(Re)Sounding Histories: On the Tempralities of the Media Event

This article argues that the media event constitutes a critical mode for experiencing temprality in contemporary society. A perceptual and topological approach is presented centering on the event's transitivity as it unfolds across event-spaces, media formats, and national media envelopes. My c...

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Veröffentlicht in:Social analysis 2017-03, Vol.61 (1), p.86-101
1. Verfasser: Papailias, Penelope
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description This article argues that the media event constitutes a critical mode for experiencing temprality in contemporary society. A perceptual and topological approach is presented centering on the event's transitivity as it unfolds across event-spaces, media formats, and national media envelopes. My case is the unprecedented 'live' televisiual coverage of the 1999 hijacking of a Greek bus by an Albanian migrant worker, whose death was publicly mourned in a widely circulated cassette-recorded Albanian memorial song. Focusing on the hijacker's act of 'speaking back' to Greek bosses and police, I like the re-enactments and affective (re)sounding of this contested media event to the violent unsettling and reconfiguration of national borders, ideological discourses, social networks, and labor regimes that occurred after the collapse of European communism and priot to the establishment of the neo-liberal Eurozone. (Author abstract)
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title (Re)Sounding Histories: On the Tempralities of the Media Event
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