Interpersonal Rigidity, Hostility, and Complementarity in Musical Bands
In this test of interpersonal theory ( R. C. Carson, 1969 ; D. J. Kiesler, 1983 ; T. Leary, 1957 ; J. S. Wiggins, 1982 ), complementarity and interpersonal rigidity were examined in relation to positive regard for others and group integration among 206 members of 54 musical bands. Complementarity wa...
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| Veröffentlicht in: | Journal of personality and social psychology 1997-02, Vol.72 (2), p.362-372 |
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| container_title | Journal of personality and social psychology |
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| creator | O'Connor, Brian P Dyce, Jamie |
| description | In this test of interpersonal theory (
R. C. Carson, 1969
;
D. J. Kiesler, 1983
;
T. Leary, 1957
;
J. S. Wiggins, 1982
),
complementarity and interpersonal rigidity were examined in relation to positive regard for others and group integration among 206 members of 54 musical bands. Complementarity was associated with more positive regard and more group integration in bands consisting of musicians who were high in interpersonal rigidity (as indexed by vector length on the interpersonal circle), whereas the effect was less strong in bands consisting of musicians who were lower in rigidity. The meager support for personality compatibility in groups and dyads observed in previous research could thus be due to a neglect of interpersonal rigidity-flexibility. There was also evidence that hostile complementarity was beneficial to the relationships of hostile individuals. |
| doi_str_mv | 10.1037/0022-3514.72.2.362 |
| format | Article |
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R. C. Carson, 1969
;
D. J. Kiesler, 1983
;
T. Leary, 1957
;
J. S. Wiggins, 1982
),
complementarity and interpersonal rigidity were examined in relation to positive regard for others and group integration among 206 members of 54 musical bands. Complementarity was associated with more positive regard and more group integration in bands consisting of musicians who were high in interpersonal rigidity (as indexed by vector length on the interpersonal circle), whereas the effect was less strong in bands consisting of musicians who were lower in rigidity. The meager support for personality compatibility in groups and dyads observed in previous research could thus be due to a neglect of interpersonal rigidity-flexibility. There was also evidence that hostile complementarity was beneficial to the relationships of hostile individuals.</description><identifier>ISSN: 0022-3514</identifier><identifier>EISSN: 1939-1315</identifier><identifier>DOI: 10.1037/0022-3514.72.2.362</identifier><identifier>CODEN: JPSPB2</identifier><language>eng</language><publisher>Washington, DC: American Psychological Association</publisher><subject>Bands ; Biological and medical sciences ; Factors ; Female ; Fundamental and applied biological sciences. Psychology ; Group Dynamics ; Groups ; Hostility ; Human ; Interpersonal Compatibility ; Interpersonal relationships ; Male ; Musicians ; Musicians & conductors ; North America ; Psychological aspects ; Psychology. Psychoanalysis. Psychiatry ; Psychology. Psychophysiology ; Rigidity (Personality) ; Rock music ; Social interactions. Communication. Group processes ; Social psychology ; Studies</subject><ispartof>Journal of personality and social psychology, 1997-02, Vol.72 (2), p.362-372</ispartof><rights>1997 American Psychological Association</rights><rights>1997 INIST-CNRS</rights><rights>Copyright American Psychological Association Feb 1997</rights><rights>1997, American Psychological Association</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-a388t-9a7aaaa751b4d504261bf81df7513aaaac67f0a7ff682142541d92acc265e9293</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>315,781,785,27929,27930,31004,31005,33779</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&idt=2577016$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>O'Connor, Brian P</creatorcontrib><creatorcontrib>Dyce, Jamie</creatorcontrib><title>Interpersonal Rigidity, Hostility, and Complementarity in Musical Bands</title><title>Journal of personality and social psychology</title><description>In this test of interpersonal theory (
R. C. Carson, 1969
;
D. J. Kiesler, 1983
;
T. Leary, 1957
;
J. S. Wiggins, 1982
),
complementarity and interpersonal rigidity were examined in relation to positive regard for others and group integration among 206 members of 54 musical bands. Complementarity was associated with more positive regard and more group integration in bands consisting of musicians who were high in interpersonal rigidity (as indexed by vector length on the interpersonal circle), whereas the effect was less strong in bands consisting of musicians who were lower in rigidity. The meager support for personality compatibility in groups and dyads observed in previous research could thus be due to a neglect of interpersonal rigidity-flexibility. There was also evidence that hostile complementarity was beneficial to the relationships of hostile individuals.</description><subject>Bands</subject><subject>Biological and medical sciences</subject><subject>Factors</subject><subject>Female</subject><subject>Fundamental and applied biological sciences. Psychology</subject><subject>Group Dynamics</subject><subject>Groups</subject><subject>Hostility</subject><subject>Human</subject><subject>Interpersonal Compatibility</subject><subject>Interpersonal relationships</subject><subject>Male</subject><subject>Musicians</subject><subject>Musicians & conductors</subject><subject>North America</subject><subject>Psychological aspects</subject><subject>Psychology. Psychoanalysis. Psychiatry</subject><subject>Psychology. Psychophysiology</subject><subject>Rigidity (Personality)</subject><subject>Rock music</subject><subject>Social interactions. Communication. Group processes</subject><subject>Social psychology</subject><subject>Studies</subject><issn>0022-3514</issn><issn>1939-1315</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1997</creationdate><recordtype>article</recordtype><sourceid>7QJ</sourceid><sourceid>BHHNA</sourceid><recordid>eNp9kE1LxDAQhoMouH78AU9FxJNdk8lXe9RFXUERRM8hm6aSpdvWTPew_97sByt4cC4zzDzvC_MScsHomFGubykFyLlkYqxhDGOu4ICMWMnLnHEmD8loDxyTE8Q5pVRIgBF5em4HH3sfsWttk72Hr1CFYXWTTTscQrMZbVtlk27RN37h28HGtMxCm70uMbikuU93PCNHtW3Qn-_6Kfl8fPiYTPOXt6fnyd1LbnlRDHlptU2lJZuJSlIBis3qglV12vD1xSldU6vrWhXABEjBqhKsc6CkL6Hkp-R669vH7nvpcTCLgM43jW19t0QjtRAgNuDlH3DeLWP6EY1igkOptf4PAloWlCohEgRbyMUOMfra9DEsbFwZRs06fbMO16zDNRpMmhQk0dXO2WIKqY62dQH3SpBaU6Z-Mdtb0-PK2TgE1_hEYv_r9gPEtI8k</recordid><startdate>19970201</startdate><enddate>19970201</enddate><creator>O'Connor, Brian P</creator><creator>Dyce, Jamie</creator><general>American Psychological Association</general><scope>IQODW</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7QJ</scope><scope>7U4</scope><scope>8BJ</scope><scope>BHHNA</scope><scope>DWI</scope><scope>FQK</scope><scope>JBE</scope><scope>WZK</scope><scope>7RZ</scope><scope>PSYQQ</scope></search><sort><creationdate>19970201</creationdate><title>Interpersonal Rigidity, Hostility, and Complementarity in Musical Bands</title><author>O'Connor, Brian P ; Dyce, Jamie</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a388t-9a7aaaa751b4d504261bf81df7513aaaac67f0a7ff682142541d92acc265e9293</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1997</creationdate><topic>Bands</topic><topic>Biological and medical sciences</topic><topic>Factors</topic><topic>Female</topic><topic>Fundamental and applied biological sciences. Psychology</topic><topic>Group Dynamics</topic><topic>Groups</topic><topic>Hostility</topic><topic>Human</topic><topic>Interpersonal Compatibility</topic><topic>Interpersonal relationships</topic><topic>Male</topic><topic>Musicians</topic><topic>Musicians & conductors</topic><topic>North America</topic><topic>Psychological aspects</topic><topic>Psychology. Psychoanalysis. Psychiatry</topic><topic>Psychology. Psychophysiology</topic><topic>Rigidity (Personality)</topic><topic>Rock music</topic><topic>Social interactions. Communication. Group processes</topic><topic>Social psychology</topic><topic>Studies</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>O'Connor, Brian P</creatorcontrib><creatorcontrib>Dyce, Jamie</creatorcontrib><collection>Pascal-Francis</collection><collection>CrossRef</collection><collection>Applied Social Sciences Index & Abstracts (ASSIA)</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><collection>Sociological Abstracts (Ovid)</collection><collection>Access via APA PsycArticles® (ProQuest)</collection><collection>ProQuest One Psychology</collection><jtitle>Journal of personality and social psychology</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>O'Connor, Brian P</au><au>Dyce, Jamie</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Interpersonal Rigidity, Hostility, and Complementarity in Musical Bands</atitle><jtitle>Journal of personality and social psychology</jtitle><date>1997-02-01</date><risdate>1997</risdate><volume>72</volume><issue>2</issue><spage>362</spage><epage>372</epage><pages>362-372</pages><issn>0022-3514</issn><eissn>1939-1315</eissn><coden>JPSPB2</coden><abstract>In this test of interpersonal theory (
R. C. Carson, 1969
;
D. J. Kiesler, 1983
;
T. Leary, 1957
;
J. S. Wiggins, 1982
),
complementarity and interpersonal rigidity were examined in relation to positive regard for others and group integration among 206 members of 54 musical bands. Complementarity was associated with more positive regard and more group integration in bands consisting of musicians who were high in interpersonal rigidity (as indexed by vector length on the interpersonal circle), whereas the effect was less strong in bands consisting of musicians who were lower in rigidity. The meager support for personality compatibility in groups and dyads observed in previous research could thus be due to a neglect of interpersonal rigidity-flexibility. There was also evidence that hostile complementarity was beneficial to the relationships of hostile individuals.</abstract><cop>Washington, DC</cop><pub>American Psychological Association</pub><doi>10.1037/0022-3514.72.2.362</doi><tpages>11</tpages></addata></record> |
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| language | eng |
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| source | Sociological Abstracts; APA PsycARTICLES; Applied Social Sciences Index & Abstracts (ASSIA) |
| subjects | Bands Biological and medical sciences Factors Female Fundamental and applied biological sciences. Psychology Group Dynamics Groups Hostility Human Interpersonal Compatibility Interpersonal relationships Male Musicians Musicians & conductors North America Psychological aspects Psychology. Psychoanalysis. Psychiatry Psychology. Psychophysiology Rigidity (Personality) Rock music Social interactions. Communication. Group processes Social psychology Studies |
| title | Interpersonal Rigidity, Hostility, and Complementarity in Musical Bands |
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