Neoliberal Forms: CGI, Algorithm, and Hegemony in Korea’s IMF Cinema

This paper examines the co-implications of CGI filmmaking, US hegemony, and neoliberal financialization as manifested in Korea’s “IMF crisis cinema.” These films are populated by what I termneoliberal formsthat epitomize the effort in this cinema to reflect on the innate proximity of popular filmmak...

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