Bombs From Coke Cans: Appropriating Mass Culture in Bobbie Ann Mason's In Country
doCarmo examines one work of fiction, Bobbie Ann Mason's "In Country," which vividly depicts consumer appropriations. Pop music's consciousness-raising abilities are celebrated throughout "In Country," and the novel finds similar potential in TV. Mason's "hija...
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| Veröffentlicht in: | Journal of popular culture 2003-01, Vol.36 (3), p.589-599 |
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| container_title | Journal of popular culture |
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| creator | DoCarmo, Stephen N. |
| description | doCarmo examines one work of fiction, Bobbie Ann Mason's "In Country," which vividly depicts consumer appropriations. Pop music's consciousness-raising abilities are celebrated throughout "In Country," and the novel finds similar potential in TV. Mason's "hijacking" of television's resilient and ahistorical aesthetic is persuasive final proof of mass culture's susceptibility to those who have more than entertainment and diversion on their minds. |
| doi_str_mv | 10.1111/1540-5931.00022 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0022-3840 |
| ispartof | Journal of popular culture, 2003-01, Vol.36 (3), p.589-599 |
| issn | 0022-3840 1540-5931 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_38515553 |
| source | Wiley Online Library Journals Frontfile Complete |
| subjects | American literature Bobbie Ann Mason Capitalism Consumerism Cultural assimilation Cultural studies Everyday life Fiction Literary criticism Literature Mason, Bobbie Ann Mass culture Novels Persuasion Popular culture Television |
| title | Bombs From Coke Cans: Appropriating Mass Culture in Bobbie Ann Mason's In Country |
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