Commentary: why opera? The politics of an emerging genre
The reason why opera became the preeminent musical form of the seventeenth century not only in Venice but also throughout Europe lies in the profound changes among European elites at the time, particularly regarding notions of nobility and individual roles within family strategies. The lyricism of o...
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| Veröffentlicht in: | The Journal of interdisciplinary history 2006-01, Vol.XXXVI (3), p.401-410 |
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| container_title | The Journal of interdisciplinary history |
| container_volume | XXXVI |
| creator | Romano, Dennis |
| description | The reason why opera became the preeminent musical form of the seventeenth century not only in Venice but also throughout Europe lies in the profound changes among European elites at the time, particularly regarding notions of nobility and individual roles within family strategies. The lyricism of operatic music became the ideal vehicle to express the era's social transformations. Reprinted by permission of the MIT Press |
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| fulltext | fulltext |
| identifier | ISSN: 0022-1953 |
| ispartof | The Journal of interdisciplinary history, 2006-01, Vol.XXXVI (3), p.401-410 |
| issn | 0022-1953 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_37720264 |
| source | Jstor Complete Legacy |
| subjects | Cultural history Cultural policy Europe Interdisciplinary research Italy Musicology Opera Performing arts Political elites Social change |
| title | Commentary: why opera? The politics of an emerging genre |
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