acoustics</topic><topic>Balconies</topic><topic>Houses</topic><topic>Reflection</topic><topic>Reflectors</topic><topic>Sound</topic><topic>Theatres</topic><topic>Walls</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Swallow, J C</creatorcontrib><creatorcontrib>Toome, M</creatorcontrib><creatorcontrib>Yung, P</creatorcontrib><collection>Electronics & Communications Abstracts</collection><collection>Solid State and Superconductivity Abstracts</collection><collection>Technology Research Database</collection><collection>Aerospace Database</collection><collection>Advanced Technologies Database with Aerospace</collection><jtitle>Canadian acoustics</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Swallow, J C</au><au>Toome, M</au><au>Yung, P</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Acoustic Design Of The Rose Theatre Brampton</atitle><jtitle>Canadian acoustics</jtitle><date>2010-03-01</date><risdate>2010</risdate><volume>38</volume><issue>1</issue><spage>7</spage><epage>12</epage><pages>7-12</pages><issn>0711-6659</issn><abstract>The Rose Theatre, Brampton is a community theatre of 930 seats intended for most types of performances including drama, musical theatre, road shows and the Brampton Symphony The theatre breaks convention by locating the Mix booth at the centre of the orchestra thus putting the Mixer out where he can hear what the audiences hears. The house is horseshoe-shaped and features one balcony, tiered seating, a full 45ft width (13.7m) Broadway style proscenium opening, an orchestra pit on a lift and a full catwalk level above the balcony. The deep Proscenium was used to direct energy from stage in the apron area as lateral reflections to seating. Variable acoustics were accomplished with curtains which retract into pockets which when extended cover the rear wall of the audience seating and the wall surface above the catwalk level. A MathCAD routine to calculate the strength and location of reflections from convex reflectors was used on the proscenium reflectors and five sets of linear ceiling reflectors. The HVAC system was designed for RC20. A novel test procedure was developed for checking the aiming of the reflectors where a light source was aimed at the acoustic reflectors. The reflected light, simulating a reflected sound wave, could then be seen illuminating a portion of the audience area indicating the aiming of the reflector. The background sound level and reverberation time measurements confirmed the background sound level of RC 20 and reverb time ranging from 1.1 to 1.5 sec. Measurements of uniformity of sound in the house showed a variation of +/- 2 dB throughout the dress circle and balcony seating. The Auditorium is described by both performers and patrons as very intimate.Original Abstract: Le theatre Rose de Brampton est un theater communautaire de 930 places adapte a la plupart des spectacles; pieces de theater, comedies musicales, varietes et l'orchestre symphonique de Brampton. Le theatre a defie les conventions en avancant la cabine de mixage au coeur de l'orchestre la ou le mixeur peut entendre ce que l'auditoire meme entend. Le theatre est ce qu'il y a de mieux en la matiere. La sale est en forme de fer-a-cheval et comporte un balcon, des rangees de sieges en gradin, une ouverture d'avant-scene de style broadwayien de 45 pied (13.7m), une fosse d'orchestre sur ascenceur et une passerelle audessus du niveau du balcon. On a tire parti de la profondeur de l'avant-scene pour diriger l'energie de la scene vers le tablier en reflection laterale vers les sieges. Grace a les rideaux retractables dans les poches mais aussi capables de masquer le mur arriere de l'auditorium et aussi celui au-dessus de la passerelle on peut varier l'acoustique. On s'est servi d'une application MathCAD pour calculer la puissance et la location des reflections emises par les reflectors convexes applicables aux reflections de l'avant-scene et aux cinq ensembles lineaires de reflecteurs suspendues au plafond. Le systeme HVAC est concu pour RC-20. Un nouveau precede a ete developpe pour tester l'orientation des reflecteurs: Une source de lumiere est dirigee sur les reflecteurs acoustiques, la lumiere reflechie, simulant une onde sonore reflechie, peut etre ainsi observee illuminant une partie de la sale et precisant l'orientation du reflecteur. Les measures du niveau de fond sonore et du temps de reverberation ont confirme un niveau do fond sonore de RC-20 ainsu qu'un temps de reverberation oscillant de 1.1 a 1.5 secondes. Les measures de l'uniformite du son dans la sale ont demonstre une variation de +/- 2 dB tant a la corbeille qu'au balcon. Spectateurs et artistes qualifie la sale de plaisanment intime.</abstract><tpages>6</tpages></addata></record> |
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subjects | Acoustics Balconies Houses Reflection Reflectors Sound Theatres Walls |
title | Acoustic Design Of The Rose Theatre Brampton |
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