Grounded
The article describes the author's reactions to photographs by Angus Boulton. The photographs depict Berlin and describe in artistic terms the transition from the "hot war" of World War II, in which Berlin was the scene of the last stages of fighting between Germans and Soviets, to th...
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| Veröffentlicht in: | Review of international studies 2009-10, Vol.35 (4), p.860-862 |
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| container_end_page | 862 |
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| container_title | Review of international studies |
| container_volume | 35 |
| creator | BARKAWI, TARAK |
| description | The article describes the author's reactions to photographs by Angus Boulton. The photographs depict Berlin and describe in artistic terms the transition from the "hot war" of World War II, in which Berlin was the scene of the last stages of fighting between Germans and Soviets, to the Cold War, in which Berlin represented the division of Europe into western and eastern blocs. The photographs remind the viewer that the Cold War happened somewhere, and that it was not an abstraction. The author reminds the reader that outside of Europe the Cold War was anything but "cold," since there were many proxy wars fought across Latin America, Africa and Asia in which many people died. Adapted from the source document. |
| doi_str_mv | 10.1017/S0260210509990222 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0260-2105 |
| ispartof | Review of international studies, 2009-10, Vol.35 (4), p.860-862 |
| issn | 0260-2105 1469-9044 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_60515333 |
| source | Jstor Complete Legacy; Worldwide Political Science Abstracts; Cambridge Journals |
| subjects | Advisors Armed forces Berlin, German Democratic Republic Cold War Cold wars Forest soils International relations Military history Modernity Post World War II Period Responses to images by Angus Boulton Soldiers World War II World wars |
| title | Grounded |
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