Scholarship, performance and virtuosity

Scholarship, performance and virtuosity

One of the first objectives of Early Music was to allow scholarship to inform performance. More than any other journal or medium, this it has done. Performers of early repertories lapped up what was served to them about rhythm, articulation, instrument design, tuning, pitch, singing styles, ornament...

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Veröffentlicht in:Early music 2013-02, Vol.41 (1), p.77-78
1. Verfasser: Price, Curtis
Format: Artikel
Sprache:eng
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Classical music
Musicians & conductors
Musicology
Scholars
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container_title Early music
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creator Price, Curtis
description One of the first objectives of Early Music was to allow scholarship to inform performance. More than any other journal or medium, this it has done. Performers of early repertories lapped up what was served to them about rhythm, articulation, instrument design, tuning, pitch, singing styles, ornamentation etc, and zealously rendered all these things into the style, which has now been largely discredited, or rather subsumed into the mainstream. Here, Price talks about allowing performance to inform scholarship.
doi_str_mv 10.1093/em/cas150
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ispartof Early music, 2013-02, Vol.41 (1), p.77-78
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source Jstor Complete Legacy; Oxford University Press Journals All Titles (1996-Current)
subjects Classical music
Musicians & conductors
Musicology
Scholars
title Scholarship, performance and virtuosity
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