The limits of cultural hybridity: on ritual monsters, poetic licence and contested postcolonial purifications
There are many parallels between hybridity theory, especially as it has been developed in the work of Bhabha, and theories of liminality in anthropology, particularly in the work of Turner and Douglas. These share a stress on sited performance and the specific positioning of actors. However, the str...
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Veröffentlicht in: | The Journal of the Royal Anthropological Institute 2001-03, Vol.7 (1), p.133-152 |
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description | There are many parallels between hybridity theory, especially as it has been developed in the work of Bhabha, and theories of liminality in anthropology, particularly in the work of Turner and Douglas. These share a stress on sited performance and the specific positioning of actors. However, the stress in hybridity theory on the colonial encounter as the source of reflexivity and double consciousness does not engage, I argue, with the fact that cultures produce their own indigenous forms of transgression and hence also of critical reflexivity and satire: ritual clowns, carnivals, poetry, and the like. Moreover, while transgression is a potential tool of resistance which upturns taken-for-granted hierarchies, it plays dangerously on the boundary and, taken out of context, can become a source of offence, especially for postcolonial diasporas struggling for recognition. This raises the question: what are the creative limits of cultural hybridity |
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source | Jstor Complete Legacy; Wiley Online Library Journals Frontfile Complete; Sociological Abstracts |
subjects | Animal behavior Anthropological research Anthropology Civilization Clowns Colonialism Creativity Cultural anthropology Culture Culture Contact Decolonization Deconstruction Ethnology Hybridity Imperialism Influence Jewish rituals Morocco Muslims Political anthropology Purification rituals Reflexivity Religious poetry Religious rituals Resistance Rituals Social impact Sources and methods Specific concepts |
title | The limits of cultural hybridity: on ritual monsters, poetic licence and contested postcolonial purifications |
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