Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba
New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the st...
Gespeichert in:
Veröffentlicht in: | Ethnography 2006-09, Vol.7 (3), p.303-327 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 327 |
---|---|
container_issue | 3 |
container_start_page | 303 |
container_title | Ethnography |
container_volume | 7 |
creator | Fernandes, Sujatha |
description | New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the state collaborate to reincorporate alternative expressions into dominant ideological frameworks. But new modes of incorporation are incomplete and partial, as critical films also give rise to ideas that cannot be reduced to the agenda of the socialist state. The article is based on textual analysis of film and detailed ethnographic material collected during nine months of field research in Cuba. |
doi_str_mv | 10.1177/1466138106069520 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_61650328</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>24047890</jstor_id><sage_id>10.1177_1466138106069520</sage_id><sourcerecordid>24047890</sourcerecordid><originalsourceid>FETCH-LOGICAL-c233t-b413567d22db1edfe67a2e7ed6bf254766c8f18c6c8f81a57d9d5d5483c896f3</originalsourceid><addsrcrecordid>eNqFkL1PwzAQxSMEEqWwsyB5YiLgs-OPsqGIL6kSEurCFDn2JaRK4mInQ_97UooYGGB6p7vfe9K7JDkHeg2g1A1kUgLXQCWVC8HoQTIDlUHKFGSH0zyd0939ODmJcU0pTJCYJW-vaE0cmr4mjUPf-np7RQLagOZr-Y41dr7f3pI8NENjTUsclmbASEzpx4FUTduRpifW9wN2Gx9M2JJ8LM1pclSZNuLZt86T1cP9Kn9Kly-Pz_ndMrWM8yEtM-BCKseYKwFdhVIZhgqdLCsmMiWl1RVouxMNRii3cMKJTHOrF7Li8-RyH7sJ_mPEOBRdEy22renRj7GQIAXlTP8Lcim00qAmkO5BG3yMAatiE5puqlUALXa_Ln7_erKke0s0NRZrP4Z-qvwXf7Hn13Hw4SefZTRTekH5J1LsiGM</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>36587817</pqid></control><display><type>article</type><title>Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba</title><source>SAGE Complete</source><source>Sociological Abstracts</source><source>Jstor Complete Legacy</source><creator>Fernandes, Sujatha</creator><creatorcontrib>Fernandes, Sujatha</creatorcontrib><description>New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the state collaborate to reincorporate alternative expressions into dominant ideological frameworks. But new modes of incorporation are incomplete and partial, as critical films also give rise to ideas that cannot be reduced to the agenda of the socialist state. The article is based on textual analysis of film and detailed ethnographic material collected during nine months of field research in Cuba.</description><identifier>ISSN: 1466-1381</identifier><identifier>EISSN: 1741-2714</identifier><identifier>DOI: 10.1177/1466138106069520</identifier><language>eng</language><publisher>Thousand Oaks, CA: SAGE Publications</publisher><subject>Cuba ; Debate ; Economic crises ; Ethnographic research ; Ethnography ; Field work ; Film criticism ; Hegemony ; Ideologies ; Ideology ; Latin American culture ; Motion picture industry ; Movies ; Political debate ; Political revolutions ; Post-Soviet studies ; Socialism ; Visual anthropology</subject><ispartof>Ethnography, 2006-09, Vol.7 (3), p.303-327</ispartof><rights>Copyright © 2006 SAGE Publications Ltd.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c233t-b413567d22db1edfe67a2e7ed6bf254766c8f18c6c8f81a57d9d5d5483c896f3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/24047890$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/24047890$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,776,780,799,21799,27903,27904,33754,43600,43601,57996,58229</link.rule.ids></links><search><creatorcontrib>Fernandes, Sujatha</creatorcontrib><title>Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba</title><title>Ethnography</title><description>New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the state collaborate to reincorporate alternative expressions into dominant ideological frameworks. But new modes of incorporation are incomplete and partial, as critical films also give rise to ideas that cannot be reduced to the agenda of the socialist state. The article is based on textual analysis of film and detailed ethnographic material collected during nine months of field research in Cuba.</description><subject>Cuba</subject><subject>Debate</subject><subject>Economic crises</subject><subject>Ethnographic research</subject><subject>Ethnography</subject><subject>Field work</subject><subject>Film criticism</subject><subject>Hegemony</subject><subject>Ideologies</subject><subject>Ideology</subject><subject>Latin American culture</subject><subject>Motion picture industry</subject><subject>Movies</subject><subject>Political debate</subject><subject>Political revolutions</subject><subject>Post-Soviet studies</subject><subject>Socialism</subject><subject>Visual anthropology</subject><issn>1466-1381</issn><issn>1741-2714</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2006</creationdate><recordtype>article</recordtype><sourceid>BHHNA</sourceid><recordid>eNqFkL1PwzAQxSMEEqWwsyB5YiLgs-OPsqGIL6kSEurCFDn2JaRK4mInQ_97UooYGGB6p7vfe9K7JDkHeg2g1A1kUgLXQCWVC8HoQTIDlUHKFGSH0zyd0939ODmJcU0pTJCYJW-vaE0cmr4mjUPf-np7RQLagOZr-Y41dr7f3pI8NENjTUsclmbASEzpx4FUTduRpifW9wN2Gx9M2JJ8LM1pclSZNuLZt86T1cP9Kn9Kly-Pz_ndMrWM8yEtM-BCKseYKwFdhVIZhgqdLCsmMiWl1RVouxMNRii3cMKJTHOrF7Li8-RyH7sJ_mPEOBRdEy22renRj7GQIAXlTP8Lcim00qAmkO5BG3yMAatiE5puqlUALXa_Ln7_erKke0s0NRZrP4Z-qvwXf7Hn13Hw4SefZTRTekH5J1LsiGM</recordid><startdate>200609</startdate><enddate>200609</enddate><creator>Fernandes, Sujatha</creator><general>SAGE Publications</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8BJ</scope><scope>FQK</scope><scope>JBE</scope><scope>7U4</scope><scope>BHHNA</scope><scope>DWI</scope><scope>WZK</scope></search><sort><creationdate>200609</creationdate><title>Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba</title><author>Fernandes, Sujatha</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c233t-b413567d22db1edfe67a2e7ed6bf254766c8f18c6c8f81a57d9d5d5483c896f3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2006</creationdate><topic>Cuba</topic><topic>Debate</topic><topic>Economic crises</topic><topic>Ethnographic research</topic><topic>Ethnography</topic><topic>Field work</topic><topic>Film criticism</topic><topic>Hegemony</topic><topic>Ideologies</topic><topic>Ideology</topic><topic>Latin American culture</topic><topic>Motion picture industry</topic><topic>Movies</topic><topic>Political debate</topic><topic>Political revolutions</topic><topic>Post-Soviet studies</topic><topic>Socialism</topic><topic>Visual anthropology</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Fernandes, Sujatha</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Ethnography</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Fernandes, Sujatha</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba</atitle><jtitle>Ethnography</jtitle><date>2006-09</date><risdate>2006</risdate><volume>7</volume><issue>3</issue><spage>303</spage><epage>327</epage><pages>303-327</pages><issn>1466-1381</issn><eissn>1741-2714</eissn><abstract>New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the state collaborate to reincorporate alternative expressions into dominant ideological frameworks. But new modes of incorporation are incomplete and partial, as critical films also give rise to ideas that cannot be reduced to the agenda of the socialist state. The article is based on textual analysis of film and detailed ethnographic material collected during nine months of field research in Cuba.</abstract><cop>Thousand Oaks, CA</cop><pub>SAGE Publications</pub><doi>10.1177/1466138106069520</doi><tpages>25</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1466-1381 |
ispartof | Ethnography, 2006-09, Vol.7 (3), p.303-327 |
issn | 1466-1381 1741-2714 |
language | eng |
recordid | cdi_proquest_miscellaneous_61650328 |
source | SAGE Complete; Sociological Abstracts; Jstor Complete Legacy |
subjects | Cuba Debate Economic crises Ethnographic research Ethnography Field work Film criticism Hegemony Ideologies Ideology Latin American culture Motion picture industry Movies Political debate Political revolutions Post-Soviet studies Socialism Visual anthropology |
title | Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-22T12%3A28%3A38IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Recasting%20ideology,%20recreating%20hegemony:%20Critical%20debates%20about%20film%20in%20contemporary%20Cuba&rft.jtitle=Ethnography&rft.au=Fernandes,%20Sujatha&rft.date=2006-09&rft.volume=7&rft.issue=3&rft.spage=303&rft.epage=327&rft.pages=303-327&rft.issn=1466-1381&rft.eissn=1741-2714&rft_id=info:doi/10.1177/1466138106069520&rft_dat=%3Cjstor_proqu%3E24047890%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=36587817&rft_id=info:pmid/&rft_jstor_id=24047890&rft_sage_id=10.1177_1466138106069520&rfr_iscdi=true |