Mirror, mirror on the wall, who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance
Success as a dancer is closely associated with positive dance judgments by perceivers. Although dancers’ physical appearance (attractiveness, style) might affect dance judgments beyond dance-specific attributes (technique, expression), they have largely been unconsidered in previous studies. To cont...
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Veröffentlicht in: | Psychology of sport and exercise 2023-07, Vol.67, p.102436-102436, Article 102436 |
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creator | Geukes, K. Hecht, V. Utesch, T. Bläsing, B. Back, M.D. |
description | Success as a dancer is closely associated with positive dance judgments by perceivers. Although dancers’ physical appearance (attractiveness, style) might affect dance judgments beyond dance-specific attributes (technique, expression), they have largely been unconsidered in previous studies. To contribute to a comprehensive explanation of real-life dance judgments, we applied the lens model, an approach explicitly developed to explain the emergence of social judgments by multiple attributes. Therefore, video-records of 70 solo performances were (1) rated regarding dancers’ physical appearance, technique, and expression and (2) judged by 33 perceivers. Results of cross-classified mixed-effects models revealed that attributes of all domains were significantly related to dance judgements. Considered simultaneously, however, only dance-specific attributes contributed to the prediction of dance judgments. Additional moderation analyses underscored the importance of perceivers’ expertise in judging dance. We discuss the lens model as suitable framework for a naturalistic approach to the study of aesthetic experiences and sports performances.
•We studied judgments of 70 30-sec Modern dance solo performances (videos).•Due to the nested data structure, we applied cross-classified multilevel models.•Bivariately, physical appearance- and dance-related cues were used for dance judgments.•In controlled analysis, only dance-related cues were linked to dance judgments.•Moderation analyses underlined the importance of perceivers’ expertise. |
doi_str_mv | 10.1016/j.psychsport.2023.102436 |
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•We studied judgments of 70 30-sec Modern dance solo performances (videos).•Due to the nested data structure, we applied cross-classified multilevel models.•Bivariately, physical appearance- and dance-related cues were used for dance judgments.•In controlled analysis, only dance-related cues were linked to dance judgments.•Moderation analyses underlined the importance of perceivers’ expertise.</description><identifier>ISSN: 1469-0292</identifier><identifier>EISSN: 1878-5476</identifier><identifier>DOI: 10.1016/j.psychsport.2023.102436</identifier><language>eng</language><publisher>Elsevier Ltd</publisher><subject>Aesthetic experience ; Expertise ; Expression ; Physical Appearance ; Technique</subject><ispartof>Psychology of sport and exercise, 2023-07, Vol.67, p.102436-102436, Article 102436</ispartof><rights>2023 Elsevier Ltd</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c351t-9d014917148c36a32f32a7c409cf22df8a8db517f6050370c1def88d399b1c2b3</citedby><cites>FETCH-LOGICAL-c351t-9d014917148c36a32f32a7c409cf22df8a8db517f6050370c1def88d399b1c2b3</cites><orcidid>0000-0002-7424-306X</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://dx.doi.org/10.1016/j.psychsport.2023.102436$$EHTML$$P50$$Gelsevier$$H</linktohtml><link.rule.ids>314,778,782,3539,27907,27908,45978</link.rule.ids></links><search><creatorcontrib>Geukes, K.</creatorcontrib><creatorcontrib>Hecht, V.</creatorcontrib><creatorcontrib>Utesch, T.</creatorcontrib><creatorcontrib>Bläsing, B.</creatorcontrib><creatorcontrib>Back, M.D.</creatorcontrib><title>Mirror, mirror on the wall, who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance</title><title>Psychology of sport and exercise</title><description>Success as a dancer is closely associated with positive dance judgments by perceivers. Although dancers’ physical appearance (attractiveness, style) might affect dance judgments beyond dance-specific attributes (technique, expression), they have largely been unconsidered in previous studies. To contribute to a comprehensive explanation of real-life dance judgments, we applied the lens model, an approach explicitly developed to explain the emergence of social judgments by multiple attributes. Therefore, video-records of 70 solo performances were (1) rated regarding dancers’ physical appearance, technique, and expression and (2) judged by 33 perceivers. Results of cross-classified mixed-effects models revealed that attributes of all domains were significantly related to dance judgements. Considered simultaneously, however, only dance-specific attributes contributed to the prediction of dance judgments. Additional moderation analyses underscored the importance of perceivers’ expertise in judging dance. We discuss the lens model as suitable framework for a naturalistic approach to the study of aesthetic experiences and sports performances.
•We studied judgments of 70 30-sec Modern dance solo performances (videos).•Due to the nested data structure, we applied cross-classified multilevel models.•Bivariately, physical appearance- and dance-related cues were used for dance judgments.•In controlled analysis, only dance-related cues were linked to dance judgments.•Moderation analyses underlined the importance of perceivers’ expertise.</description><subject>Aesthetic experience</subject><subject>Expertise</subject><subject>Expression</subject><subject>Physical Appearance</subject><subject>Technique</subject><issn>1469-0292</issn><issn>1878-5476</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><recordid>eNqFUMlOwzAUjBBIlMI_-MihKV6y2CdUKjapiAucLdcLdZXEwXZA_QJ-G6cFceT0RqOZ0ZvJMoDgHEFUXW3nfdjJTeidj3MMMUk0Lkh1lE0QrWleFnV1nHBRsRxihk-zsxC2EKIaVXCSfT1Z752fgXZ_getA3GjwKZpmBj43DtiwJ4ywXocIlOikTjIzsi1IsmuwAJ2IgxeNDdFK0OgugNYp3YAQB7X7zdwO6q3VXRzN-xjQa2-cb0d8np0Y0QR98XOn2evd7cvyIV893z8uF6tckhLFnCmICpZ-L6gklSDYECxqWUAmDcbKUEHVukS1qWAJSQ0lUtpQqghjayTxmkyzy0Nu7937kBrx1gapm0Z02g2BY1ohAsuCsSSlB6n0LgSvDe-9bYXfcQT5uD3f8r_t-bg9P2yfrDcHq05VPqz2PEirU02VVpSRK2f_D_kGDHuT-g</recordid><startdate>20230701</startdate><enddate>20230701</enddate><creator>Geukes, K.</creator><creator>Hecht, V.</creator><creator>Utesch, T.</creator><creator>Bläsing, B.</creator><creator>Back, M.D.</creator><general>Elsevier Ltd</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7X8</scope><orcidid>https://orcid.org/0000-0002-7424-306X</orcidid></search><sort><creationdate>20230701</creationdate><title>Mirror, mirror on the wall, who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance</title><author>Geukes, K. ; Hecht, V. ; Utesch, T. ; Bläsing, B. ; Back, M.D.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c351t-9d014917148c36a32f32a7c409cf22df8a8db517f6050370c1def88d399b1c2b3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>Aesthetic experience</topic><topic>Expertise</topic><topic>Expression</topic><topic>Physical Appearance</topic><topic>Technique</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Geukes, K.</creatorcontrib><creatorcontrib>Hecht, V.</creatorcontrib><creatorcontrib>Utesch, T.</creatorcontrib><creatorcontrib>Bläsing, B.</creatorcontrib><creatorcontrib>Back, M.D.</creatorcontrib><collection>CrossRef</collection><collection>MEDLINE - Academic</collection><jtitle>Psychology of sport and exercise</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Geukes, K.</au><au>Hecht, V.</au><au>Utesch, T.</au><au>Bläsing, B.</au><au>Back, M.D.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Mirror, mirror on the wall, who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance</atitle><jtitle>Psychology of sport and exercise</jtitle><date>2023-07-01</date><risdate>2023</risdate><volume>67</volume><spage>102436</spage><epage>102436</epage><pages>102436-102436</pages><artnum>102436</artnum><issn>1469-0292</issn><eissn>1878-5476</eissn><abstract>Success as a dancer is closely associated with positive dance judgments by perceivers. Although dancers’ physical appearance (attractiveness, style) might affect dance judgments beyond dance-specific attributes (technique, expression), they have largely been unconsidered in previous studies. To contribute to a comprehensive explanation of real-life dance judgments, we applied the lens model, an approach explicitly developed to explain the emergence of social judgments by multiple attributes. Therefore, video-records of 70 solo performances were (1) rated regarding dancers’ physical appearance, technique, and expression and (2) judged by 33 perceivers. Results of cross-classified mixed-effects models revealed that attributes of all domains were significantly related to dance judgements. Considered simultaneously, however, only dance-specific attributes contributed to the prediction of dance judgments. Additional moderation analyses underscored the importance of perceivers’ expertise in judging dance. We discuss the lens model as suitable framework for a naturalistic approach to the study of aesthetic experiences and sports performances.
•We studied judgments of 70 30-sec Modern dance solo performances (videos).•Due to the nested data structure, we applied cross-classified multilevel models.•Bivariately, physical appearance- and dance-related cues were used for dance judgments.•In controlled analysis, only dance-related cues were linked to dance judgments.•Moderation analyses underlined the importance of perceivers’ expertise.</abstract><pub>Elsevier Ltd</pub><doi>10.1016/j.psychsport.2023.102436</doi><tpages>1</tpages><orcidid>https://orcid.org/0000-0002-7424-306X</orcidid></addata></record> |
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subjects | Aesthetic experience Expertise Expression Physical Appearance Technique |
title | Mirror, mirror on the wall, who is the fairest dancer of them all? A naturalistic lens model study on the judgment of dance performance |
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