Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba

New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the st...

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Veröffentlicht in:Ethnography 2006-09, Vol.7 (3), p.303-327
1. Verfasser: Fernandes, Sujatha
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description New creative forms of engagement between artists and official institutions have opened up in Cuba as a result of changing relationships between state and society in the post-Soviet period. This article looks at critical debates about Cuban film as a site where filmmakers, ordinary Cubans, and the state collaborate to reincorporate alternative expressions into dominant ideological frameworks. But new modes of incorporation are incomplete and partial, as critical films also give rise to ideas that cannot be reduced to the agenda of the socialist state. The article is based on textual analysis of film and detailed ethnographic material collected during nine months of field research in Cuba.
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source SAGE Complete; Sociological Abstracts; Jstor Complete Legacy
subjects Cuba
Debate
Economic crises
Ethnographic research
Ethnography
Field work
Film criticism
Hegemony
Ideologies
Ideology
Latin American culture
Motion picture industry
Movies
Political debate
Political revolutions
Post-Soviet studies
Socialism
Visual anthropology
title Recasting ideology, recreating hegemony: Critical debates about film in contemporary Cuba
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