Speech-to-song transformation in perception and production
The speech-to-song transformation is an illusion in which certain spoken phrases are perceived as more song-like after being repeated several times. The present study addresses whether this perceptual transformation leads to a corresponding change in how accurately participants imitate pitch/time pa...
Gespeichert in:
Veröffentlicht in: | Cognition 2025-01, Vol.254, p.105933, Article 105933 |
---|---|
Hauptverfasser: | , , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | |
---|---|
container_issue | |
container_start_page | 105933 |
container_title | Cognition |
container_volume | 254 |
creator | Chen, Yan Tierney, Adam Pfordresher, Peter Q. |
description | The speech-to-song transformation is an illusion in which certain spoken phrases are perceived as more song-like after being repeated several times. The present study addresses whether this perceptual transformation leads to a corresponding change in how accurately participants imitate pitch/time patterns in speech. We used illusion-inducing (illusion stimuli) and non-inducing (control stimuli) spoken phrases as stimuli. In each trial, one stimulus was presented eight times in succession. Participants were asked to reproduce the phrase and rate how music-like the phrase sounded after the first and final (eighth) repetitions. The ratings of illusion stimuli reflected more song-like perception after the final repetition than the first repetition, but the ratings of control stimuli did not change over repetitions. The results from imitative production mirrored the perceptual effects: pitch matching of illusion stimuli improved from the first to the final repetition, but pitch matching of control stimuli did not improve. These findings suggest a consistent pattern of speech-to-song transformation in both perception and production, suggesting that distinctions between music and language may be more malleable than originally thought both in perception and production. |
doi_str_mv | 10.1016/j.cognition.2024.105933 |
format | Article |
fullrecord | <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_miscellaneous_3104536446</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><els_id>S0010027724002191</els_id><sourcerecordid>3104536446</sourcerecordid><originalsourceid>FETCH-LOGICAL-c247t-4df2c3393a6f5dd57cd17232b466ce279b793446bc0cb853348a589b6c3d33f03</originalsourceid><addsrcrecordid>eNqFkM1OwzAQhC0EoqXwCpAjlxTb68QJtwrxJ1XiAJwtx3aKq8YOdoLE25OQ0iun1axmZ7QfQlcELwkm-c12qfzG2c56t6SYsmGblQBHaE4KDikvoDhGc4wJTjHlfIbOYtxijBnlxSmaQUk5ziiZo9vX1hj1kXY-jd5tki5IF2sfGjlmJ9YlrQnKtL9KOp20wetejfIcndRyF83Ffi7Q-8P9291Tun55fL5brVNFGe9SpmuqAEqQeZ1pnXGlCadAK5bnylBeVrwExvJKYVUVGQArZFaUVa5AA9QYFuh6yh2qP3sTO9HYqMxuJ53xfRRAMMsgHyIGK5-sKvgYg6lFG2wjw7cgWIzgxFYcwIkRnJjADZeX-5K-aow-3P2RGgyryWCGV7-sCSIqa5wy2gajOqG9_bfkB-UwgtU</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>3104536446</pqid></control><display><type>article</type><title>Speech-to-song transformation in perception and production</title><source>MEDLINE</source><source>Access via ScienceDirect (Elsevier)</source><creator>Chen, Yan ; Tierney, Adam ; Pfordresher, Peter Q.</creator><creatorcontrib>Chen, Yan ; Tierney, Adam ; Pfordresher, Peter Q.</creatorcontrib><description>The speech-to-song transformation is an illusion in which certain spoken phrases are perceived as more song-like after being repeated several times. The present study addresses whether this perceptual transformation leads to a corresponding change in how accurately participants imitate pitch/time patterns in speech. We used illusion-inducing (illusion stimuli) and non-inducing (control stimuli) spoken phrases as stimuli. In each trial, one stimulus was presented eight times in succession. Participants were asked to reproduce the phrase and rate how music-like the phrase sounded after the first and final (eighth) repetitions. The ratings of illusion stimuli reflected more song-like perception after the final repetition than the first repetition, but the ratings of control stimuli did not change over repetitions. The results from imitative production mirrored the perceptual effects: pitch matching of illusion stimuli improved from the first to the final repetition, but pitch matching of control stimuli did not improve. These findings suggest a consistent pattern of speech-to-song transformation in both perception and production, suggesting that distinctions between music and language may be more malleable than originally thought both in perception and production.</description><identifier>ISSN: 0010-0277</identifier><identifier>ISSN: 1873-7838</identifier><identifier>EISSN: 1873-7838</identifier><identifier>DOI: 10.1016/j.cognition.2024.105933</identifier><identifier>PMID: 39270521</identifier><language>eng</language><publisher>Netherlands: Elsevier B.V</publisher><subject>Acoustic Stimulation ; Adult ; Female ; Humans ; Illusions - physiology ; Male ; Music ; Perception and production ; Pitch Perception - physiology ; Speech - physiology ; Speech and music ; Speech Perception - physiology ; Speech-to-song transformation ; Young Adult</subject><ispartof>Cognition, 2025-01, Vol.254, p.105933, Article 105933</ispartof><rights>2024 Elsevier B.V.</rights><rights>Copyright © 2024 Elsevier B.V. All rights reserved.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c247t-4df2c3393a6f5dd57cd17232b466ce279b793446bc0cb853348a589b6c3d33f03</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://dx.doi.org/10.1016/j.cognition.2024.105933$$EHTML$$P50$$Gelsevier$$H</linktohtml><link.rule.ids>314,780,784,3550,27924,27925,45995</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/39270521$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Chen, Yan</creatorcontrib><creatorcontrib>Tierney, Adam</creatorcontrib><creatorcontrib>Pfordresher, Peter Q.</creatorcontrib><title>Speech-to-song transformation in perception and production</title><title>Cognition</title><addtitle>Cognition</addtitle><description>The speech-to-song transformation is an illusion in which certain spoken phrases are perceived as more song-like after being repeated several times. The present study addresses whether this perceptual transformation leads to a corresponding change in how accurately participants imitate pitch/time patterns in speech. We used illusion-inducing (illusion stimuli) and non-inducing (control stimuli) spoken phrases as stimuli. In each trial, one stimulus was presented eight times in succession. Participants were asked to reproduce the phrase and rate how music-like the phrase sounded after the first and final (eighth) repetitions. The ratings of illusion stimuli reflected more song-like perception after the final repetition than the first repetition, but the ratings of control stimuli did not change over repetitions. The results from imitative production mirrored the perceptual effects: pitch matching of illusion stimuli improved from the first to the final repetition, but pitch matching of control stimuli did not improve. These findings suggest a consistent pattern of speech-to-song transformation in both perception and production, suggesting that distinctions between music and language may be more malleable than originally thought both in perception and production.</description><subject>Acoustic Stimulation</subject><subject>Adult</subject><subject>Female</subject><subject>Humans</subject><subject>Illusions - physiology</subject><subject>Male</subject><subject>Music</subject><subject>Perception and production</subject><subject>Pitch Perception - physiology</subject><subject>Speech - physiology</subject><subject>Speech and music</subject><subject>Speech Perception - physiology</subject><subject>Speech-to-song transformation</subject><subject>Young Adult</subject><issn>0010-0277</issn><issn>1873-7838</issn><issn>1873-7838</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2025</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><recordid>eNqFkM1OwzAQhC0EoqXwCpAjlxTb68QJtwrxJ1XiAJwtx3aKq8YOdoLE25OQ0iun1axmZ7QfQlcELwkm-c12qfzG2c56t6SYsmGblQBHaE4KDikvoDhGc4wJTjHlfIbOYtxijBnlxSmaQUk5ziiZo9vX1hj1kXY-jd5tki5IF2sfGjlmJ9YlrQnKtL9KOp20wetejfIcndRyF83Ffi7Q-8P9291Tun55fL5brVNFGe9SpmuqAEqQeZ1pnXGlCadAK5bnylBeVrwExvJKYVUVGQArZFaUVa5AA9QYFuh6yh2qP3sTO9HYqMxuJ53xfRRAMMsgHyIGK5-sKvgYg6lFG2wjw7cgWIzgxFYcwIkRnJjADZeX-5K-aow-3P2RGgyryWCGV7-sCSIqa5wy2gajOqG9_bfkB-UwgtU</recordid><startdate>202501</startdate><enddate>202501</enddate><creator>Chen, Yan</creator><creator>Tierney, Adam</creator><creator>Pfordresher, Peter Q.</creator><general>Elsevier B.V</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7X8</scope></search><sort><creationdate>202501</creationdate><title>Speech-to-song transformation in perception and production</title><author>Chen, Yan ; Tierney, Adam ; Pfordresher, Peter Q.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c247t-4df2c3393a6f5dd57cd17232b466ce279b793446bc0cb853348a589b6c3d33f03</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2025</creationdate><topic>Acoustic Stimulation</topic><topic>Adult</topic><topic>Female</topic><topic>Humans</topic><topic>Illusions - physiology</topic><topic>Male</topic><topic>Music</topic><topic>Perception and production</topic><topic>Pitch Perception - physiology</topic><topic>Speech - physiology</topic><topic>Speech and music</topic><topic>Speech Perception - physiology</topic><topic>Speech-to-song transformation</topic><topic>Young Adult</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Chen, Yan</creatorcontrib><creatorcontrib>Tierney, Adam</creatorcontrib><creatorcontrib>Pfordresher, Peter Q.</creatorcontrib><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><jtitle>Cognition</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Chen, Yan</au><au>Tierney, Adam</au><au>Pfordresher, Peter Q.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Speech-to-song transformation in perception and production</atitle><jtitle>Cognition</jtitle><addtitle>Cognition</addtitle><date>2025-01</date><risdate>2025</risdate><volume>254</volume><spage>105933</spage><pages>105933-</pages><artnum>105933</artnum><issn>0010-0277</issn><issn>1873-7838</issn><eissn>1873-7838</eissn><abstract>The speech-to-song transformation is an illusion in which certain spoken phrases are perceived as more song-like after being repeated several times. The present study addresses whether this perceptual transformation leads to a corresponding change in how accurately participants imitate pitch/time patterns in speech. We used illusion-inducing (illusion stimuli) and non-inducing (control stimuli) spoken phrases as stimuli. In each trial, one stimulus was presented eight times in succession. Participants were asked to reproduce the phrase and rate how music-like the phrase sounded after the first and final (eighth) repetitions. The ratings of illusion stimuli reflected more song-like perception after the final repetition than the first repetition, but the ratings of control stimuli did not change over repetitions. The results from imitative production mirrored the perceptual effects: pitch matching of illusion stimuli improved from the first to the final repetition, but pitch matching of control stimuli did not improve. These findings suggest a consistent pattern of speech-to-song transformation in both perception and production, suggesting that distinctions between music and language may be more malleable than originally thought both in perception and production.</abstract><cop>Netherlands</cop><pub>Elsevier B.V</pub><pmid>39270521</pmid><doi>10.1016/j.cognition.2024.105933</doi></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0010-0277 |
ispartof | Cognition, 2025-01, Vol.254, p.105933, Article 105933 |
issn | 0010-0277 1873-7838 1873-7838 |
language | eng |
recordid | cdi_proquest_miscellaneous_3104536446 |
source | MEDLINE; Access via ScienceDirect (Elsevier) |
subjects | Acoustic Stimulation Adult Female Humans Illusions - physiology Male Music Perception and production Pitch Perception - physiology Speech - physiology Speech and music Speech Perception - physiology Speech-to-song transformation Young Adult |
title | Speech-to-song transformation in perception and production |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-22T10%3A24%3A54IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Speech-to-song%20transformation%20in%20perception%20and%20production&rft.jtitle=Cognition&rft.au=Chen,%20Yan&rft.date=2025-01&rft.volume=254&rft.spage=105933&rft.pages=105933-&rft.artnum=105933&rft.issn=0010-0277&rft.eissn=1873-7838&rft_id=info:doi/10.1016/j.cognition.2024.105933&rft_dat=%3Cproquest_cross%3E3104536446%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=3104536446&rft_id=info:pmid/39270521&rft_els_id=S0010027724002191&rfr_iscdi=true |