The limits of cultural hybridity: on ritual monsters, poetic licence and contested postcolonial purifications

There are many parallels between hybridity theory, especially as it has been developed in the work of Bhabha, and theories of liminality in anthropology, particularly in the work of Turner and Douglas. These share a stress on sited performance and the specific positioning of actors. However, the str...

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Veröffentlicht in:The Journal of the Royal Anthropological Institute 2001-03, Vol.7 (1), p.133-152
1. Verfasser: Werbner, Pnina
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description There are many parallels between hybridity theory, especially as it has been developed in the work of Bhabha, and theories of liminality in anthropology, particularly in the work of Turner and Douglas. These share a stress on sited performance and the specific positioning of actors. However, the stress in hybridity theory on the colonial encounter as the source of reflexivity and double consciousness does not engage, I argue, with the fact that cultures produce their own indigenous forms of transgression and hence also of critical reflexivity and satire: ritual clowns, carnivals, poetry, and the like. Moreover, while transgression is a potential tool of resistance which upturns taken-for-granted hierarchies, it plays dangerously on the boundary and, taken out of context, can become a source of offence, especially for postcolonial diasporas struggling for recognition. This raises the question: what are the creative limits of cultural hybridity
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source Jstor Complete Legacy; Wiley Online Library Journals Frontfile Complete; Sociological Abstracts
subjects Animal behavior
Anthropological research
Anthropology
Civilization
Clowns
Colonialism
Creativity
Cultural anthropology
Culture
Culture Contact
Decolonization
Deconstruction
Ethnology
Hybridity
Imperialism
Influence
Jewish rituals
Morocco
Muslims
Political anthropology
Purification rituals
Reflexivity
Religious poetry
Religious rituals
Resistance
Rituals
Social impact
Sources and methods
Specific concepts
title The limits of cultural hybridity: on ritual monsters, poetic licence and contested postcolonial purifications
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