Territorial Trap: Danilo Kiš, Cultural Geography, and Geopolitical Imagination
Most attempts to integrate “small,” or “minor,” or “third-world” literatures into a larger whole tend to be inadequate, deductive, and reductionist. Small literatures and their writers may crave recognition and attention, but they are not exactly helped if approached with a set of newly created ster...
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Veröffentlicht in: | East European politics and societies 2014-11, Vol.28 (4), p.715-738 |
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description | Most attempts to integrate “small,” or “minor,” or “third-world” literatures into a larger whole tend to be inadequate, deductive, and reductionist. Small literatures and their writers may crave recognition and attention, but they are not exactly helped if approached with a set of newly created stereotypes and dubious generalizations, which equate them with the geopolitical situation of their respective nations. This article focuses on Casanova’s The World Republic of Letters as an instance of this attitude towards small literatures. The article uses the example of Danilo Kiš, who figures prominently in Casanova’s book, and argues that his position within his native literary space and the place occupied by this space within world literature are misrepresented in The World Republic of Letters. This misrepresentation is not accidental: It necessarily follows from Casanova’s double mapping of this space, which is strongly influenced by geopolitical imagination and popular cultural geography. As long as the international literary space is imagined as overlapping with the space of great consecrating nations, comprising both their national as well as international writers, with the addition of international writers from the periphery “annexed” to them, the world literary map will only reproduce the (geo)political map of the world. The task of constructing a conceptual framework that will do justice to small or third-world literatures and their writers cannot be achieved so long as it is influenced by geopolitical imagination and popular cultural geography, and divides the world literature into the “first-world” and the rest. |
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Small literatures and their writers may crave recognition and attention, but they are not exactly helped if approached with a set of newly created stereotypes and dubious generalizations, which equate them with the geopolitical situation of their respective nations. This article focuses on Casanova’s The World Republic of Letters as an instance of this attitude towards small literatures. The article uses the example of Danilo Kiš, who figures prominently in Casanova’s book, and argues that his position within his native literary space and the place occupied by this space within world literature are misrepresented in The World Republic of Letters. This misrepresentation is not accidental: It necessarily follows from Casanova’s double mapping of this space, which is strongly influenced by geopolitical imagination and popular cultural geography. As long as the international literary space is imagined as overlapping with the space of great consecrating nations, comprising both their national as well as international writers, with the addition of international writers from the periphery “annexed” to them, the world literary map will only reproduce the (geo)political map of the world. 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Small literatures and their writers may crave recognition and attention, but they are not exactly helped if approached with a set of newly created stereotypes and dubious generalizations, which equate them with the geopolitical situation of their respective nations. This article focuses on Casanova’s The World Republic of Letters as an instance of this attitude towards small literatures. The article uses the example of Danilo Kiš, who figures prominently in Casanova’s book, and argues that his position within his native literary space and the place occupied by this space within world literature are misrepresented in The World Republic of Letters. This misrepresentation is not accidental: It necessarily follows from Casanova’s double mapping of this space, which is strongly influenced by geopolitical imagination and popular cultural geography. As long as the international literary space is imagined as overlapping with the space of great consecrating nations, comprising both their national as well as international writers, with the addition of international writers from the periphery “annexed” to them, the world literary map will only reproduce the (geo)political map of the world. 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subjects | Accidents Attitudes Casanova, Pascale Center and Periphery Cultural history Cultural norms Culture Culture and social structure Generalizations Geography Geopolitics Human geography Imagination Indigenous Populations Justice Kis, Danilo Letters (Correspondence) Literary criticism Literature Mapping Misrepresentation Nation Political geography Serbian Literature Sociology of Culture Stereotypes Writers |
title | Territorial Trap: Danilo Kiš, Cultural Geography, and Geopolitical Imagination |
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