Strategic politeness in Hemingway's ‘the short happy life of Francis Macomber’
This analysis uses the framework of linguistic discourse analysis of politeness strategies in ordinary conversation. My major analytic tool is Penelope Brown and Stephen Levinson's Politeness: Some Universals in Language Usage, in which the authors argue that politeness strategies are used to l...
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Veröffentlicht in: | Poetics (Amsterdam) 1991-08, Vol.20 (4), p.343-362 |
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description | This analysis uses the framework of linguistic discourse analysis of politeness strategies in ordinary conversation. My major analytic tool is Penelope Brown and Stephen Levinson's
Politeness: Some Universals in Language Usage, in which the authors argue that politeness strategies are used to lessen the threat of any act, verbal or otherwise, that potentially threatens the speaker or hearer's negative face (freedom) or positive face (personality). The framework of politeness strategies is especially well suited for literary interpretation, since the three determining factors for choice of politeness strategy - social distance, power and rank of imposition - are vital to the development of theme and character in literature. Power is naturally related to the theme of bravery or spurious bravery in ‘The Short Happy Life of Francis Macomber’. Francis puts himself into a situation in which he could be killed precisely because he does not have the power to control his positive face. His positive face is, in fact, controlled by his wife Margot and the hunting guide Wilson, as a detailed analysis indicates. Francis, Margot, and Wilson all use politeness strategies in a complex fight for the power to control Francis's positive face, or self-image. |
doi_str_mv | 10.1016/0304-422X(91)90014-G |
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Politeness: Some Universals in Language Usage, in which the authors argue that politeness strategies are used to lessen the threat of any act, verbal or otherwise, that potentially threatens the speaker or hearer's negative face (freedom) or positive face (personality). The framework of politeness strategies is especially well suited for literary interpretation, since the three determining factors for choice of politeness strategy - social distance, power and rank of imposition - are vital to the development of theme and character in literature. Power is naturally related to the theme of bravery or spurious bravery in ‘The Short Happy Life of Francis Macomber’. Francis puts himself into a situation in which he could be killed precisely because he does not have the power to control his positive face. His positive face is, in fact, controlled by his wife Margot and the hunting guide Wilson, as a detailed analysis indicates. Francis, Margot, and Wilson all use politeness strategies in a complex fight for the power to control Francis's positive face, or self-image.</description><identifier>ISSN: 0304-422X</identifier><identifier>EISSN: 1872-7514</identifier><identifier>DOI: 10.1016/0304-422X(91)90014-G</identifier><identifier>CODEN: POETD5</identifier><language>eng</language><publisher>The Hague: Elsevier B.V</publisher><subject>20th century ; Anonymous writers. Authors ; English speaking literatures ; French speaking and English speaking literatures ; History and sciences of litterature ; History of literature ; United States</subject><ispartof>Poetics (Amsterdam), 1991-08, Vol.20 (4), p.343-362</ispartof><rights>1992</rights><rights>1994 INIST-CNRS</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c258t-5cc12fb6b5b58533fc4d513e0003b2ab06d7ad06bcdf7ae24c20bdb406cd5ba73</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.sciencedirect.com/science/article/pii/0304422X9190014G$$EHTML$$P50$$Gelsevier$$H</linktohtml><link.rule.ids>314,776,780,3537,27846,27901,27902,65306</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&idt=4286959$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>Hardy, Donald E.</creatorcontrib><title>Strategic politeness in Hemingway's ‘the short happy life of Francis Macomber’</title><title>Poetics (Amsterdam)</title><description>This analysis uses the framework of linguistic discourse analysis of politeness strategies in ordinary conversation. My major analytic tool is Penelope Brown and Stephen Levinson's
Politeness: Some Universals in Language Usage, in which the authors argue that politeness strategies are used to lessen the threat of any act, verbal or otherwise, that potentially threatens the speaker or hearer's negative face (freedom) or positive face (personality). The framework of politeness strategies is especially well suited for literary interpretation, since the three determining factors for choice of politeness strategy - social distance, power and rank of imposition - are vital to the development of theme and character in literature. Power is naturally related to the theme of bravery or spurious bravery in ‘The Short Happy Life of Francis Macomber’. Francis puts himself into a situation in which he could be killed precisely because he does not have the power to control his positive face. His positive face is, in fact, controlled by his wife Margot and the hunting guide Wilson, as a detailed analysis indicates. Francis, Margot, and Wilson all use politeness strategies in a complex fight for the power to control Francis's positive face, or self-image.</description><subject>20th century</subject><subject>Anonymous writers. Authors</subject><subject>English speaking literatures</subject><subject>French speaking and English speaking literatures</subject><subject>History and sciences of litterature</subject><subject>History of literature</subject><subject>United States</subject><issn>0304-422X</issn><issn>1872-7514</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1991</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><recordid>eNp9kMtKAzEUhoMoWKtv4CKgeFmMJplkLhtBilZBEbyAu5BkzrSR6WRMpkp3fQx9PZ_EqS0uXLg6m-__z8-H0C4lJ5TQ5JTEhEecseejnB7nhFAeDddQj2Ypi1JB-Trq_SKbaCuEF0JImjLeQ_cPrVctjKzBjatsCzWEgG2Nr2Bi69G7mh0G_DX_aMeAw9j5Fo9V08xwZUvArsSXXtXGBnyrjJto8F_zz220UaoqwM7q9tHT5cXj4Cq6uRteD85vIsNE1kbCGMpKnWihRSbiuDS8EDSGblqsmdIkKVJVkESbokwVMG4Y0YXmJDGF0CqN--hg2dt49zqF0MqJDQaqStXgpkGKjImcswW49wd8cVNfd9skjUmaUZJQ1lF8SRnvQvBQysbbifIzSYlcaJYLh3LhUOZU_miWwy62vypXwaiqXPr4zXKWJbnIO-xsiUFn5M2Cl8FYqA0U1oNpZeHs_3--Abx4kuE</recordid><startdate>19910801</startdate><enddate>19910801</enddate><creator>Hardy, Donald E.</creator><general>Elsevier B.V</general><general>Mouton</general><general>North Holland</general><scope>IQODW</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>HZAIM</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>7T9</scope></search><sort><creationdate>19910801</creationdate><title>Strategic politeness in Hemingway's ‘the short happy life of Francis Macomber’</title><author>Hardy, Donald E.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c258t-5cc12fb6b5b58533fc4d513e0003b2ab06d7ad06bcdf7ae24c20bdb406cd5ba73</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1991</creationdate><topic>20th century</topic><topic>Anonymous writers. 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Politeness: Some Universals in Language Usage, in which the authors argue that politeness strategies are used to lessen the threat of any act, verbal or otherwise, that potentially threatens the speaker or hearer's negative face (freedom) or positive face (personality). The framework of politeness strategies is especially well suited for literary interpretation, since the three determining factors for choice of politeness strategy - social distance, power and rank of imposition - are vital to the development of theme and character in literature. Power is naturally related to the theme of bravery or spurious bravery in ‘The Short Happy Life of Francis Macomber’. Francis puts himself into a situation in which he could be killed precisely because he does not have the power to control his positive face. His positive face is, in fact, controlled by his wife Margot and the hunting guide Wilson, as a detailed analysis indicates. Francis, Margot, and Wilson all use politeness strategies in a complex fight for the power to control Francis's positive face, or self-image.</abstract><cop>The Hague</cop><cop>Amsterdam</cop><pub>Elsevier B.V</pub><doi>10.1016/0304-422X(91)90014-G</doi><tpages>20</tpages></addata></record> |
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subjects | 20th century Anonymous writers. Authors English speaking literatures French speaking and English speaking literatures History and sciences of litterature History of literature United States |
title | Strategic politeness in Hemingway's ‘the short happy life of Francis Macomber’ |
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