Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers
The influence of fundamental frequency (F0) on the relationship between sound pressure level (SPL) and spectral balance (SB) has been largely unexplored in the female singing voice. Five classically trained females performed a messa di voce across their musical F0 range. Average maximum SB rose with...
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Veröffentlicht in: | The Journal of the Acoustical Society of America 2009-07, Vol.126 (1), p.396-406 |
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description | The influence of fundamental frequency (F0) on the relationship between sound pressure level (SPL) and spectral balance (SB) has been largely unexplored in the female singing voice. Five classically trained females performed a messa di voce across their musical F0 range. Average maximum SB rose with F0 by 0.27 dB/semitone (ST) to B4 and then decreased, while average minimum SB fell by 0.5 dB/ST to E5 and then generally rose. Of 318 tokens, 208 showed a linear SPL:SB relationship (R(2)>or=0.5), but F0 affected SPL:SB slope and intercept and their interaction above and below B4. The possibility that this reflects a change from subglottal inertance to compliance is discussed. Consistency of SB behavior change at B4 and E5 contrasted with variability in first-formant frequency. Nonlinear SPL:SB relationships did not arise from SB saturation. The presence of low-SPL "tails" may reflect the challenge in modifying vocal-fold adduction during crescendo and decrescendo. The results show that analysis of the SPL:SB relationship must take F0 into consideration. |
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Nonlinear SPL:SB relationships did not arise from SB saturation. The presence of low-SPL "tails" may reflect the challenge in modifying vocal-fold adduction during crescendo and decrescendo. 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William</creatorcontrib><creatorcontrib>CALLAGHAN, Jean</creatorcontrib><title>Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers</title><title>The Journal of the Acoustical Society of America</title><addtitle>J Acoust Soc Am</addtitle><description>The influence of fundamental frequency (F0) on the relationship between sound pressure level (SPL) and spectral balance (SB) has been largely unexplored in the female singing voice. Five classically trained females performed a messa di voce across their musical F0 range. Average maximum SB rose with F0 by 0.27 dB/semitone (ST) to B4 and then decreased, while average minimum SB fell by 0.5 dB/ST to E5 and then generally rose. Of 318 tokens, 208 showed a linear SPL:SB relationship (R(2)>or=0.5), but F0 affected SPL:SB slope and intercept and their interaction above and below B4. The possibility that this reflects a change from subglottal inertance to compliance is discussed. Consistency of SB behavior change at B4 and E5 contrasted with variability in first-formant frequency. Nonlinear SPL:SB relationships did not arise from SB saturation. The presence of low-SPL "tails" may reflect the challenge in modifying vocal-fold adduction during crescendo and decrescendo. The results show that analysis of the SPL:SB relationship must take F0 into consideration.</description><subject>Acoustics</subject><subject>Adult</subject><subject>Exact sciences and technology</subject><subject>Female</subject><subject>Fundamental areas of phenomenology (including applications)</subject><subject>Humans</subject><subject>Linear Models</subject><subject>Music</subject><subject>Music and musical intruments</subject><subject>Physics</subject><subject>Pressure</subject><subject>Sound</subject><subject>Speech Acoustics</subject><subject>Voice</subject><subject>Young Adult</subject><issn>0001-4966</issn><issn>1520-8524</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2009</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><recordid>eNpFkM1u1TAQRi0EopfCghdA3oDEIsVjO46zRBUFpEpsYB1NnDENcn7wJKD7CLw1rhrBajzW8ZG_T4iXoK4ANLyDKwNG19o9Eieotap8re1jcVJKQWVb5y7EM-YfZa29aZ-KC2idMr51J_HnZp8HnGjeMMmY6edOczjLcY7p_kQstzuSmRJu4zLz3bjKnrbfRLPkpTyVaybmPZNM9IuSxHLFK4UtF1-PCYuj2GSkCRPJkJB5DJjSWRZknKng4_ydMj8XTyImphfHvBTfbj58vf5U3X75-Pn6_W0VTNNulQ4uDi5qtGgtgK370GJwjRt6JEtDVIG8Aeus8gBDPxjwaFr00Xtva2suxZsH75qXkpa3bho5UCpfpWXnzjW2NY2tC_j2AQx5Yc4UuzWPE-ZzB6q7772D7ui9sK8O6d5PNPwnj6IL8PoAkEv8mEsxI__jNDSN0o02fwGIC41a</recordid><startdate>20090701</startdate><enddate>20090701</enddate><creator>COLLYER, Sally</creator><creator>DAVIS, Pamela J</creator><creator>THORPE, C. 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William ; CALLAGHAN, Jean</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c379t-2c6fd6f2a4a441145bc9ac676dbae4edf0ce8314640811dbd318a39a8f8884543</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2009</creationdate><topic>Acoustics</topic><topic>Adult</topic><topic>Exact sciences and technology</topic><topic>Female</topic><topic>Fundamental areas of phenomenology (including applications)</topic><topic>Humans</topic><topic>Linear Models</topic><topic>Music</topic><topic>Music and musical intruments</topic><topic>Physics</topic><topic>Pressure</topic><topic>Sound</topic><topic>Speech Acoustics</topic><topic>Voice</topic><topic>Young Adult</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>COLLYER, Sally</creatorcontrib><creatorcontrib>DAVIS, Pamela J</creatorcontrib><creatorcontrib>THORPE, C. William</creatorcontrib><creatorcontrib>CALLAGHAN, Jean</creatorcontrib><collection>Pascal-Francis</collection><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><jtitle>The Journal of the Acoustical Society of America</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>COLLYER, Sally</au><au>DAVIS, Pamela J</au><au>THORPE, C. William</au><au>CALLAGHAN, Jean</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers</atitle><jtitle>The Journal of the Acoustical Society of America</jtitle><addtitle>J Acoust Soc Am</addtitle><date>2009-07-01</date><risdate>2009</risdate><volume>126</volume><issue>1</issue><spage>396</spage><epage>406</epage><pages>396-406</pages><issn>0001-4966</issn><eissn>1520-8524</eissn><coden>JASMAN</coden><abstract>The influence of fundamental frequency (F0) on the relationship between sound pressure level (SPL) and spectral balance (SB) has been largely unexplored in the female singing voice. Five classically trained females performed a messa di voce across their musical F0 range. Average maximum SB rose with F0 by 0.27 dB/semitone (ST) to B4 and then decreased, while average minimum SB fell by 0.5 dB/ST to E5 and then generally rose. Of 318 tokens, 208 showed a linear SPL:SB relationship (R(2)>or=0.5), but F0 affected SPL:SB slope and intercept and their interaction above and below B4. The possibility that this reflects a change from subglottal inertance to compliance is discussed. Consistency of SB behavior change at B4 and E5 contrasted with variability in first-formant frequency. Nonlinear SPL:SB relationships did not arise from SB saturation. The presence of low-SPL "tails" may reflect the challenge in modifying vocal-fold adduction during crescendo and decrescendo. The results show that analysis of the SPL:SB relationship must take F0 into consideration.</abstract><cop>Melville, NY</cop><pub>Acoustical Society of America</pub><pmid>19603896</pmid><doi>10.1121/1.3132526</doi><tpages>11</tpages></addata></record> |
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subjects | Acoustics Adult Exact sciences and technology Female Fundamental areas of phenomenology (including applications) Humans Linear Models Music Music and musical intruments Physics Pressure Sound Speech Acoustics Voice Young Adult |
title | Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers |
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