International Film Criticism Today: A Critical Symposium
Since the editors of Cineaste are driven by both a passion for cinema and a desire to combat the more parochial elements of American film criticism, we hope that this Critical Symposium will help acquaint our readers with a panoply of critical voices that rarely appear in stateside film magazines. B...
Gespeichert in:
| Veröffentlicht in: | Cinéaste (New York, N.Y.) N.Y.), 2005-12, Vol.31 (1), p.30-44 |
|---|---|
| Hauptverfasser: | , , , , , , , , , , , , , , , , , , , , , |
| Format: | Magazinearticle |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 44 |
|---|---|
| container_issue | 1 |
| container_start_page | 30 |
| container_title | Cinéaste (New York, N.Y.) |
| container_volume | 31 |
| creator | Antin, Eduardo Martin, Adrian Huber, Christoph Butcher, Pedro Hongyu, Li Ciment, Michel Frodon, Jean-Michel Möller, Olaf Contis, Angelike Cheuk-to, Li Shedde, Meenakshi Kezich, Tullio Silvestri, Roberto Sato, Tadao Tsao, Leonardo Garcia Vera, Noel Karakhan, Lev van Nierop, Leon Rithdee, Kong Chikhaoui, Tahar Romney, Jonathan Jellinek, Jorge |
| description | Since the editors of Cineaste are driven by both a passion for cinema and a desire to combat the more parochial elements of American film criticism, we hope that this Critical Symposium will help acquaint our readers with a panoply of critical voices that rarely appear in stateside film magazines. Being more specific, (writing or reading) film criticism is one of the best ways to protect yourself from the irritation brought on by other responses to the cinema (the main sources of this irritation are populist sentimentality and academic authoritarianism) by trying to connect to some mysterious pleasures. |
| format | Magazinearticle |
| fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_204852674</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A144567339</galeid><jstor_id>41689936</jstor_id><sourcerecordid>A144567339</sourcerecordid><originalsourceid>FETCH-LOGICAL-g477t-427af1932696229a1ce72435d92b08785685f80172cdd7b50953735086c31d0e3</originalsourceid><addsrcrecordid>eNqN0U9LwzAUAPAiCs7pRxCLF_FQSZM0f7zN4uZguMPmuWRpWjLSZksycN_eQnfYYMjI4ZHH7z0e711FA0hwmnCI2HU0AADwhAKAb6M779fdFyKEBhGbtkG5VgRtW2HisTZNnDsdtNS-iZe2FPv3eHRIdWCxbzbW611zH91Uwnj1cIjD6Gf8ucy_ktl8Ms1Hs6TGlIYEQyqqlCNIOIGQi1QqCjHKSg5XgFGWEZZVDKQUyrKkqwzwDFGUAUYkSkug0DB66ftunN3ulA9Fo71UxohW2Z0vIMAsg4TiTj71shZGFcbJWuy8L0YpxhmhCPFOJEdCt5UNTshatcoJY1tV6S594p_PeLnR2-IYvZ1B3StVo-XZrq8nBZ0J6jf0004X35fbj8nFlk1m_23iYKU1RtWq6C6Yz0_9Y-_XPlhXbJxuhNsXOCWMc0TQHwuCuNI</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>magazinearticle</recordtype><pqid>204852674</pqid></control><display><type>magazinearticle</type><title>International Film Criticism Today: A Critical Symposium</title><source>Jstor Complete Legacy</source><creator>Antin, Eduardo ; Martin, Adrian ; Huber, Christoph ; Butcher, Pedro ; Hongyu, Li ; Ciment, Michel ; Frodon, Jean-Michel ; Möller, Olaf ; Contis, Angelike ; Cheuk-to, Li ; Shedde, Meenakshi ; Kezich, Tullio ; Silvestri, Roberto ; Sato, Tadao ; Tsao, Leonardo Garcia ; Vera, Noel ; Karakhan, Lev ; van Nierop, Leon ; Rithdee, Kong ; Chikhaoui, Tahar ; Romney, Jonathan ; Jellinek, Jorge</creator><creatorcontrib>Antin, Eduardo ; Martin, Adrian ; Huber, Christoph ; Butcher, Pedro ; Hongyu, Li ; Ciment, Michel ; Frodon, Jean-Michel ; Möller, Olaf ; Contis, Angelike ; Cheuk-to, Li ; Shedde, Meenakshi ; Kezich, Tullio ; Silvestri, Roberto ; Sato, Tadao ; Tsao, Leonardo Garcia ; Vera, Noel ; Karakhan, Lev ; van Nierop, Leon ; Rithdee, Kong ; Chikhaoui, Tahar ; Romney, Jonathan ; Jellinek, Jorge</creatorcontrib><description>Since the editors of Cineaste are driven by both a passion for cinema and a desire to combat the more parochial elements of American film criticism, we hope that this Critical Symposium will help acquaint our readers with a panoply of critical voices that rarely appear in stateside film magazines. Being more specific, (writing or reading) film criticism is one of the best ways to protect yourself from the irritation brought on by other responses to the cinema (the main sources of this irritation are populist sentimentality and academic authoritarianism) by trying to connect to some mysterious pleasures.</description><identifier>ISSN: 0009-7004</identifier><identifier>EISSN: 2641-9238</identifier><identifier>CODEN: CNSTDR</identifier><language>eng</language><publisher>New York: Cineaste Publishers, Inc</publisher><subject>Aesthetics ; Beliefs, opinions and attitudes ; Entertainment ; Film criticism ; Film critics ; Film editing ; Forecasts and trends ; Globalization ; Literary criticism ; Market trend/market analysis ; Motion picture criticism ; Motion picture industry ; Motion pictures ; Movie criticism ; Movie critics ; Movies ; Serge</subject><ispartof>Cinéaste (New York, N.Y.), 2005-12, Vol.31 (1), p.30-44</ispartof><rights>Copyright © 2005 Cineaste Publishers, Inc.</rights><rights>COPYRIGHT 2005 Cineaste Publishers, Inc.</rights><rights>Copyright Cineaste Winter 2005</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/41689936$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/41689936$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>777,781,800,57998,58231</link.rule.ids></links><search><creatorcontrib>Antin, Eduardo</creatorcontrib><creatorcontrib>Martin, Adrian</creatorcontrib><creatorcontrib>Huber, Christoph</creatorcontrib><creatorcontrib>Butcher, Pedro</creatorcontrib><creatorcontrib>Hongyu, Li</creatorcontrib><creatorcontrib>Ciment, Michel</creatorcontrib><creatorcontrib>Frodon, Jean-Michel</creatorcontrib><creatorcontrib>Möller, Olaf</creatorcontrib><creatorcontrib>Contis, Angelike</creatorcontrib><creatorcontrib>Cheuk-to, Li</creatorcontrib><creatorcontrib>Shedde, Meenakshi</creatorcontrib><creatorcontrib>Kezich, Tullio</creatorcontrib><creatorcontrib>Silvestri, Roberto</creatorcontrib><creatorcontrib>Sato, Tadao</creatorcontrib><creatorcontrib>Tsao, Leonardo Garcia</creatorcontrib><creatorcontrib>Vera, Noel</creatorcontrib><creatorcontrib>Karakhan, Lev</creatorcontrib><creatorcontrib>van Nierop, Leon</creatorcontrib><creatorcontrib>Rithdee, Kong</creatorcontrib><creatorcontrib>Chikhaoui, Tahar</creatorcontrib><creatorcontrib>Romney, Jonathan</creatorcontrib><creatorcontrib>Jellinek, Jorge</creatorcontrib><title>International Film Criticism Today: A Critical Symposium</title><title>Cinéaste (New York, N.Y.)</title><addtitle>Cineaste</addtitle><description>Since the editors of Cineaste are driven by both a passion for cinema and a desire to combat the more parochial elements of American film criticism, we hope that this Critical Symposium will help acquaint our readers with a panoply of critical voices that rarely appear in stateside film magazines. Being more specific, (writing or reading) film criticism is one of the best ways to protect yourself from the irritation brought on by other responses to the cinema (the main sources of this irritation are populist sentimentality and academic authoritarianism) by trying to connect to some mysterious pleasures.</description><subject>Aesthetics</subject><subject>Beliefs, opinions and attitudes</subject><subject>Entertainment</subject><subject>Film criticism</subject><subject>Film critics</subject><subject>Film editing</subject><subject>Forecasts and trends</subject><subject>Globalization</subject><subject>Literary criticism</subject><subject>Market trend/market analysis</subject><subject>Motion picture criticism</subject><subject>Motion picture industry</subject><subject>Motion pictures</subject><subject>Movie criticism</subject><subject>Movie critics</subject><subject>Movies</subject><subject>Serge</subject><issn>0009-7004</issn><issn>2641-9238</issn><fulltext>true</fulltext><rsrctype>magazinearticle</rsrctype><creationdate>2005</creationdate><recordtype>magazinearticle</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><sourceid>QXPDG</sourceid><recordid>eNqN0U9LwzAUAPAiCs7pRxCLF_FQSZM0f7zN4uZguMPmuWRpWjLSZksycN_eQnfYYMjI4ZHH7z0e711FA0hwmnCI2HU0AADwhAKAb6M779fdFyKEBhGbtkG5VgRtW2HisTZNnDsdtNS-iZe2FPv3eHRIdWCxbzbW611zH91Uwnj1cIjD6Gf8ucy_ktl8Ms1Hs6TGlIYEQyqqlCNIOIGQi1QqCjHKSg5XgFGWEZZVDKQUyrKkqwzwDFGUAUYkSkug0DB66ftunN3ulA9Fo71UxohW2Z0vIMAsg4TiTj71shZGFcbJWuy8L0YpxhmhCPFOJEdCt5UNTshatcoJY1tV6S594p_PeLnR2-IYvZ1B3StVo-XZrq8nBZ0J6jf0004X35fbj8nFlk1m_23iYKU1RtWq6C6Yz0_9Y-_XPlhXbJxuhNsXOCWMc0TQHwuCuNI</recordid><startdate>20051222</startdate><enddate>20051222</enddate><creator>Antin, Eduardo</creator><creator>Martin, Adrian</creator><creator>Huber, Christoph</creator><creator>Butcher, Pedro</creator><creator>Hongyu, Li</creator><creator>Ciment, Michel</creator><creator>Frodon, Jean-Michel</creator><creator>Möller, Olaf</creator><creator>Contis, Angelike</creator><creator>Cheuk-to, Li</creator><creator>Shedde, Meenakshi</creator><creator>Kezich, Tullio</creator><creator>Silvestri, Roberto</creator><creator>Sato, Tadao</creator><creator>Tsao, Leonardo Garcia</creator><creator>Vera, Noel</creator><creator>Karakhan, Lev</creator><creator>van Nierop, Leon</creator><creator>Rithdee, Kong</creator><creator>Chikhaoui, Tahar</creator><creator>Romney, Jonathan</creator><creator>Jellinek, Jorge</creator><general>Cineaste Publishers, Inc</general><general>Cinéaste</general><scope>8GL</scope><scope>IBG</scope><scope>ISN</scope><scope>ILR</scope><scope>3V.</scope><scope>7XB</scope><scope>884</scope><scope>8FK</scope><scope>8G5</scope><scope>A3F</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AIUKI</scope><scope>AKTFI</scope><scope>AQVBX</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M0I</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>Q9U</scope><scope>QXPDG</scope><scope>S0X</scope></search><sort><creationdate>20051222</creationdate><title>International Film Criticism Today: A Critical Symposium</title><author>Antin, Eduardo ; Martin, Adrian ; Huber, Christoph ; Butcher, Pedro ; Hongyu, Li ; Ciment, Michel ; Frodon, Jean-Michel ; Möller, Olaf ; Contis, Angelike ; Cheuk-to, Li ; Shedde, Meenakshi ; Kezich, Tullio ; Silvestri, Roberto ; Sato, Tadao ; Tsao, Leonardo Garcia ; Vera, Noel ; Karakhan, Lev ; van Nierop, Leon ; Rithdee, Kong ; Chikhaoui, Tahar ; Romney, Jonathan ; Jellinek, Jorge</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g477t-427af1932696229a1ce72435d92b08785685f80172cdd7b50953735086c31d0e3</frbrgroupid><rsrctype>magazinearticle</rsrctype><prefilter>magazinearticle</prefilter><language>eng</language><creationdate>2005</creationdate><topic>Aesthetics</topic><topic>Beliefs, opinions and attitudes</topic><topic>Entertainment</topic><topic>Film criticism</topic><topic>Film critics</topic><topic>Film editing</topic><topic>Forecasts and trends</topic><topic>Globalization</topic><topic>Literary criticism</topic><topic>Market trend/market analysis</topic><topic>Motion picture criticism</topic><topic>Motion picture industry</topic><topic>Motion pictures</topic><topic>Movie criticism</topic><topic>Movie critics</topic><topic>Movies</topic><topic>Serge</topic><toplevel>online_resources</toplevel><creatorcontrib>Antin, Eduardo</creatorcontrib><creatorcontrib>Martin, Adrian</creatorcontrib><creatorcontrib>Huber, Christoph</creatorcontrib><creatorcontrib>Butcher, Pedro</creatorcontrib><creatorcontrib>Hongyu, Li</creatorcontrib><creatorcontrib>Ciment, Michel</creatorcontrib><creatorcontrib>Frodon, Jean-Michel</creatorcontrib><creatorcontrib>Möller, Olaf</creatorcontrib><creatorcontrib>Contis, Angelike</creatorcontrib><creatorcontrib>Cheuk-to, Li</creatorcontrib><creatorcontrib>Shedde, Meenakshi</creatorcontrib><creatorcontrib>Kezich, Tullio</creatorcontrib><creatorcontrib>Silvestri, Roberto</creatorcontrib><creatorcontrib>Sato, Tadao</creatorcontrib><creatorcontrib>Tsao, Leonardo Garcia</creatorcontrib><creatorcontrib>Vera, Noel</creatorcontrib><creatorcontrib>Karakhan, Lev</creatorcontrib><creatorcontrib>van Nierop, Leon</creatorcontrib><creatorcontrib>Rithdee, Kong</creatorcontrib><creatorcontrib>Chikhaoui, Tahar</creatorcontrib><creatorcontrib>Romney, Jonathan</creatorcontrib><creatorcontrib>Jellinek, Jorge</creatorcontrib><collection>Gale In Context: High School</collection><collection>Gale In Context: Biography</collection><collection>Gale In Context: Canada</collection><collection>Gale Literature Resource Center</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Alt-PressWatch (Alumni Edition)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>Performing Arts Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>FIAF International Index to Film Periodicals Journals</collection><collection>Screen Studies Collection</collection><collection>FIAF International Index to Film Periodicals Database</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Alt-PressWatch</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central Basic</collection><collection>Diversity Collection</collection><collection>SIRS Editorial</collection><jtitle>Cinéaste (New York, N.Y.)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Antin, Eduardo</au><au>Martin, Adrian</au><au>Huber, Christoph</au><au>Butcher, Pedro</au><au>Hongyu, Li</au><au>Ciment, Michel</au><au>Frodon, Jean-Michel</au><au>Möller, Olaf</au><au>Contis, Angelike</au><au>Cheuk-to, Li</au><au>Shedde, Meenakshi</au><au>Kezich, Tullio</au><au>Silvestri, Roberto</au><au>Sato, Tadao</au><au>Tsao, Leonardo Garcia</au><au>Vera, Noel</au><au>Karakhan, Lev</au><au>van Nierop, Leon</au><au>Rithdee, Kong</au><au>Chikhaoui, Tahar</au><au>Romney, Jonathan</au><au>Jellinek, Jorge</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>International Film Criticism Today: A Critical Symposium</atitle><jtitle>Cinéaste (New York, N.Y.)</jtitle><addtitle>Cineaste</addtitle><date>2005-12-22</date><risdate>2005</risdate><volume>31</volume><issue>1</issue><spage>30</spage><epage>44</epage><pages>30-44</pages><issn>0009-7004</issn><eissn>2641-9238</eissn><coden>CNSTDR</coden><abstract>Since the editors of Cineaste are driven by both a passion for cinema and a desire to combat the more parochial elements of American film criticism, we hope that this Critical Symposium will help acquaint our readers with a panoply of critical voices that rarely appear in stateside film magazines. Being more specific, (writing or reading) film criticism is one of the best ways to protect yourself from the irritation brought on by other responses to the cinema (the main sources of this irritation are populist sentimentality and academic authoritarianism) by trying to connect to some mysterious pleasures.</abstract><cop>New York</cop><pub>Cineaste Publishers, Inc</pub><tpages>15</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0009-7004 |
| ispartof | Cinéaste (New York, N.Y.), 2005-12, Vol.31 (1), p.30-44 |
| issn | 0009-7004 2641-9238 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_204852674 |
| source | Jstor Complete Legacy |
| subjects | Aesthetics Beliefs, opinions and attitudes Entertainment Film criticism Film critics Film editing Forecasts and trends Globalization Literary criticism Market trend/market analysis Motion picture criticism Motion picture industry Motion pictures Movie criticism Movie critics Movies Serge |
| title | International Film Criticism Today: A Critical Symposium |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-18T14%3A41%3A28IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=International%20Film%20Criticism%20Today:%20A%20Critical%20Symposium&rft.jtitle=Cin%C3%A9aste%20(New%20York,%20N.Y.)&rft.au=Antin,%20Eduardo&rft.date=2005-12-22&rft.volume=31&rft.issue=1&rft.spage=30&rft.epage=44&rft.pages=30-44&rft.issn=0009-7004&rft.eissn=2641-9238&rft.coden=CNSTDR&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA144567339%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=204852674&rft_id=info:pmid/&rft_galeid=A144567339&rft_jstor_id=41689936&rfr_iscdi=true |