The Art of Film Blackness: A Conversation with Michael Boyce Gillespie on Film Blackness and the Idea of Black Film
Longo interviews author Michael Boyce Gillespie about his book, Film Blackness and the Idea of Black Film. Gillespie discusses the films he has chosen to analyze, such as Chamelon Street, as well as the extrafilmic texts with which he puts them in dialogue, from Ralph Ellison to Manthia Diawara. He...
Gespeichert in:
| Veröffentlicht in: | Film quarterly 2016-09, Vol.70 (1), p.112-117 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 117 |
|---|---|
| container_issue | 1 |
| container_start_page | 112 |
| container_title | Film quarterly |
| container_volume | 70 |
| creator | Longo, Regina |
| description | Longo interviews author Michael Boyce Gillespie about his book, Film Blackness and the Idea of Black Film. Gillespie discusses the films he has chosen to analyze, such as Chamelon Street, as well as the extrafilmic texts with which he puts them in dialogue, from Ralph Ellison to Manthia Diawara. He credits Mikhail Bakhtin for helping him to reframe the "racial grotesque," and he uses the literary work of Chester Himes to think through Medicine for Melancholy--while also linking the film to the Mumblecore movement in indie film. |
| doi_str_mv | 10.1525/FQ.2016.70.1.112 |
| format | Article |
| fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_1880396949</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>26413749</jstor_id><sourcerecordid>26413749</sourcerecordid><originalsourceid>FETCH-LOGICAL-c279t-829332ffb6f82d53c0137cf1403627e207f70d3716e82b43713b7203bbe495e13</originalsourceid><addsrcrecordid>eNpdkE1Lw0AQhhdRsFbvehACXrwkzuxkv461WBUKItTzkqS7mJo27W568N-7peLBucy88MzXy9g1QoGCi4fZe8EBZaGSLhD5CRuhIMq1JDhlIwAUOZKW5-wixhWkkKRG7Gbx6bJJGLLeZ7O2W2ePXdV8bVyMl-zMV110V795zD5mT4vpSz5_e36dTuZ5w5UZcs0NEfe-ll7zpaAGkFTjsQSSXDkOyitYkkLpNK_LVFCtOFBdu9IIhzRm98e529Dv9i4Odt3GxnVdtXH9PlrUGshIU5qE3v1DV_0-bNJ1iUIFRoDmiYIj1YQ-xuC83YZ2XYVvi2APXlm_swevrEraJq9Sy-2xZRWHPvzxXJbpmbT4BykJYSE</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1817095082</pqid></control><display><type>article</type><title>The Art of Film Blackness: A Conversation with Michael Boyce Gillespie on Film Blackness and the Idea of Black Film</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Longo, Regina</creator><creatorcontrib>Longo, Regina</creatorcontrib><description>Longo interviews author Michael Boyce Gillespie about his book, Film Blackness and the Idea of Black Film. Gillespie discusses the films he has chosen to analyze, such as Chamelon Street, as well as the extrafilmic texts with which he puts them in dialogue, from Ralph Ellison to Manthia Diawara. He credits Mikhail Bakhtin for helping him to reframe the "racial grotesque," and he uses the literary work of Chester Himes to think through Medicine for Melancholy--while also linking the film to the Mumblecore movement in indie film.</description><identifier>ISSN: 0015-1386</identifier><identifier>EISSN: 1533-8630</identifier><identifier>DOI: 10.1525/FQ.2016.70.1.112</identifier><identifier>CODEN: FLMQN1</identifier><language>eng</language><publisher>Berkeley: University of California Press</publisher><subject>Bakhtin, Mikhail Mikhailovich (1895-1975) ; Black people ; Conversation ; Gillespie, Michael Boyce ; Himes, Chester ; Medicine ; Motion pictures ; PAGE VIEWS ; Writers</subject><ispartof>Film quarterly, 2016-09, Vol.70 (1), p.112-117</ispartof><rights>2016 by The Regents of the University of California</rights><rights>Copyright University of California Press Fall 2016</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26413749$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26413749$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27915,27916,58008,58241</link.rule.ids></links><search><creatorcontrib>Longo, Regina</creatorcontrib><title>The Art of Film Blackness: A Conversation with Michael Boyce Gillespie on Film Blackness and the Idea of Black Film</title><title>Film quarterly</title><description>Longo interviews author Michael Boyce Gillespie about his book, Film Blackness and the Idea of Black Film. Gillespie discusses the films he has chosen to analyze, such as Chamelon Street, as well as the extrafilmic texts with which he puts them in dialogue, from Ralph Ellison to Manthia Diawara. He credits Mikhail Bakhtin for helping him to reframe the "racial grotesque," and he uses the literary work of Chester Himes to think through Medicine for Melancholy--while also linking the film to the Mumblecore movement in indie film.</description><subject>Bakhtin, Mikhail Mikhailovich (1895-1975)</subject><subject>Black people</subject><subject>Conversation</subject><subject>Gillespie, Michael Boyce</subject><subject>Himes, Chester</subject><subject>Medicine</subject><subject>Motion pictures</subject><subject>PAGE VIEWS</subject><subject>Writers</subject><issn>0015-1386</issn><issn>1533-8630</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><recordid>eNpdkE1Lw0AQhhdRsFbvehACXrwkzuxkv461WBUKItTzkqS7mJo27W568N-7peLBucy88MzXy9g1QoGCi4fZe8EBZaGSLhD5CRuhIMq1JDhlIwAUOZKW5-wixhWkkKRG7Gbx6bJJGLLeZ7O2W2ePXdV8bVyMl-zMV110V795zD5mT4vpSz5_e36dTuZ5w5UZcs0NEfe-ll7zpaAGkFTjsQSSXDkOyitYkkLpNK_LVFCtOFBdu9IIhzRm98e529Dv9i4Odt3GxnVdtXH9PlrUGshIU5qE3v1DV_0-bNJ1iUIFRoDmiYIj1YQ-xuC83YZ2XYVvi2APXlm_swevrEraJq9Sy-2xZRWHPvzxXJbpmbT4BykJYSE</recordid><startdate>20160901</startdate><enddate>20160901</enddate><creator>Longo, Regina</creator><general>University of California Press</general><general>University of California Press Books Division</general><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>20160901</creationdate><title>The Art of Film Blackness</title><author>Longo, Regina</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c279t-829332ffb6f82d53c0137cf1403627e207f70d3716e82b43713b7203bbe495e13</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Bakhtin, Mikhail Mikhailovich (1895-1975)</topic><topic>Black people</topic><topic>Conversation</topic><topic>Gillespie, Michael Boyce</topic><topic>Himes, Chester</topic><topic>Medicine</topic><topic>Motion pictures</topic><topic>PAGE VIEWS</topic><topic>Writers</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Longo, Regina</creatorcontrib><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>Film quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Longo, Regina</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Art of Film Blackness: A Conversation with Michael Boyce Gillespie on Film Blackness and the Idea of Black Film</atitle><jtitle>Film quarterly</jtitle><date>2016-09-01</date><risdate>2016</risdate><volume>70</volume><issue>1</issue><spage>112</spage><epage>117</epage><pages>112-117</pages><issn>0015-1386</issn><eissn>1533-8630</eissn><coden>FLMQN1</coden><abstract>Longo interviews author Michael Boyce Gillespie about his book, Film Blackness and the Idea of Black Film. Gillespie discusses the films he has chosen to analyze, such as Chamelon Street, as well as the extrafilmic texts with which he puts them in dialogue, from Ralph Ellison to Manthia Diawara. He credits Mikhail Bakhtin for helping him to reframe the "racial grotesque," and he uses the literary work of Chester Himes to think through Medicine for Melancholy--while also linking the film to the Mumblecore movement in indie film.</abstract><cop>Berkeley</cop><pub>University of California Press</pub><doi>10.1525/FQ.2016.70.1.112</doi><tpages>6</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0015-1386 |
| ispartof | Film quarterly, 2016-09, Vol.70 (1), p.112-117 |
| issn | 0015-1386 1533-8630 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_1880396949 |
| source | JSTOR Archive Collection A-Z Listing |
| subjects | Bakhtin, Mikhail Mikhailovich (1895-1975) Black people Conversation Gillespie, Michael Boyce Himes, Chester Medicine Motion pictures PAGE VIEWS Writers |
| title | The Art of Film Blackness: A Conversation with Michael Boyce Gillespie on Film Blackness and the Idea of Black Film |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-15T01%3A34%3A29IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Art%20of%20Film%20Blackness:%20A%20Conversation%20with%20Michael%20Boyce%20Gillespie%20on%20Film%20Blackness%20and%20the%20Idea%20of%20Black%20Film&rft.jtitle=Film%20quarterly&rft.au=Longo,%20Regina&rft.date=2016-09-01&rft.volume=70&rft.issue=1&rft.spage=112&rft.epage=117&rft.pages=112-117&rft.issn=0015-1386&rft.eissn=1533-8630&rft.coden=FLMQN1&rft_id=info:doi/10.1525/FQ.2016.70.1.112&rft_dat=%3Cjstor_proqu%3E26413749%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1817095082&rft_id=info:pmid/&rft_jstor_id=26413749&rfr_iscdi=true |