Dismantling a Dystopia: On the Historiography of Music in the Third Reich
In 1981, the Gesellschaft für Musikforschung, the official society of German musicologists, held its first formal session on the subject of “Music in the 1930s.” Rudolf Stephan, then president of the society, concluded his opening remarks with the following admonition
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| Veröffentlicht in: | Central European history 2007-12, Vol.40 (4), p.623-651 |
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| container_end_page | 651 |
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| container_title | Central European history |
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| creator | Potter, Pamela M. |
| description | In 1981, the Gesellschaft für Musikforschung, the official society of German musicologists, held its first formal session on the subject of “Music in the 1930s.” Rudolf Stephan, then president of the society, concluded his opening remarks with the following admonition |
| doi_str_mv | 10.1017/S0008938907001069 |
| format | Article |
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| identifier | ISSN: 0008-9389 |
| ispartof | Central European history, 2007-12, Vol.40 (4), p.623-651 |
| issn | 0008-9389 1569-1616 |
| language | eng |
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| source | Cambridge Journals Online; JSTOR |
| subjects | Classical music Composers Cultural life Dystopias Germany Historical analysis Historiography Investigations Music Music composition Music criticism Music education Music festivals Musical aesthetics Musical performances Musicians Musicology Nazism Political alliances Third Reich Totalitarianism |
| title | Dismantling a Dystopia: On the Historiography of Music in the Third Reich |
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