The Weisshorn: Elijah Walton, John Ruskin, and the Alpine Club
Victorian painter Elijah Walton was asked by the Alpine Club to paint the Swiss mountains in the 1850s. A brief essay is presented that examines this moment in his career; it focuses on "The Weisshorn from the Riffel" and the influence of John Ruskin.
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| Veröffentlicht in: | The British art journal 2013-12, Vol.14 (3), p.89-92 |
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| container_title | The British art journal |
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| creator | Staley, Allen |
| description | Victorian painter Elijah Walton was asked by the Alpine Club to paint the Swiss mountains in the 1850s. A brief essay is presented that examines this moment in his career; it focuses on "The Weisshorn from the Riffel" and the influence of John Ruskin. |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1467-2006 |
| ispartof | The British art journal, 2013-12, Vol.14 (3), p.89-92 |
| issn | 1467-2006 |
| language | eng |
| recordid | cdi_proquest_miscellaneous_1646991743 |
| source | Jstor Complete Legacy; ARTbibliographies Modern |
| subjects | Alpine glaciers Art exhibitions Art galleries Frontispieces Glacial formations Ice climbing Mountaineering Mountains Portrayals Ruskin, John Victorians Walton, Elijah |
| title | The Weisshorn: Elijah Walton, John Ruskin, and the Alpine Club |
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