'Madchester Rave on': Placing the Fragments of Popular Music
Geographers have neglected popular music, in spite of its key role in cultural identity. Using the example of Manchester, we outline geography's role in forging a certain distinctiveness to the city's 'independent' music. It is suggested that such musical fragments, which complem...
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| Veröffentlicht in: | Area (London 1969) 1996-03, Vol.28 (1), p.47-55 |
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| container_title | Area (London 1969) |
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| creator | Halfacree, Keith H. Kitchin, Robert M. Kitchen, Robert M. |
| description | Geographers have neglected popular music, in spite of its key role in cultural identity. Using the example of Manchester, we outline geography's role in forging a certain distinctiveness to the city's 'independent' music. It is suggested that such musical fragments, which complement and contrast with the global aspirations of mainstream popular music, feed into the formation of postmodern 'neo-tribes'. |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0004-0894 |
| ispartof | Area (London 1969), 1996-03, Vol.28 (1), p.47-55 |
| issn | 0004-0894 1475-4762 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_38808016 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing |
| subjects | Capitalism Cultural identity Geography Music Musical aesthetics Musical bands Musical expression Popular culture Popular music Postmodern music Postmodernism Raves United Kingdom |
| title | 'Madchester Rave on': Placing the Fragments of Popular Music |
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