Teresa Żarnower: Bodies and Buildings

Teresa Żarnower: Bodies and Buildings

Polish artist Teresa Zarnower (1895?-1950) is recognized as belonging to the utopian strand of the interwar avant-gardes, those artists, architects, and writers whose works evinced a faith in technology and progress. In 1924, Zarnower co-founded the Warsaw avant-garde group Blok, and co-edited the g...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Woman's art journal 2016-09, Vol.37 (2), p.38-49
1. Verfasser: Anagnost, Adrian
Format: Artikel
Sprache:eng
Schlagworte:
Architectural design
Artists
Avant-garde (Aesthetics)
Criticism and interpretation
Literature, Experimental
PORTRAITS, ISSUES AND INSIGHTS
Portrayals
Social aspects
Works
Zarnower, Teresa
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 49
container_issue 2
container_start_page 38
container_title Woman's art journal
container_volume 37
creator Anagnost, Adrian
description Polish artist Teresa Zarnower (1895?-1950) is recognized as belonging to the utopian strand of the interwar avant-gardes, those artists, architects, and writers whose works evinced a faith in technology and progress. In 1924, Zarnower co-founded the Warsaw avant-garde group Blok, and co-edited the group's journal. Along with the groups Praesens and a. r., Blok was one of a number of artistic constellations in interwar Poland that encompassed Cubist, Suprematist, and Constructivist tendencies. What these groups shared was not style alone, but rather an investment in architecture as a guiding principle for aesthetic production. [Abridged Publication Abstract]
format Article
fullrecord <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_miscellaneous_1847478934</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A665916384</galeid><jstor_id>26430782</jstor_id><sourcerecordid>A665916384</sourcerecordid><originalsourceid>FETCH-LOGICAL-g277t-c994ba211d058e7d00c40a3f7007d1d5fd5f63f0f2939a6065c1ae0edee7d1ef3</originalsourceid><addsrcrecordid>eNptzE1LAzEQBuAgCtYq-AcEwYuXlcl3cizFLyh4qecQs5OyZXdTky3ib_Ps_3LLehFkBgZenneOyIxRaSojpD4mM2AaKm0tPyVnpWwBKGNgZuRyjRmLv_7-8rlPH5jPyUn0bcGL3zsnrw_36-VTtXp5fF4uVtWGaT1UwVrx5hmlNUiDugYIAjyPGkDXtJZxXMUjRGa59QqUDNQjYI0jphj5nNxOf3c5ve-xDK5rSsC29T2mfXHUCC20sVyM9GaiG9-ia_qYhuzDgbuFUtJSxc1B3f2jxqmxa0LqMTZj_qdwNRW2ZUjZ7XLT-fzpmBIctGH8B_PLXG0</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1847478934</pqid></control><display><type>article</type><title>Teresa Żarnower: Bodies and Buildings</title><source>Jstor Complete Legacy</source><creator>Anagnost, Adrian</creator><creatorcontrib>Anagnost, Adrian</creatorcontrib><description>Polish artist Teresa Zarnower (1895?-1950) is recognized as belonging to the utopian strand of the interwar avant-gardes, those artists, architects, and writers whose works evinced a faith in technology and progress. In 1924, Zarnower co-founded the Warsaw avant-garde group Blok, and co-edited the group's journal. Along with the groups Praesens and a. r., Blok was one of a number of artistic constellations in interwar Poland that encompassed Cubist, Suprematist, and Constructivist tendencies. What these groups shared was not style alone, but rather an investment in architecture as a guiding principle for aesthetic production. [Abridged Publication Abstract]</description><identifier>ISSN: 0270-7993</identifier><identifier>EISSN: 2158-8457</identifier><language>eng</language><publisher>Old City Publishing, Inc</publisher><subject>Architectural design ; Artists ; Avant-garde (Aesthetics) ; Criticism and interpretation ; Literature, Experimental ; PORTRAITS, ISSUES AND INSIGHTS ; Portrayals ; Social aspects ; Works ; Zarnower, Teresa</subject><ispartof>Woman's art journal, 2016-09, Vol.37 (2), p.38-49</ispartof><rights>2015 Rutgers University, Department of Art History and Old City Publishing, Inc.</rights><rights>COPYRIGHT 2016 Old City Publishing, Inc.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26430782$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26430782$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,776,780,799,57992,58225</link.rule.ids></links><search><creatorcontrib>Anagnost, Adrian</creatorcontrib><title>Teresa Żarnower: Bodies and Buildings</title><title>Woman's art journal</title><description>Polish artist Teresa Zarnower (1895?-1950) is recognized as belonging to the utopian strand of the interwar avant-gardes, those artists, architects, and writers whose works evinced a faith in technology and progress. In 1924, Zarnower co-founded the Warsaw avant-garde group Blok, and co-edited the group's journal. Along with the groups Praesens and a. r., Blok was one of a number of artistic constellations in interwar Poland that encompassed Cubist, Suprematist, and Constructivist tendencies. What these groups shared was not style alone, but rather an investment in architecture as a guiding principle for aesthetic production. [Abridged Publication Abstract]</description><subject>Architectural design</subject><subject>Artists</subject><subject>Avant-garde (Aesthetics)</subject><subject>Criticism and interpretation</subject><subject>Literature, Experimental</subject><subject>PORTRAITS, ISSUES AND INSIGHTS</subject><subject>Portrayals</subject><subject>Social aspects</subject><subject>Works</subject><subject>Zarnower, Teresa</subject><issn>0270-7993</issn><issn>2158-8457</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><recordid>eNptzE1LAzEQBuAgCtYq-AcEwYuXlcl3cizFLyh4qecQs5OyZXdTky3ib_Ps_3LLehFkBgZenneOyIxRaSojpD4mM2AaKm0tPyVnpWwBKGNgZuRyjRmLv_7-8rlPH5jPyUn0bcGL3zsnrw_36-VTtXp5fF4uVtWGaT1UwVrx5hmlNUiDugYIAjyPGkDXtJZxXMUjRGa59QqUDNQjYI0jphj5nNxOf3c5ve-xDK5rSsC29T2mfXHUCC20sVyM9GaiG9-ia_qYhuzDgbuFUtJSxc1B3f2jxqmxa0LqMTZj_qdwNRW2ZUjZ7XLT-fzpmBIctGH8B_PLXG0</recordid><startdate>20160922</startdate><enddate>20160922</enddate><creator>Anagnost, Adrian</creator><general>Old City Publishing, Inc</general><scope>8XN</scope></search><sort><creationdate>20160922</creationdate><title>Teresa Żarnower</title><author>Anagnost, Adrian</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-g277t-c994ba211d058e7d00c40a3f7007d1d5fd5f63f0f2939a6065c1ae0edee7d1ef3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Architectural design</topic><topic>Artists</topic><topic>Avant-garde (Aesthetics)</topic><topic>Criticism and interpretation</topic><topic>Literature, Experimental</topic><topic>PORTRAITS, ISSUES AND INSIGHTS</topic><topic>Portrayals</topic><topic>Social aspects</topic><topic>Works</topic><topic>Zarnower, Teresa</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Anagnost, Adrian</creatorcontrib><collection>International Bibliography of Art (IBA)</collection><jtitle>Woman's art journal</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Anagnost, Adrian</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Teresa Żarnower: Bodies and Buildings</atitle><jtitle>Woman's art journal</jtitle><date>2016-09-22</date><risdate>2016</risdate><volume>37</volume><issue>2</issue><spage>38</spage><epage>49</epage><pages>38-49</pages><issn>0270-7993</issn><eissn>2158-8457</eissn><abstract>Polish artist Teresa Zarnower (1895?-1950) is recognized as belonging to the utopian strand of the interwar avant-gardes, those artists, architects, and writers whose works evinced a faith in technology and progress. In 1924, Zarnower co-founded the Warsaw avant-garde group Blok, and co-edited the group's journal. Along with the groups Praesens and a. r., Blok was one of a number of artistic constellations in interwar Poland that encompassed Cubist, Suprematist, and Constructivist tendencies. What these groups shared was not style alone, but rather an investment in architecture as a guiding principle for aesthetic production. [Abridged Publication Abstract]</abstract><pub>Old City Publishing, Inc</pub><tpages>12</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0270-7993
ispartof Woman's art journal, 2016-09, Vol.37 (2), p.38-49
issn 0270-7993
2158-8457
language eng
recordid cdi_proquest_miscellaneous_1847478934
source Jstor Complete Legacy
subjects Architectural design
Artists
Avant-garde (Aesthetics)
Criticism and interpretation
Literature, Experimental
PORTRAITS, ISSUES AND INSIGHTS
Portrayals
Social aspects
Works
Zarnower, Teresa
title Teresa Żarnower: Bodies and Buildings
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-02T07%3A10%3A01IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Teresa%20%C5%BBarnower:%20Bodies%20and%20Buildings&rft.jtitle=Woman's%20art%20journal&rft.au=Anagnost,%20Adrian&rft.date=2016-09-22&rft.volume=37&rft.issue=2&rft.spage=38&rft.epage=49&rft.pages=38-49&rft.issn=0270-7993&rft.eissn=2158-8457&rft_id=info:doi/&rft_dat=%3Cgale_proqu%3EA665916384%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1847478934&rft_id=info:pmid/&rft_galeid=A665916384&rft_jstor_id=26430782&rfr_iscdi=true