Pressure-sensitive paint as a distributed optical microphone array

Pressure-sensitive paint is presented and evaluated in this article as a quantitative technique for measurement of acoustic pressure fluctuations. This work is the culmination of advances in paint technology which enable unsteady measurements of fluctuations over 10 kHz at pressure levels as low as...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Journal of the Acoustical Society of America 2006, Vol.119 (1), p.251-261
Hauptverfasser: Gregory, James W., Sullivan, John P., Wanis, Sameh S., Komerath, Narayanan M.
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 261
container_issue 1
container_start_page 251
container_title The Journal of the Acoustical Society of America
container_volume 119
creator Gregory, James W.
Sullivan, John P.
Wanis, Sameh S.
Komerath, Narayanan M.
description Pressure-sensitive paint is presented and evaluated in this article as a quantitative technique for measurement of acoustic pressure fluctuations. This work is the culmination of advances in paint technology which enable unsteady measurements of fluctuations over 10 kHz at pressure levels as low as 125 dB . Pressure-sensitive paint may be thought of as a nano-scale array of optical microphones with a spatial resolution limited primarily by the resolution of the imaging device. Thus, pressure-sensitive paint is a powerful tool for making high-amplitude sound pressure measurements. In this work, the paint was used to record ensemble-averaged, time-resolved, quantitative measurements of two-dimensional mode shapes in an acoustic resonance cavity. A wall-mounted speaker generated nonlinear, standing acoustic waves in a rigid enclosure measuring 216 mm wide, 169 mm high, and 102 mm deep. The paint recorded the acoustic surface pressures of the (1,1,0) mode shape at ∼ 1.3 kHz and a sound pressure level of 145.4 dB . Results from the paint are compared with data from a Kulite pressure transducer, and with linear acoustic theory. The paint may be used as a diagnostic technique for ultrasonic tests where high spatial resolution is essential, or in nonlinear acoustic applications such as shock tubes.
doi_str_mv 10.1121/1.2140935
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_miscellaneous_67626307</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>67626307</sourcerecordid><originalsourceid>FETCH-LOGICAL-c434t-6c6a3e5f72b8eda7c6f1312c97a82088f2d73c80fbcccd675d6e3cfa4d5b9e5c3</originalsourceid><addsrcrecordid>eNp1kMtKxDAUhoMoOo4ufAHpRsFFx9zTbgQdvMGALnQd0jTFSG_mpMK8vR2mOitXhwMf_3_Oh9AZwQtCKLkmC0o4zpnYQzMiKE4zQfk-mmGMScpzKY_QMcDnuIqM5YfoiEguOM3IDN29BgcwBJeCa8FH_-2S3vg2JgYSk5QeYvDFEF2ZdH301tRJ423o-o-udYkJwaxP0EFlanCn05yj94f7t-VTunp5fF7erlLLGY-ptNIwJypFi8yVRllZEUaozZXJKM6yipaK2QxXhbW2lEqU0jFbGV6KInfCsjm63Ob2ofsaHETdeLCurk3rugG0VJJKhtUIXm3B8U6A4CrdB9-YsNYE640wTfQkbGTPp9ChaFy5IydDI3AxAQbG76tgWuthxykuhMKboJstB9ZHE33X_t_661z_Odc9-wG5LYjZ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>67626307</pqid></control><display><type>article</type><title>Pressure-sensitive paint as a distributed optical microphone array</title><source>AIP Journals Complete</source><source>Acoustical Society of America (AIP)</source><creator>Gregory, James W. ; Sullivan, John P. ; Wanis, Sameh S. ; Komerath, Narayanan M.</creator><creatorcontrib>Gregory, James W. ; Sullivan, John P. ; Wanis, Sameh S. ; Komerath, Narayanan M.</creatorcontrib><description>Pressure-sensitive paint is presented and evaluated in this article as a quantitative technique for measurement of acoustic pressure fluctuations. This work is the culmination of advances in paint technology which enable unsteady measurements of fluctuations over 10 kHz at pressure levels as low as 125 dB . Pressure-sensitive paint may be thought of as a nano-scale array of optical microphones with a spatial resolution limited primarily by the resolution of the imaging device. Thus, pressure-sensitive paint is a powerful tool for making high-amplitude sound pressure measurements. In this work, the paint was used to record ensemble-averaged, time-resolved, quantitative measurements of two-dimensional mode shapes in an acoustic resonance cavity. A wall-mounted speaker generated nonlinear, standing acoustic waves in a rigid enclosure measuring 216 mm wide, 169 mm high, and 102 mm deep. The paint recorded the acoustic surface pressures of the (1,1,0) mode shape at ∼ 1.3 kHz and a sound pressure level of 145.4 dB . Results from the paint are compared with data from a Kulite pressure transducer, and with linear acoustic theory. The paint may be used as a diagnostic technique for ultrasonic tests where high spatial resolution is essential, or in nonlinear acoustic applications such as shock tubes.</description><identifier>ISSN: 0001-4966</identifier><identifier>EISSN: 1520-8524</identifier><identifier>DOI: 10.1121/1.2140935</identifier><identifier>PMID: 16454281</identifier><identifier>CODEN: JASMAN</identifier><language>eng</language><publisher>Woodbury, NY: Acoustical Society of America</publisher><subject>Acoustical measurements and instrumentation ; Acoustics ; Exact sciences and technology ; Fundamental areas of phenomenology (including applications) ; Physics</subject><ispartof>The Journal of the Acoustical Society of America, 2006, Vol.119 (1), p.251-261</ispartof><rights>2006 Acoustical Society of America</rights><rights>2006 INIST-CNRS</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c434t-6c6a3e5f72b8eda7c6f1312c97a82088f2d73c80fbcccd675d6e3cfa4d5b9e5c3</citedby><cites>FETCH-LOGICAL-c434t-6c6a3e5f72b8eda7c6f1312c97a82088f2d73c80fbcccd675d6e3cfa4d5b9e5c3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>207,208,314,780,784,4024,27923,27924,27925</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&amp;idt=17455705$$DView record in Pascal Francis$$Hfree_for_read</backlink><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/16454281$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Gregory, James W.</creatorcontrib><creatorcontrib>Sullivan, John P.</creatorcontrib><creatorcontrib>Wanis, Sameh S.</creatorcontrib><creatorcontrib>Komerath, Narayanan M.</creatorcontrib><title>Pressure-sensitive paint as a distributed optical microphone array</title><title>The Journal of the Acoustical Society of America</title><addtitle>J Acoust Soc Am</addtitle><description>Pressure-sensitive paint is presented and evaluated in this article as a quantitative technique for measurement of acoustic pressure fluctuations. This work is the culmination of advances in paint technology which enable unsteady measurements of fluctuations over 10 kHz at pressure levels as low as 125 dB . Pressure-sensitive paint may be thought of as a nano-scale array of optical microphones with a spatial resolution limited primarily by the resolution of the imaging device. Thus, pressure-sensitive paint is a powerful tool for making high-amplitude sound pressure measurements. In this work, the paint was used to record ensemble-averaged, time-resolved, quantitative measurements of two-dimensional mode shapes in an acoustic resonance cavity. A wall-mounted speaker generated nonlinear, standing acoustic waves in a rigid enclosure measuring 216 mm wide, 169 mm high, and 102 mm deep. The paint recorded the acoustic surface pressures of the (1,1,0) mode shape at ∼ 1.3 kHz and a sound pressure level of 145.4 dB . Results from the paint are compared with data from a Kulite pressure transducer, and with linear acoustic theory. The paint may be used as a diagnostic technique for ultrasonic tests where high spatial resolution is essential, or in nonlinear acoustic applications such as shock tubes.</description><subject>Acoustical measurements and instrumentation</subject><subject>Acoustics</subject><subject>Exact sciences and technology</subject><subject>Fundamental areas of phenomenology (including applications)</subject><subject>Physics</subject><issn>0001-4966</issn><issn>1520-8524</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2006</creationdate><recordtype>article</recordtype><recordid>eNp1kMtKxDAUhoMoOo4ufAHpRsFFx9zTbgQdvMGALnQd0jTFSG_mpMK8vR2mOitXhwMf_3_Oh9AZwQtCKLkmC0o4zpnYQzMiKE4zQfk-mmGMScpzKY_QMcDnuIqM5YfoiEguOM3IDN29BgcwBJeCa8FH_-2S3vg2JgYSk5QeYvDFEF2ZdH301tRJ423o-o-udYkJwaxP0EFlanCn05yj94f7t-VTunp5fF7erlLLGY-ptNIwJypFi8yVRllZEUaozZXJKM6yipaK2QxXhbW2lEqU0jFbGV6KInfCsjm63Ob2ofsaHETdeLCurk3rugG0VJJKhtUIXm3B8U6A4CrdB9-YsNYE640wTfQkbGTPp9ChaFy5IydDI3AxAQbG76tgWuthxykuhMKboJstB9ZHE33X_t_661z_Odc9-wG5LYjZ</recordid><startdate>2006</startdate><enddate>2006</enddate><creator>Gregory, James W.</creator><creator>Sullivan, John P.</creator><creator>Wanis, Sameh S.</creator><creator>Komerath, Narayanan M.</creator><general>Acoustical Society of America</general><general>American Institute of Physics</general><scope>IQODW</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7X8</scope><scope>8BM</scope></search><sort><creationdate>2006</creationdate><title>Pressure-sensitive paint as a distributed optical microphone array</title><author>Gregory, James W. ; Sullivan, John P. ; Wanis, Sameh S. ; Komerath, Narayanan M.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c434t-6c6a3e5f72b8eda7c6f1312c97a82088f2d73c80fbcccd675d6e3cfa4d5b9e5c3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2006</creationdate><topic>Acoustical measurements and instrumentation</topic><topic>Acoustics</topic><topic>Exact sciences and technology</topic><topic>Fundamental areas of phenomenology (including applications)</topic><topic>Physics</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Gregory, James W.</creatorcontrib><creatorcontrib>Sullivan, John P.</creatorcontrib><creatorcontrib>Wanis, Sameh S.</creatorcontrib><creatorcontrib>Komerath, Narayanan M.</creatorcontrib><collection>Pascal-Francis</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><collection>ComDisDome</collection><jtitle>The Journal of the Acoustical Society of America</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Gregory, James W.</au><au>Sullivan, John P.</au><au>Wanis, Sameh S.</au><au>Komerath, Narayanan M.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Pressure-sensitive paint as a distributed optical microphone array</atitle><jtitle>The Journal of the Acoustical Society of America</jtitle><addtitle>J Acoust Soc Am</addtitle><date>2006</date><risdate>2006</risdate><volume>119</volume><issue>1</issue><spage>251</spage><epage>261</epage><pages>251-261</pages><issn>0001-4966</issn><eissn>1520-8524</eissn><coden>JASMAN</coden><abstract>Pressure-sensitive paint is presented and evaluated in this article as a quantitative technique for measurement of acoustic pressure fluctuations. This work is the culmination of advances in paint technology which enable unsteady measurements of fluctuations over 10 kHz at pressure levels as low as 125 dB . Pressure-sensitive paint may be thought of as a nano-scale array of optical microphones with a spatial resolution limited primarily by the resolution of the imaging device. Thus, pressure-sensitive paint is a powerful tool for making high-amplitude sound pressure measurements. In this work, the paint was used to record ensemble-averaged, time-resolved, quantitative measurements of two-dimensional mode shapes in an acoustic resonance cavity. A wall-mounted speaker generated nonlinear, standing acoustic waves in a rigid enclosure measuring 216 mm wide, 169 mm high, and 102 mm deep. The paint recorded the acoustic surface pressures of the (1,1,0) mode shape at ∼ 1.3 kHz and a sound pressure level of 145.4 dB . Results from the paint are compared with data from a Kulite pressure transducer, and with linear acoustic theory. The paint may be used as a diagnostic technique for ultrasonic tests where high spatial resolution is essential, or in nonlinear acoustic applications such as shock tubes.</abstract><cop>Woodbury, NY</cop><pub>Acoustical Society of America</pub><pmid>16454281</pmid><doi>10.1121/1.2140935</doi><tpages>11</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0001-4966
ispartof The Journal of the Acoustical Society of America, 2006, Vol.119 (1), p.251-261
issn 0001-4966
1520-8524
language eng
recordid cdi_proquest_miscellaneous_67626307
source AIP Journals Complete; Acoustical Society of America (AIP)
subjects Acoustical measurements and instrumentation
Acoustics
Exact sciences and technology
Fundamental areas of phenomenology (including applications)
Physics
title Pressure-sensitive paint as a distributed optical microphone array
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-24T23%3A33%3A56IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Pressure-sensitive%20paint%20as%20a%20distributed%20optical%20microphone%20array&rft.jtitle=The%20Journal%20of%20the%20Acoustical%20Society%20of%20America&rft.au=Gregory,%20James%20W.&rft.date=2006&rft.volume=119&rft.issue=1&rft.spage=251&rft.epage=261&rft.pages=251-261&rft.issn=0001-4966&rft.eissn=1520-8524&rft.coden=JASMAN&rft_id=info:doi/10.1121/1.2140935&rft_dat=%3Cproquest_cross%3E67626307%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=67626307&rft_id=info:pmid/16454281&rfr_iscdi=true