Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism
Evidence from the twentieth-century auction market is used to examine the relationship between artists' ages and the value of their paintings for a group of artists' ages and the value of their paintings for a group of artists, including Cezanne and Picasso, who dominated that early develo...
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| Veröffentlicht in: | The American economic review 2001-09, Vol.91 (4), p.1063-1071 |
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| container_end_page | 1071 |
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| container_issue | 4 |
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| container_title | The American economic review |
| container_volume | 91 |
| creator | Galenson, David W. Weinberg, Bruce A. |
| description | Evidence from the twentieth-century auction market is used to examine the relationship between artists' ages and the value of their paintings for a group of artists' ages and the value of their paintings for a group of artists, including Cezanne and Picasso, who dominated that early development. This will allow a test of the hypothesis that this relationship changed systematically during the first century of that art. |
| doi_str_mv | 10.1257/aer.91.4.1063 |
| format | Article |
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| issn | 0002-8282 1944-7981 |
| language | eng |
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| source | Jstor Complete Legacy; Business Source Complete; American Economic Association Web |
| subjects | 20th century Age Art dealing Art galleries & museums Artistic movements Artists Auctions Career development Careers Comparative analysis Conceptual art Contemporary art Creativity Cubism Cultural values Econometrics Emotional distress Impressionism Innovations Labor economics Modern art Modernist art Painters Political economy Productivity Psychologists Shorter Papers Statistical analysis Studies |
| title | Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism |
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