Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk

Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk

When zinc oxide is the main constituent of a ground layer, its stiffness and brittle behavior could affect the whole paint system, producing damage to upper pigmented layers. Zinc white and white lead paint samples have been prepared and artificially aged. Visual data have been collected, and FTIR s...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:CeROArt 2013-05 (EGG 3)
1. Verfasser: Pratali, Elena
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue EGG 3
container_start_page
container_title CeROArt
container_volume
creator Pratali, Elena
description When zinc oxide is the main constituent of a ground layer, its stiffness and brittle behavior could affect the whole paint system, producing damage to upper pigmented layers. Zinc white and white lead paint samples have been prepared and artificially aged. Visual data have been collected, and FTIR spectroscopy has proved effective in confirming the formation of zinc carboxylates. Guidelines for conservation treatments were drawn on both technical procedures and choice of materials. [Publication Abstract]
doi_str_mv 10.4000/ceroart.3207
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_miscellaneous_1948434763</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>1948434763</sourcerecordid><originalsourceid>FETCH-LOGICAL-c703-986c6be41c5c5556ffe3ef4f8673ef9be2912eba309ca561f967f9aec6dce7f53</originalsourceid><addsrcrecordid>eNpNkE9LAzEQxYMoWGpvfoAcPbg12fzbHKWoFQpeevKypNlJG9kmNdkF--1NbQ-e3mPmN_PgIXRPyZwTQp4spGjSMGc1UVdoQlXDK0F0ff3P36JZzl-FJkwTXqsJ8p8-WBx_fAd4m-IYuox9wFQPO2xCh2tSjIUwjOmIo-_xwfgw-LDNf-thBz7hFHs4XR28LRzgDrbJdGbwscxStJAz5Dt040yfYXbRKVq_vqwXy2r18fa-eF5VVhFW6UZauQFOrbBCCOkcMHDcNVIV1RuoNa1hYxjR1ghJnZbKaQNWdhaUE2yKHs5vS_D3CHlo9z5b6HsTII65pZo3nHElWUEfz6hNMecErj0kvzfp2FLSnjptL522p07ZL1mybNE</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1948434763</pqid></control><display><type>article</type><title>Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk</title><source>DOAJ Directory of Open Access Journals</source><source>Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals</source><source>OpenEdition Journals</source><source>OpenEdition Freemium for Journals</source><creator>Pratali, Elena</creator><creatorcontrib>Pratali, Elena</creatorcontrib><description>When zinc oxide is the main constituent of a ground layer, its stiffness and brittle behavior could affect the whole paint system, producing damage to upper pigmented layers. Zinc white and white lead paint samples have been prepared and artificially aged. Visual data have been collected, and FTIR spectroscopy has proved effective in confirming the formation of zinc carboxylates. Guidelines for conservation treatments were drawn on both technical procedures and choice of materials. [Publication Abstract]</description><identifier>ISSN: 1784-5092</identifier><identifier>EISSN: 1784-5092</identifier><identifier>DOI: 10.4000/ceroart.3207</identifier><language>eng</language><ispartof>CeROArt, 2013-05 (EGG 3)</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c703-986c6be41c5c5556ffe3ef4f8673ef9be2912eba309ca561f967f9aec6dce7f53</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,860,27903,27904</link.rule.ids></links><search><creatorcontrib>Pratali, Elena</creatorcontrib><title>Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk</title><title>CeROArt</title><description>When zinc oxide is the main constituent of a ground layer, its stiffness and brittle behavior could affect the whole paint system, producing damage to upper pigmented layers. Zinc white and white lead paint samples have been prepared and artificially aged. Visual data have been collected, and FTIR spectroscopy has proved effective in confirming the formation of zinc carboxylates. Guidelines for conservation treatments were drawn on both technical procedures and choice of materials. [Publication Abstract]</description><issn>1784-5092</issn><issn>1784-5092</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2013</creationdate><recordtype>article</recordtype><recordid>eNpNkE9LAzEQxYMoWGpvfoAcPbg12fzbHKWoFQpeevKypNlJG9kmNdkF--1NbQ-e3mPmN_PgIXRPyZwTQp4spGjSMGc1UVdoQlXDK0F0ff3P36JZzl-FJkwTXqsJ8p8-WBx_fAd4m-IYuox9wFQPO2xCh2tSjIUwjOmIo-_xwfgw-LDNf-thBz7hFHs4XR28LRzgDrbJdGbwscxStJAz5Dt040yfYXbRKVq_vqwXy2r18fa-eF5VVhFW6UZauQFOrbBCCOkcMHDcNVIV1RuoNa1hYxjR1ghJnZbKaQNWdhaUE2yKHs5vS_D3CHlo9z5b6HsTII65pZo3nHElWUEfz6hNMecErj0kvzfp2FLSnjptL522p07ZL1mybNE</recordid><startdate>20130512</startdate><enddate>20130512</enddate><creator>Pratali, Elena</creator><scope>AAYXX</scope><scope>CITATION</scope><scope>8XN</scope></search><sort><creationdate>20130512</creationdate><title>Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes</title><author>Pratali, Elena</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c703-986c6be41c5c5556ffe3ef4f8673ef9be2912eba309ca561f967f9aec6dce7f53</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2013</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Pratali, Elena</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of Art (IBA)</collection><jtitle>CeROArt</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Pratali, Elena</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk</atitle><jtitle>CeROArt</jtitle><date>2013-05-12</date><risdate>2013</risdate><issue>EGG 3</issue><issn>1784-5092</issn><eissn>1784-5092</eissn><abstract>When zinc oxide is the main constituent of a ground layer, its stiffness and brittle behavior could affect the whole paint system, producing damage to upper pigmented layers. Zinc white and white lead paint samples have been prepared and artificially aged. Visual data have been collected, and FTIR spectroscopy has proved effective in confirming the formation of zinc carboxylates. Guidelines for conservation treatments were drawn on both technical procedures and choice of materials. [Publication Abstract]</abstract><doi>10.4000/ceroart.3207</doi></addata></record>
fulltext fulltext
identifier ISSN: 1784-5092
ispartof CeROArt, 2013-05 (EGG 3)
issn 1784-5092
1784-5092
language eng
recordid cdi_proquest_miscellaneous_1948434763
source DOAJ Directory of Open Access Journals; Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals; OpenEdition Journals; OpenEdition Freemium for Journals
title Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes: Literary review, paint failure mechanisms and conditions of potential risk
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-26T02%3A39%3A58IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Zinc%20oxide%20grounds%20in%2019th%20and%2020th%20century%20oil%20paintings%20and%20their%20role%20in%20picture%20degradation%20processes:%20Literary%20review,%20paint%20failure%20mechanisms%20and%20conditions%20of%20potential%20risk&rft.jtitle=CeROArt&rft.au=Pratali,%20Elena&rft.date=2013-05-12&rft.issue=EGG%203&rft.issn=1784-5092&rft.eissn=1784-5092&rft_id=info:doi/10.4000/ceroart.3207&rft_dat=%3Cproquest_cross%3E1948434763%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1948434763&rft_id=info:pmid/&rfr_iscdi=true