The Picturescue Movement: restoring photographs following the 2011 tsunami in Japan

After the Great East Japan Earthquake and Tsunami, volunteers participated in the recovery of lost photographs. This effort—which we call the Picturescue Movement—subsequently began to organise photograph restoration gatherings. We conducted field research during the gatherings in Noda, one of the tsunami‐stricken areas. We have also carried out research on restoration gatherings in the city of Rikuzentakata. A comparison of findings across these two localities identifies two approaches to photograph restoration gatherings: ‘aiming’ and ‘staying'. The aiming approach, employed in Rikuzentakata, emphasises returning photographs to their owners quickly, whereas the latter approach, used in Noda, is one in which volunteers stay with survivors for some time and encourage them to recall the past at their own pace. We conclude that the staying approach is more likely than the aiming approach to promote disaster recovery among survivors.