Negotiating identity: Mary Ellen Best and the status of female Victorian artists

Negotiating identity: Mary Ellen Best and the status of female Victorian artists

Discusses the British artist Mary Ellen Best's (1809-91) chronological arrangement of her watercolours into albums highlighting their reflection of a change in her artistic activity around the time of her marriage. The author traces Best's training and early career as an artist, identifies...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Nineteenth-century art worldwide 2002-09, Vol.1 (2), p.np-np
1. Verfasser: Balducci, Temma
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page np
container_issue 2
container_start_page np
container_title Nineteenth-century art worldwide
container_volume 1
creator Balducci, Temma
description Discusses the British artist Mary Ellen Best's (1809-91) chronological arrangement of her watercolours into albums highlighting their reflection of a change in her artistic activity around the time of her marriage. The author traces Best's training and early career as an artist, identifies a shift in her self-identification following her marriage from a semi-professional artist to a disinterested wife and mother, and concludes by arguing that Best's narrative reveals the difficult choices faced by middle-class Victorian artists during the early Victorian period.
format Article
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_miscellaneous_1449760447</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>1035894920</sourcerecordid><originalsourceid>FETCH-LOGICAL-p667-58763931956b922de4c7edfb16eefec8ac442c8430acf929b16003ddec73ebfa3</originalsourceid><addsrcrecordid>eNqFjktLAzEUhYMoWKv_IUs3A3lNMnGnpT6gPhbFbbmT3NRImqmTzKL_3oIu3Lk6H5yPwzkhM94q2XDGxOkfPicXpXweQUquZuTtBbdDjVBj3tLoMddYDzf0GcYDXaaEmd5hqRSyp_UDaalQp0KHQAPuICF9j64OY4RMYayx1HJJzgKkgle_OSfr--V68disXh-eFrerZq-1adrOaGklt63urRAelTPoQ881YkDXgVNKuE5JBi5YYY8FY9J7dEZiH0DOyfXP7H4cvqbjxc0uFocpQcZhKhuulDWaKWX-V5lsO6usYPIboCFb4g</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1035894920</pqid></control><display><type>article</type><title>Negotiating identity: Mary Ellen Best and the status of female Victorian artists</title><source>DOAJ Directory of Open Access Journals</source><source>EZB Electronic Journals Library</source><creator>Balducci, Temma</creator><creatorcontrib>Balducci, Temma</creatorcontrib><description>Discusses the British artist Mary Ellen Best's (1809-91) chronological arrangement of her watercolours into albums highlighting their reflection of a change in her artistic activity around the time of her marriage. The author traces Best's training and early career as an artist, identifies a shift in her self-identification following her marriage from a semi-professional artist to a disinterested wife and mother, and concludes by arguing that Best's narrative reveals the difficult choices faced by middle-class Victorian artists during the early Victorian period.</description><identifier>ISSN: 1543-1002</identifier><identifier>EISSN: 1543-1002</identifier><language>eng</language><ispartof>Nineteenth-century art worldwide, 2002-09, Vol.1 (2), p.np-np</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>Balducci, Temma</creatorcontrib><title>Negotiating identity: Mary Ellen Best and the status of female Victorian artists</title><title>Nineteenth-century art worldwide</title><description>Discusses the British artist Mary Ellen Best's (1809-91) chronological arrangement of her watercolours into albums highlighting their reflection of a change in her artistic activity around the time of her marriage. The author traces Best's training and early career as an artist, identifies a shift in her self-identification following her marriage from a semi-professional artist to a disinterested wife and mother, and concludes by arguing that Best's narrative reveals the difficult choices faced by middle-class Victorian artists during the early Victorian period.</description><issn>1543-1002</issn><issn>1543-1002</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2002</creationdate><recordtype>article</recordtype><recordid>eNqFjktLAzEUhYMoWKv_IUs3A3lNMnGnpT6gPhbFbbmT3NRImqmTzKL_3oIu3Lk6H5yPwzkhM94q2XDGxOkfPicXpXweQUquZuTtBbdDjVBj3tLoMddYDzf0GcYDXaaEmd5hqRSyp_UDaalQp0KHQAPuICF9j64OY4RMYayx1HJJzgKkgle_OSfr--V68disXh-eFrerZq-1adrOaGklt63urRAelTPoQ881YkDXgVNKuE5JBi5YYY8FY9J7dEZiH0DOyfXP7H4cvqbjxc0uFocpQcZhKhuulDWaKWX-V5lsO6usYPIboCFb4g</recordid><startdate>20020901</startdate><enddate>20020901</enddate><creator>Balducci, Temma</creator><scope>C18</scope><scope>8XN</scope></search><sort><creationdate>20020901</creationdate><title>Negotiating identity: Mary Ellen Best and the status of female Victorian artists</title><author>Balducci, Temma</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-p667-58763931956b922de4c7edfb16eefec8ac442c8430acf929b16003ddec73ebfa3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2002</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Balducci, Temma</creatorcontrib><collection>Humanities Index</collection><collection>International Bibliography of Art (IBA)</collection><jtitle>Nineteenth-century art worldwide</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Balducci, Temma</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Negotiating identity: Mary Ellen Best and the status of female Victorian artists</atitle><jtitle>Nineteenth-century art worldwide</jtitle><date>2002-09-01</date><risdate>2002</risdate><volume>1</volume><issue>2</issue><spage>np</spage><epage>np</epage><pages>np-np</pages><issn>1543-1002</issn><eissn>1543-1002</eissn><abstract>Discusses the British artist Mary Ellen Best's (1809-91) chronological arrangement of her watercolours into albums highlighting their reflection of a change in her artistic activity around the time of her marriage. The author traces Best's training and early career as an artist, identifies a shift in her self-identification following her marriage from a semi-professional artist to a disinterested wife and mother, and concludes by arguing that Best's narrative reveals the difficult choices faced by middle-class Victorian artists during the early Victorian period.</abstract></addata></record>
fulltext fulltext
identifier ISSN: 1543-1002
ispartof Nineteenth-century art worldwide, 2002-09, Vol.1 (2), p.np-np
issn 1543-1002
1543-1002
language eng
recordid cdi_proquest_miscellaneous_1449760447
source DOAJ Directory of Open Access Journals; EZB Electronic Journals Library
title Negotiating identity: Mary Ellen Best and the status of female Victorian artists
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-07T17%3A49%3A17IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Negotiating%20identity:%20Mary%20Ellen%20Best%20and%20the%20status%20of%20female%20Victorian%20artists&rft.jtitle=Nineteenth-century%20art%20worldwide&rft.au=Balducci,%20Temma&rft.date=2002-09-01&rft.volume=1&rft.issue=2&rft.spage=np&rft.epage=np&rft.pages=np-np&rft.issn=1543-1002&rft.eissn=1543-1002&rft_id=info:doi/&rft_dat=%3Cproquest%3E1035894920%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1035894920&rft_id=info:pmid/&rfr_iscdi=true