Authors and Publishers: 1750-1830
A discussion of the results of the change from private patronage to dependence on publishers for English writers in 1780-1830. It is stated that this change made these writers more 'alienated.' 2 recent books discuss this problem: Walter E. Houghton, THE VICTORIAN FRAME OF MIND, New Haven,...
Gespeichert in:
Veröffentlicht in: | Science & society (New York. 1936) 1968-04, Vol.32 (2), p.218-232 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 232 |
---|---|
container_issue | 2 |
container_start_page | 218 |
container_title | Science & society (New York. 1936) |
container_volume | 32 |
creator | Rosen, Marvin S. |
description | A discussion of the results of the change from private patronage to dependence on publishers for English writers in 1780-1830. It is stated that this change made these writers more 'alienated.' 2 recent books discuss this problem: Walter E. Houghton, THE VICTORIAN FRAME OF MIND, New Haven, Conn: 1957, & Edward P. Thompson, WILLIAM MORRIS: RO- MANTIC TO REVOLUTIONARY, London, England: 1955. However, the Victorian conditions which these books analyze are rooted in causes developed in an earlier period. By 1750, aristocratic patronage of writers ceased to be an effective force, & writers had to produce for the market, as personified by the publisher. Writers like W. Wordsworth, S. T. Coleridge, Lord Byron & T. Moore bitterly complained about their publishers. Examples of exploitation of writers by publishers are given, & it is suggested that writers became 'outsiders,' some of whom tried to escape into the past or into 'art for art's sake,' while others, like W. Morris, became soc rebels. I. Langnas. |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_60604627</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>40401341</jstor_id><sourcerecordid>40401341</sourcerecordid><originalsourceid>FETCH-LOGICAL-j166t-b686fd0e448aa6fcdfcb13d03716b326f20ead7b2f68fd30bce4360788db46873</originalsourceid><addsrcrecordid>eNpdzk1LAzEUheEgCo7VnyCMCO4CN7nxJnFXil9Q0IWuh2SS0BmmnZrMLPz3VurK1dk8HN4TVgmrkEsD4pRVAEjcSNTn7KKUHgCEtbZiN8t52oy51G4X6vfZD13ZxFweaqHvgQuDcMnOkhtKvPrbBft8evxYvfD12_PrarnmvSCauCdDKUBUyjhHqQ2p9QIDoBbkUVKSEF3QXiYyKSD4Niok0MYEr8hoXLC74-8-j19zLFOz7Uobh8Ht4jiXhoBAkfyFt_9gP855d2hrhLRklUKQB3V9VH2Zxtzsc7d1-btRoECgEvgDTMtP_A</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1296944302</pqid></control><display><type>article</type><title>Authors and Publishers: 1750-1830</title><source>Sociological Abstracts</source><source>JSTOR</source><source>Periodicals Index Online</source><creator>Rosen, Marvin S.</creator><creatorcontrib>Rosen, Marvin S.</creatorcontrib><description>A discussion of the results of the change from private patronage to dependence on publishers for English writers in 1780-1830. It is stated that this change made these writers more 'alienated.' 2 recent books discuss this problem: Walter E. Houghton, THE VICTORIAN FRAME OF MIND, New Haven, Conn: 1957, & Edward P. Thompson, WILLIAM MORRIS: RO- MANTIC TO REVOLUTIONARY, London, England: 1955. However, the Victorian conditions which these books analyze are rooted in causes developed in an earlier period. By 1750, aristocratic patronage of writers ceased to be an effective force, & writers had to produce for the market, as personified by the publisher. Writers like W. Wordsworth, S. T. Coleridge, Lord Byron & T. Moore bitterly complained about their publishers. Examples of exploitation of writers by publishers are given, & it is suggested that writers became 'outsiders,' some of whom tried to escape into the past or into 'art for art's sake,' while others, like W. Morris, became soc rebels. I. Langnas.</description><identifier>ISSN: 0036-8237</identifier><identifier>EISSN: 1943-2801</identifier><identifier>CODEN: SSOCBT</identifier><language>eng</language><publisher>New York: Science and Society, Inc</publisher><subject>Author/Authorship ; Authors ; Book publishing ; Bourgeois ; England/English (see also Britain, Great Britain, UK) ; Literary history ; Newspaper publishing ; Novelists ; Patron/Patronage ; Poetry ; Privacy/Private ; Publish/Publisher/ Publishers/ Published/ Publishing ; Publishing industry ; Writers</subject><ispartof>Science & society (New York. 1936), 1968-04, Vol.32 (2), p.218-232</ispartof><rights>Copyright 1968 Science and Society, Inc.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/40401341$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/40401341$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27869,33775,58017,58250</link.rule.ids></links><search><creatorcontrib>Rosen, Marvin S.</creatorcontrib><title>Authors and Publishers: 1750-1830</title><title>Science & society (New York. 1936)</title><description>A discussion of the results of the change from private patronage to dependence on publishers for English writers in 1780-1830. It is stated that this change made these writers more 'alienated.' 2 recent books discuss this problem: Walter E. Houghton, THE VICTORIAN FRAME OF MIND, New Haven, Conn: 1957, & Edward P. Thompson, WILLIAM MORRIS: RO- MANTIC TO REVOLUTIONARY, London, England: 1955. However, the Victorian conditions which these books analyze are rooted in causes developed in an earlier period. By 1750, aristocratic patronage of writers ceased to be an effective force, & writers had to produce for the market, as personified by the publisher. Writers like W. Wordsworth, S. T. Coleridge, Lord Byron & T. Moore bitterly complained about their publishers. Examples of exploitation of writers by publishers are given, & it is suggested that writers became 'outsiders,' some of whom tried to escape into the past or into 'art for art's sake,' while others, like W. Morris, became soc rebels. I. Langnas.</description><subject>Author/Authorship</subject><subject>Authors</subject><subject>Book publishing</subject><subject>Bourgeois</subject><subject>England/English (see also Britain, Great Britain, UK)</subject><subject>Literary history</subject><subject>Newspaper publishing</subject><subject>Novelists</subject><subject>Patron/Patronage</subject><subject>Poetry</subject><subject>Privacy/Private</subject><subject>Publish/Publisher/ Publishers/ Published/ Publishing</subject><subject>Publishing industry</subject><subject>Writers</subject><issn>0036-8237</issn><issn>1943-2801</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1968</creationdate><recordtype>article</recordtype><sourceid>HYQOX</sourceid><sourceid>K30</sourceid><sourceid>BHHNA</sourceid><recordid>eNpdzk1LAzEUheEgCo7VnyCMCO4CN7nxJnFXil9Q0IWuh2SS0BmmnZrMLPz3VurK1dk8HN4TVgmrkEsD4pRVAEjcSNTn7KKUHgCEtbZiN8t52oy51G4X6vfZD13ZxFweaqHvgQuDcMnOkhtKvPrbBft8evxYvfD12_PrarnmvSCauCdDKUBUyjhHqQ2p9QIDoBbkUVKSEF3QXiYyKSD4Niok0MYEr8hoXLC74-8-j19zLFOz7Uobh8Ht4jiXhoBAkfyFt_9gP855d2hrhLRklUKQB3V9VH2Zxtzsc7d1-btRoECgEvgDTMtP_A</recordid><startdate>19680401</startdate><enddate>19680401</enddate><creator>Rosen, Marvin S.</creator><general>Science and Society, Inc</general><scope>ABKTN</scope><scope>AIPAR</scope><scope>FIXVA</scope><scope>FUVTR</scope><scope>HYQOX</scope><scope>IZSXY</scope><scope>JSICY</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~P8</scope><scope>7U4</scope><scope>BHHNA</scope><scope>DWI</scope><scope>WZK</scope></search><sort><creationdate>19680401</creationdate><title>Authors and Publishers: 1750-1830</title><author>Rosen, Marvin S.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j166t-b686fd0e448aa6fcdfcb13d03716b326f20ead7b2f68fd30bce4360788db46873</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1968</creationdate><topic>Author/Authorship</topic><topic>Authors</topic><topic>Book publishing</topic><topic>Bourgeois</topic><topic>England/English (see also Britain, Great Britain, UK)</topic><topic>Literary history</topic><topic>Newspaper publishing</topic><topic>Novelists</topic><topic>Patron/Patronage</topic><topic>Poetry</topic><topic>Privacy/Private</topic><topic>Publish/Publisher/ Publishers/ Published/ Publishing</topic><topic>Publishing industry</topic><topic>Writers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Rosen, Marvin S.</creatorcontrib><collection>Periodicals Archive Online JSTOR Titles</collection><collection>Periodicals Archive Online Collection 8 (2022)</collection><collection>Periodicals Index Online Segment 03</collection><collection>Periodicals Index Online Segment 06</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 30</collection><collection>Periodicals Index Online Segment 36</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Archive Online (PAO)</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Science & society (New York. 1936)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Rosen, Marvin S.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Authors and Publishers: 1750-1830</atitle><jtitle>Science & society (New York. 1936)</jtitle><date>1968-04-01</date><risdate>1968</risdate><volume>32</volume><issue>2</issue><spage>218</spage><epage>232</epage><pages>218-232</pages><issn>0036-8237</issn><eissn>1943-2801</eissn><coden>SSOCBT</coden><abstract>A discussion of the results of the change from private patronage to dependence on publishers for English writers in 1780-1830. It is stated that this change made these writers more 'alienated.' 2 recent books discuss this problem: Walter E. Houghton, THE VICTORIAN FRAME OF MIND, New Haven, Conn: 1957, & Edward P. Thompson, WILLIAM MORRIS: RO- MANTIC TO REVOLUTIONARY, London, England: 1955. However, the Victorian conditions which these books analyze are rooted in causes developed in an earlier period. By 1750, aristocratic patronage of writers ceased to be an effective force, & writers had to produce for the market, as personified by the publisher. Writers like W. Wordsworth, S. T. Coleridge, Lord Byron & T. Moore bitterly complained about their publishers. Examples of exploitation of writers by publishers are given, & it is suggested that writers became 'outsiders,' some of whom tried to escape into the past or into 'art for art's sake,' while others, like W. Morris, became soc rebels. I. Langnas.</abstract><cop>New York</cop><pub>Science and Society, Inc</pub><tpages>15</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0036-8237 |
ispartof | Science & society (New York. 1936), 1968-04, Vol.32 (2), p.218-232 |
issn | 0036-8237 1943-2801 |
language | eng |
recordid | cdi_proquest_miscellaneous_60604627 |
source | Sociological Abstracts; JSTOR; Periodicals Index Online |
subjects | Author/Authorship Authors Book publishing Bourgeois England/English (see also Britain, Great Britain, UK) Literary history Newspaper publishing Novelists Patron/Patronage Poetry Privacy/Private Publish/Publisher/ Publishers/ Published/ Publishing Publishing industry Writers |
title | Authors and Publishers: 1750-1830 |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-25T06%3A39%3A42IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Authors%20and%20Publishers:%201750-1830&rft.jtitle=Science%20&%20society%20(New%20York.%201936)&rft.au=Rosen,%20Marvin%20S.&rft.date=1968-04-01&rft.volume=32&rft.issue=2&rft.spage=218&rft.epage=232&rft.pages=218-232&rft.issn=0036-8237&rft.eissn=1943-2801&rft.coden=SSOCBT&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E40401341%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1296944302&rft_id=info:pmid/&rft_jstor_id=40401341&rfr_iscdi=true |